Blog

  • Published: Secret Occult Printing

    I’ve been published in a secret occult collection of essays that may be publicly available soon. It’s not the kind of place one would expect to find my work published, but it’s totally cool. I’m even on the cover. I saw a proof of the book today, and it’s got to be the most occultish book I’ve ever seen. I’m shocked that I made it in.

  • Advice to As

    When asked for advice from an aspiring artist, H. R. Giger’s agent wrote an excellent reply. It can be found under the last entry, scroll down towards the bottom.

    Aspirants to the Great Work would do well to interpret this and apply it to their own lives. Mysel

  • The Gospel and the Zodiac

    I just enjoyed a lecture given by Mnsgnr. Scott Rassbach on the Gospel and the Zodiac. He’s cool.

  • Recent Talismans

    I took advantage of the Alkaid election posted recently by Chris Warnock of Renaissance Astrology, and made myself a primitive silver talisman. The image of a melancholy man is beyond my capabilities, so I stuck with the image of a Bull.

    It’s not particularly beautiful, but I like it a lot. You can see, sort of, the image of Ursus Major engraved between the bull’s horns. I spent the afternoon preparing the talisman for the engraving, and that was my usual fun time of heating and beating the silver until it was large enough to give me the room I needed to engrave the horns and the rest of the bull freehand. I practiced a lot with different images of a bull on paper before deciding on the final image.

    I conjured the spirit of Alkaid to consecrate the talisman, and it was a very smooth spirit to work with. I felt a coolness, a very comfortable coolness of spirit. It’s not like other silver talismans I’ve made, and I like it a lot. I plan on using it with the Box to interview the Intelligence of Alkaid.

    I also made a Moon Talisman of Gabriel relatively recently. I did it during the Mercury Retrograde, but I haven’t felt any ill effects from it. On the contrary, this is my favorite Gabriel Talisman I’ve ever made.I was going to use the image from Considerations for Monday from the Heptameron, but I checked the comparison link from the Golancz folio, 35a in Joe Peterson’s comments and I liked it better. It felt right, and even though I was a little concerned about trying to engrave the two 6 images, I decided to take a chance. In the Hour of the Moon on a Monday, I engraved it free hand, and it went so smoothly I was shocked. In trying to engrave the image from the Magical Calendar, I ran into a lot more difficulty.

    One thing I’ve noticed about this talisman is a complete lack of tarnish. The Alkaid talisman is a week or so younger, but it is already beginning to darken, as silver talismans do. They don’t turn black over night or anything, but they are shiny bright when first beaten out and polished with a dremel tool attachment, and then sort of … get darker. They lose their shiny newness.The Gabriel talisman almost glows in the dark. I used the same dremel, and I believe they’re both from the same silver coin that I melted and cleaned out magically a while back. (I have lumps of various planetary metals scattered around my garage.)

    I’ve used this talisman with the Box already, and the presence of Gabriel was tangible in the air. He spoke in a clearer voice than I’ve heard him use before.

  • Some sample feedback on the Angel Grimoires…

    I received a bit of feedback this morning from on the grimoire from one of the recipients. He said some generally kind and praising things, and then said:

    "Now the criticism part of the e-mail.   I would have liked some more angels in the grimoire or maybe some magical advice or guidance the archangels have themselves given to you.  Have you tried lesser angels in this system?  If so record what you did and your results so that the readers can experiment for themselves. "

    I think this is excellent advice, and would be a worthy addition to future revisions.

    Now I’m mentioning this because the guy went on to say, "I hate handing out negative advice I am always afraid someone will take it the wrong way."

    I want to tell everyone who got a draft of the grimoire: I write for a living. I have VERY thick skin. Satan is a kind and gentle friend compared to the editors I’ve worked with in the past.

    This is NOT negative advice. This is constructive criticism. I need honest feedback to make it the best it can be. I’ll be charging for this thing, and I want it to be worth the money.

  • Magical Projects

    “A project is a finite endeavor (having specific start and completion dates) undertaken to create a unique product or service which brings about beneficial change or added value.” – from Wikipedia’s Project Management entry.

    As you may know, I’m a priest in the cult of Project Management (PM). It’s supposed to be a business methodology for accomplishing projects successfully and efficiently. Wikipedia says it’s a discipline, but in real life, the disciples of PM are the true believers, the Project Management Office in major corporations are the Priests of their true God, and the rest of the team are heathens claiming to be converts to keep their jobs. The QA team is the Holy Inquisition, audits are their inquests, and …

    Ok, I can see I’ll slip off into some weirdness if I keep comparing my job to a religion. So to the point!

    Each project has a “life cycle” that can be broken down into basic phases. Initiation, Planning, Execution, Monitoring and Control, and Closeout. It’s all pretty much common sense, but having it codified makes things a lot easier to figure out how to make things work. It provides a template for developing your projects efficiently.

    In my Great Work activities, I find that using the simple approach of PM helps immensely. It’s not something I have to do nearly as strictly, but it provides a framework within which I can work and excel.

    Usually when you decide to do a ritual, it’s in response to a need that has become apparent to you in your life. Obvious, eh? I know, but writing it down helps the rest of the post.

    When you’ve identified that something needs to be addressed Magically, you can enter the “Initiation” stage. In this stage, you identify what you want to happen, the result, or “deliverable” of the project. You identify when you want to start the project, and when you want it to finish. You loosely identify the scope, that is, the area of impact of your ritual, and put into writing exactly why you need or want to use magic to accomplish this result. You also figure out whether you can actually do the magic, whether you have the resources of time, skill, and information available to accomplish your desired result.

    Many ideas for projects get tossed in the trash can after this phase in business. The place I work added a pre-initiation phase to their projects called “Discovery” to eliminate the number of projects that got started and shit-canned along the way. It saved them a lot of money because one person can do the discovery phase in a major corporation, while to do the Initiation phase properly, you end up using a lot of people and wasting everyone’s time and cash.

    Magicians don’t have to worry about that. The primary value of going through the steps of an Initiation Phase in magical projects is that you have a time set aside to really think about the ritual and put some things in writing so you don’t lose focus along the way. When you’re finished with you Initiation Phase, you should have everything you need to begin the Planning phase. You should have on one piece of paper:

    • A start and finish date
    • A Statement of Intent
    • A paragraph or two explaining what it is you expect from the ritual, and how you want it to manifest.

    The next phase is Planning. In this phase, you take your deliverable and reverse engineer the requirements and processes you’ll need to be able to perform the ritual. In this phase, you identify what kind of spirit you’ll be working with, for example, Angels, Daimons, Gods, or Heroes using Iamblichus’ classifications of spiritual entities. You identify the planets, astrological influences, or which specific spirits you’ll be working with. You identify the prerequisites, like whether you need to be more in tune with a particular power to be able to direct the subjects of a particular spirit. You gather information about what herbs, incenses, or elemental forces that are in harmony with your intent.

    When you are finished with this phase, you will have a list of all the things related to your ritual that you will be using to perform the ritual. Writing these things down in bulleted lists grouped by subject area is an exercise that makes the following phase much easier.

    The next phase is the Design phase. In this phase, you actually write up the ritual. On Mars day in Mars hour, you burn Mars herbs and call upon Martial Intelligence, Martial Spirit, and the Elemental King of Fire in the Martial Names of God while wearing the Martial Lamen and tracing the Seals of the spirits you will be working with. You’ll write out your oration notes, and develop your basic Playbook. This is a document that details each step of the process you will be doing during the next phase, Execution. Personally my “playbook” will be written on 3×5″ cards. The Orations are usually just noted with the specific names of the beings, and I have place holders for when I’m supposed to ring a bell or light incense or trace particular seals using particular elemental weapons. When this phase is complete, you should have the following:

    • A playbook that has detailed instructions and sequential process steps noted and arranged in the appropriate order
    • A checklist of things that need to be in place before you take the first step in the playbook.

    Once you have all the planning and design finished, and you know specifically what you will be doing during the ritual, you’re ready to begin the Execution phase. In this phase, you gather all the ingredients you’ve identified in your requirements, and you make sure you’ve got everything you need ready to go at the right time identified in your playbook. This is the phase where I’ll be melting the copper and banging it into a disk to engrave in the appropriate hour, or performing preparatory kinetic meditations, or seeking initiation into the spheres I’ll be working with if I haven’t worked them before. This is the time that you set up your altar, if it isn’t set up already. This is the time you make sure all the candles are in their holders, the lighter has fluid, and the charcoal is sitting in the brazier ready to be lit. The last thing you do before the Execution phase is complete is perform the ritual you have designed.

    The next two stages are the ones most magicians don’t bother with. In Monitoring and Control, you are supposed to be watching how the ritual you did is unfolding in your life. You’re supposed to be checking to see that things are working as designed. Unfortunately, Crowley with his warnings about “lust for results” and the Chaos Magic meme’s insistence on banishing with laughter and forgetting that you even did the rite have made a lot of magicians stupid. Between the time you perform the ritual and the time you expect it to manifest, you should be keeping tabs on the results without “lusting” after them. You do this by checking with the spirits to see where they’re at in their processes, and by paying attention to the subject areas of your life related to the ritual. If something comes up that is obviously going to fuck up the result, you take steps to implement your controls, processes you design into the ritual to mitigate unforeseen risks to the successful completion of the project.

    The final phase of a project is the Closeout stage. In business, this means you’ve delivered the deliverable, you’ve made sure it’s working, and you pass on responsibility of ongoing maintenance to the appropriate business area “owner.” In magic, you enter this phase when the result has been accomplished. You clean up any offerings that were left out for the spirits, you send your spiritual thank you notes to the spirits that attended, and you write up the results of the ritual in your Magical PM log. This write up should include any lessons you’ve learned that will make future projects go more smoothly.

    Chances are you already use a process similar to this in your own Work. the steps are common sense, after all, but maybe you don’t bother writing anything up along the way. By taking the time to formulate your statement of intent and the requirements and the playbook and the documentation of the manifestation and lessons learned, you’ll have more repeatable, traceable, and consistent results. The planning that goes into each phase will help you identify any potential gaps that could become “showstoppers,” the things that will totally derail your intended manifestation.

  • Published: Rending the Veil

    I got featured!

    The editor at Rending the Veil online magazine and I cleaned up an old blog post of mine about conjuring spirits, and it’s the “Feature” article of this edition, so far.

  • Conduct Unbecoming a Magician

    HERMES, the God who presides over language, was formerly very properly considered as common to all priests; and the power who presides over the true science concerning the Gods is one and the same in the whole of things. – Iamblichus, On the Mysteries

    I’m guilty of a terrible crime. If I belonged to an Order, a militaristic organization of magicians with a hierarchy of supervising rank and file to whom I would be accountable, I’m sure I’d frequently be demoted for Conduct Unbecoming a Magician.

    Fortunately, I belong to no such Order. There’s no person who has been through more initiations in charge of me. There is no committee of flesh and blood to which someone can report me. There is no chain of command that I must obey.

    There is no code of conduct.

    People have these rather stupid ideas of what someone who is “into magic” should look like. They have these ignorant expectations of how Adepts, Masters, and Illuminated Saints ought to behave. They think we should all be like Jesus, turning the other cheek, striving to be gentle and kind, never cursing, never harsh, never subject to raw emotion. As a result of the refinement of the process of the great Work, we’re supposed to be Heroes, with the powers of the Gods and the approachability of mortals.

    I’ve met some really powerful magicians, folks who are incredibly illuminated. You can feel the power of their spheres radiating outward from them into the universe around them. Talking to them leaves the weak-willed fawning and gibbering like tweens at a Jonas Brothers concert.

    They get angry, depressed, and violent like anyone else. When they do, the world has suddenly collapsed for these dweebs, and they’re left looking like the little girl dressed up like Princess Padme-Amidalla in the Natalie Portman interview video I posted a while back.

    Now don’t be all thinking I’m bitching about people that I think I’m better than. I’m not. I have these stupid pedestals in my heart and mind that I put people on too. I’m no better. I’ve learned to take it in stride when my heroes turn out to be human, though. I’ve lowered my expectations. I try to remember some basic things when I meet people I think are really cool:

    • Jesus took a shit. Daily. Even his digestive system was perfect.
    • Siddartha farted in his hand and sniffed it.
    • Penor Rinpoche declared Steven Seagal a tulku.

    These three little precious jewels serve to remind me not to set unrealistic expectations on people that they can’t live up to.

    WTF does any of this have to do with Iamblichus?

    It has a lot to do with the opening he made in his refutation to Porphyry: HERMES, the God who presides over language, was formerly very properly considered as common to all priests.

    Hermes, the god who presides over language. Patrick Dunn has provided a better explanation than I can about the role of language and symbol in magic in Magic, Power, Language, Symbol: A Magicians Exploration of Linguistics. If you haven’t read it, you should. We who are Hermetic Magicians are priests of the god of Language. As a Christian, a believer in the Word of God made flesh, I am even more aware of my role as priest to this god in my magical practice.*

    Language is symbolic of something else. There’s a difference between the words we use and the things we refer to, the meanings of the words. Different people have different meanings for the same words.

    It’s important that we understand that words and our interpretations of them are not the things they represent. Hierophants, for example, are simply “interpretors of the Mysteries.” They aren’t perfect ascended masters, wizened and ready to do everything perfectly in every interaction with every person. There is no job description for Hierophant that includes “having reached my idea of what a Hierophant should be.” Anyone who can interpret the mysteries in a way that provides initiation into the mystery to those seeking his or her advice is qualified. If you expect your Hierophant to be perfect, you’re in for a shock.

    The same is true for any spiritual mentor. If the person you’re learning from is in the flesh, they are capable of being wrong about things. Don’t deceive yourself, or you’ll be running head first, full speed towards disappointment. Keep your definitons real, your expectations managed, and at the same time strive for the ideal, knowing that the words, symbols, and entities we interact with are representative of the ideal, not the ideal itself.

    * No, I don’t have Hermes as a god before God. That’s against the Law.

  • Free Modern Angelic Grimoire Offer has Ended

    The last of the free versions of the Modern Angelic Grimoire went out last night. Thanks for the many responses, and those who received the drafts, I ask that you send any feedback on errors, grammar, content, or usability after you've read it. Any questions about specific aspects, or requests for more detail will likely make it into future revisions.

    So far the best editorial critique I've received has come from Fr. Servitor Lucem, a wascawy wabbit who really DOES magick. (Shocking, I know!)

    Kathy McDonald (whose outstanding Work has been documented on the Solomonic and Ritual MAgic yahoo groups if you havent' read them) made some excellent comments as well, and that lead to correcting the spelling of the Tzadkiel lamen in the final version (It's a Qoph, not a Kaph).

    Their critiques made Version 0.3 the best of the lot. I can't thank them enough.

    I'm probably going to work with Moloch and his publishing outfit to get some hard copies available, eventually. For now though, if anyone wants an electronic draft, you can have a PDF emailed to you for a donation (minimum of $7.95, USD).

    By the way, I accept donations through paypal at my blog site now for anyone who wants to make me rich. It's that little button on the right up in the corner.

    Feel free to give me your tithe. I promise to make sure it goes to the Lord's work. 🙂

  • The Sun

    Ok, Try looking at This Link for my attempt at a fun video. It works on my computer, I’m hoping it works on yours. Oh, and Fin, you will need sound. 🙁