Rufus Opus

Tag: Teachings

Tag: Teachings

  • Sleep Paralysys, Night Hags, and the Work

    A friend asked me if I thought Sleep Paralysis or the Night Hag experience was greater or worse for people doing the Great Work.

    Starting with the basic cosmology, I believe the world as we know it is filled with spirits that we can’t see. Angels, fallen angels, elementals, and all the spirits of the dead that stick around this side of heaven, you know the drill.

    When we have strong emotions, we put off a certain kind of “energy” that can be sensed in a room or even a house. Some of the spirits we wade through every day can absorb nutrition from these strong emotions, the kind usually triggered by the amygdala.

    In order for the hags to be ble to feed off someone, they’ve got to be going through some kind of emotional duress or stress that has their amygdala working over time. Whatever the clonazepam does in the brain seems to patch this leak up in most people.

    The wandering hag spirit gets the scent of the leak and goes in for a free meal. Like a lamprey, the spirit attaches itself to the leak, and I believe it has something like the anesthetic saliva of a mosquito. this triggers that “I can’t move” effect in the brain, and if we wake up during the attack, we can’t do anything about it.

    As a magician pursues the Work, they’re patching up the holes, and learning new ways to deal with life that slowly eliminate the creation of any new leaks. So there’s less to feed on. We aren’t putting out a banquet every night for every wandering spirit.

    However, in the early stages, and especially during a Tiphareth Initiation, there’s usually a lot of pain involved. The “Gethsemane” experience, I like to call it. Crowley talks about the pain of a Tiphareth initiation in Liber XCV, “The Wake World.”

    “This Sixth House is called the Treasure House of Gold; it’s a most mysterious place as ever you were in. First there’s a tiny, tiny, tiny doorway, you must crawl through on your hands and knees; and even then I scraped ever such a lot of skin off my back; then you have to be nailed on a red board with four arms, with a great gold circle in the middle, and that hurts you dreadfully. Then they make you swear the most solemn things you ever heard of, how you would be faithful to the Fairy Prince, and live for nothing but to know him better and better. So the nails stopped hurting, because, of course, I saw that I was really being married, and this was part of it, and I was as glad as glad;”

    So until you get to the married part, if you haven’t done the Work in the previous spheres, you may have more hag experiences as the skin is scraped on your back.

    Also, as you progress in the Work, you begin to interact with the spirits more, and you get a few that hang around you. They tend to scare away the more aggressive spirits, wake you up before anything can happen, or just beat the shit out of the hungry ghosts that dare to infiltrate your sphere. Depends on the familiars you attract and work with.

  • Fourth Pentacle of Jupiter Results

    Well, that certainly didn’t take long. In the first weekend after creating the talisman, I enjoyed a very pleasant inflow of cash, and multiple long-term opportunities for multiple revenue streams.

    While I was hoping for a cash-cow, single-source bonanza of stupid-wealth, I never quite BOUGHT the lotto tickets, which pretty much ensures no winning there, eh?

    Anyway, I’m very happy with the results. Here’s a brief list:

    • Spouse landed a part-time job watching a friend’s son before and after school, adding about $600 a month to our income; there’s a chance another friend of hers is going back to work as well, and will need someone to watch her son too
    • Spouse had biggest weekend to date in Avon Sales after last week’s Work
    • My “Products and Services” have sold more in the last week than they did in the last year

    There were a few other things that happened rather positively in general. Respiratory infections we’d been fighting since October have left the house. It feels like a gentle “Happy Blanket” has descended on our house, for the most part, except for the ongoing low-grade warfare with my spouse. I scored a professional-grade laser printer-copier-scanner-fax for free. A bunch of other stuff that builds up wealth over time is coming into fruition at the same time.

    Note that even though the Gematria of the figure could be Jupiter-Taurus, and the ritual itself is Jupiter-Cancer, the actual manifestations so far have been in keeping with Jupiter in Capricorn, slow steady, carefully measured growth.

  • The Fourth Pentacle of Jupiter from the Key of Solomon

    I’ve decided to make a talisman of the fourth pentacle of Jupiter from the Key of Solomon. The timing is all wrong, at the moment, and it would be a while if I waited until the stars were aligned right. So this post is about how to make the best of a bad astrological timing through the conjuration of spirits.

    Mathers‘ edition of the Key of Solomon has the following to say about the Fourth Pentacle of Jupiter:

    The fourth pentacle of Jupiter.– It serveth to acquire riches and honor, and to possess much wealth. Its angel is Bariel. It should be engraved upon silver in the day and hour of Jupiter when he is in the sign Cancer.

    Being the erudite occultist that you are, you are no doubt aware that Jupiter is not in Cancer. Nor will he be until June 25, 2013, five years and three months from now. How do we make an effective talisman for a spirit that is specifically supposed to be made at a time that’s beyond our reach? No matter what we try to do now, when Jupiter is in Capricorn, we aren’t going to be able to have it be as propitious as it would be if the timing were absolutely right. But we can try to come close.

    The first thing we’re going to need to do is create the same kind of astrological influences as we would have if the timing were right. We’ll need something to bring in the forces of Cancer to create a backdrop, and then something to bring in the forces of Jupiter to focus those forces through his lens. Since I work so much with the angels of the spheres, I elected to use Muriel, the Angel of Cancer, and Tzadqiel, the Archangel of Jupiter to bring their influences to bear upon this talisman.

    Considering that I’m trying to replicate the sphere of the constellations being in a particular relationship to the sphere of Jupiter, I thought it would be a good idea to draw out the talisman with an additional two spheres represented.

    When I look at any seal that is made of circles, in my mind’s eye I see it as a cross-section of a sphere. The center circle represents the core of what you’re trying to manifest in the mundane realm. Around that is usually some specific manifestation of God or his representatives. Each space between concentric circles represents a particular sphere, and within that sphere you write the symbolic representations of the forces of the higher sphere that you are depending on to make what you want in the center sphere manifest.

    So in the center sphere of the Fourth Pentacle of Jupiter, there’s the Name ADNI on one side of the seal, and the Name Bariel written on the other side. Within the center is the figure that represents what it is we want to manifest, riches, honor, and much wealth. I personally feel it is a derivative of the geomantic symbol “Joy, Laughing, Healthy, Bearded.” It’s in Agrippa’s Three books of Occult Philosopy, Book II, chapter xlviii. Page 398 for those with Llewellyn’s Tyson translation, or here for people looking for a link.

    In the table of geomantic figures, the figure is listed as corresponding to the planet Jupiter and the constellation Taurus. That makes sense. Because the intent of this talisman is to pull down not only the wealth and riches that a luxury-loving Taurus would desire, it is inscribed in silver when Jupiter is in Cancer to include the manifestation of honors and glory that come with Jupiter in Cancer.

    Around this inner circle is inscribed a star of David and Psalms 112:3 “Wealth and riches are in his house, and his righteousness endureth for ever.” The Star of David represents the “as above, so below” principle of the Emerald Tablet, and the Psalm describes what part of the above should be made to manifest below, specifically wealth and riches.

    Now, since I’m not in the mood to wait five years for this ritual, I created another circle around this inscription. Within this sphere, I wrote out the name and seal of Tzadqiel and the planetary images of Jupiter. These are all available within Agrippa’s Three Books, and I’m not looking up the reference for it right now. It’s where I found them though.

    Around this circle, I drew yet another circle and inscribed the name of Muriel, the Angel of Cancer along with its seal from The Magical Calendar. The end result is a talisman with four concentric spheres (fitting for Jupiter), with the Seal, the Versicle, Tzadqiel-Jupiter, and Muriel-Cancer represented.

    While drawing out the seal, I definitely felt the presence of Bariel, or at the least the forces represented by the seal manifesting. As I wrote out the versicle, the feeling of the presence became even greater. I felt a tingling in my forehead, which was not anointed with Abramelin oil or any other substance that might have made it feel odd. This spread around my head, and I felt quite stoned by the time I was finished with that part of the talisman.

    I finished the other parts of the talisman another day, in the hour of Jupiter. Before beginning, I conjured my HGA, and then I conjured Tzadqiel to bring the forces of Jupiter to bear and Muriel to bring the forces of Cancer to bear. Within their presence, I wrote out their seals on the talisman. Later tonight, since this is the Jupiter Day, I will be performing a full consecration as I paint the image. I don’t have the tools to inscribe a finely detailed silver talisman at the moment, and to make it big enough to capture all the details, I would need quite a bit more silver than I have on hand. As a result, I’m sticking with Virgin Parchment and paint in the appropriate colors from Agrippa.

    Note that for the conjuration I will be using the modified formal conjuration I discuss in my ebook A Modern Angelic Grimoire, available for purchase from my web site.

  • Familiar Spirits vs. Servitors

    I received an interesting comment on the Fetching a Fetch post yesterday:

    What actually are the difference between a servitor and a familiar? I think that a familiar can be, but not necessary a servitor.

    Regarding the differences between a familiar and a servitor, the primary difference is this:

    A familiar is a real spirit either conjured by the magician from the dead or granted to the magician by the spirit’s “boss” in the hierarchy. They may function as a servant, and that’s fine.

    Servitors, on the other hand, are usually just figments of a Chaos Magician’s wishful thinking.

    Servitors are a construct of the Chaos Magick movement. Chaos magicians generally believe in a blend of the energy and psychological models, that everything is made up of energy, and whatever we experience spiritually is the result of our own perceptions and beliefs, and that if it affects reality, there’s probably a rational, scientific explanation that has no need for actual objective spirits to exist. They believe energy is manipulated by belief, and that a servitor can be created entirely from the magician’s own expectations, energy manipulations, and the power of their belief.

    How they can hold this philosophy is completely beyond me. If belief were the sole source of experiential reality, insane people really would be whatever they thought they were. I’ve experienced enough mentally ill people to know that no matter how true their faith in their delusions might be, their delusions are not real. Not one of the Napolean Bonapartes in Belleview lived in Elba. The homeless Viet-nam vet on crutches muttering about how he’s the son of David, the last Sun King, really believes what he’s saying, but that belief doesn’t make him the brother of Solomon, nor does it transport him mystically and magickally to the streets of Jerusalem. Even though he REALLY believes that’s where he lives. (This is a real guy, he lived in Denver when I was a teenager, and tried to convince me I was also a Sun King at a coffee shop one day after some punks had beaten him up and taken his vodka and spare change.)

    That doesn’t mean I don’t believe some servitors are actual spirits. Take Fotamecus, for instance. This time-manipulation servitor allegedly became an egregore after being exposed to the energies of a rock concert (or something like that). As time went by, Fotamecus grew in power and was gunning for Chronos. Magicians across the world experienced Fotamecus.

    However, the primary “creator” of Fotamecus has recently begun to understand that the spirit existed long before he was “inspired” to create the Fotamecus sigil and go through the operations he’s experienced.

    Similarly, studies of the different grimoires indicate that there are nephesh, shades of the dead that can be conjured and used as servants. When a Chaos magician creates a servitor and has results with it, I believe it’s because some wandering shade has inhabited the form of the servitor and is causing the effects. Again, it’s a real spirit; it’s just taking advantage of the thought-form of the magician. This is evidenced by the experiences people who have useful servitors and tulpas have recorded.

    Tulpas are familiar spirits from the Tibetan magickal systems that are allegedly created by the magician. The magician imagines the form of their spirit, and over time practices extensive visualization of the thing, empowering it, treating ti as if it were real, making offerings, and so forth. After a couple of months of consistent effort, the tulpa is as real as any familiar.

    However, after a while, the Tulpa inevitably begins to change. It changes its form and function. The spirit that has inhabited the visualized form of the magician takes over the construct, and it begins to look and act the way its nature demands. It’s not long before the spirit is obviously not what the magician imagined it to be, and the magician is then forced to eradicate the tulpa, a process that can take six months.

    Now I know there are lots of people who think they have created tulpas, and who theorize about them based on the writings of charlatans and frauds, and they write a bunch of untested bullshit that doesn’t work and publish it to the web. Google will provide hundreds of sources that will disagree with me, I promise.

    Check into the experiences of people like Alexandra David-Neel, who spent some fourteen years in Tibet and actually created a tulpa. Compare their experiences and records with the theories and claims of the popular servitor/tulpa movement, and you’ll quickly recognize the difference in tone. Truth strikes a chord that BS just can’t. She and others who actually perform the ritual creation of a tulpa record the same end: the spirit changes, revealing its true (and usually disturbing, vampiric) form and the magician is forced to banish it from their lives.

    Before anyone gets too upset, I’ll close with the caveat that your mileage may vary.

  • Fetching a Fetch

    Lately I’ve become enamored of the idea of having a “Fetch. A Fetch is another name for a familiar spirit, the kind usually given by the demons of the Abramelin rituals, or conjured from a graveyard at night in some other grimoires, like the Sefer ha Razim.

    From Wikipedia:

    In early modern English witchcraft or Superstition, a familiar spirit, commonly called familiar (from Middle English familiar, related to family) or imp is a spirit who obeys a witch, conjurer, or other users of the supernatural, and serves and helps that person. Although they may not be as intelligent as their masters, they are often as intelligent as the average human. Familiars often perform domestic duties and help in farming, but also aid the person in bewitching people. If they look like ordinary animals, they can be used to spy on their masters’ enemies. These spirits are also said to be able to inspire artists and writers (compare with muses). The familiars of some practicers of black magic also defined the characteristics of their owners. Some reclusive wizards rely on familiars as their closest friends. In demonology, it is said that many demons have the ability to grant to a conjurer a familiar to aid them.

    (More at: http://en.wikipedia.org/wiki/Familiar)

    I’ve loved the idea of having a fetch ever since I read a story by Lovecraft that involved the main witch character having a white cat-like thing as a fetch. Unfortunately, I’ve never had any reason to have one. Most of the things they are used for in stories and legends I can do for myself. I don’t farm, hexing people is generally bad form, in my opinion, and I’ve already got Bune to help with inspiration for my writing. Burning a tea lite candle is enough to get me motivated for a project, it seems.

    In spite of not having any reason for having one, I’ve got a method I’m itching to try out from the Sefer ha Razim. It involves heading to a graveyard at night, reciting the names of the angels, and performing the appropriate oration. Pretty simple stuff, and there’s as pillar of smoke involved.

    But I just can’t justify it. Doing magick for its own sake isn’t worth it to me. I’ve found that there are all kinds of unexpected side effects for every ritual, and without a pressing need, there’s no point in linking myself to the dead that I can think of. Rather disappointing, I must say.

  • 3.2 – Using the Glyph in Practice

    Once the Altar was laid out appropriately, methods of using the Glyph in practice came naturally.

    The binding of the Demonic Kings immediately cut off a great deal of mischief in my life. People at work that were obstacles to accomplishing my work suddenly became too distracted doing their work to give me grief, and began giving me the information I needed to do my job quickly to get rid of me. The kids behaved better. My spouse and I understood one another better. I quit running over curbs. (This is a big deal. For some reason, I’ve been running over curbs a lot in the last few years. It twisted the frame of one van, and popped the tire of another.)

    The placement of the elemental Kings in their appropriate locations (that is, not the traditional GD quadrants) brought me into harmony with the tiny parts that go into the moments I experience. The first few days, I had supra-luminescent vision, that transcendentalist-painting-vision, where the underlying divinity of all things is bursting through the edges of the forms they’re wearing to manifest in. I performed (successfully) workings within the elemental kingdoms for the first time in my magical career since leaving behind the 21 Lessons of Merlin. (Don’t read it.)

    My elemental weapons have gained a “shine” to them that wasn’t there previously. I don’t feel at all silly using the wand or dagger like I used to. They’ve become a natural extension of my Work. The Elemental realms themselves appear at the edges of my Altar space in the astral temple I use. My favorite is Raphael standing on the windswept mountains of the West. Reminds me of Colorado.

    The Planetary Talismans… Well, let’s just say things are going as well there as they are everywhere else in my Work. I’ve been doing a lot more Work with Michael in the Sun for others as part of the Solar Attunements included with the Genius rites I have performed for people, and it’s been… wonderful. I can’t recommend highly enough the importance of having a talisman for each planet on your altar arranged in the right place. Wonderful.

    Enough of the Bliss. It’s good, trust me. But the practical benefits are awesome too. Having the Talismans in their appropriate place in the physical representation of my magickal sphere has resulted in the effects of those planets integrating in ways I didn’t expect. I can be fifty miles away from home at work, and feel a planetary influence, conjure the archangel or one of their legions, and receive something I need right then and there. The communications are bi-directional, and the results are cumulative.

  • 3.1 – Putting it all Together: The Altar Layout Revisited

    The first thing I did, being the pragmatic Tech-writing Taurus that I am, was to draw up the Glyph on my computer. It’s easier to do concentric circles and save them as images in Visio. What I ended up with is this:

    As you can see, there aren’t seven circles for the spheres of the planets, or four for the elements as you might expect. I drew out all the spheres in earlier drawings, but they’re just too big. This suffices, and it has a circle for each of the primary items one works with as an incarnate magician.

    The inner three circles represent the sphere of the incarnate magician. They are divided into four quadrants, one for each of the cardinal points. In the innermost circle are the four Demonic Kings of the corners of the world. The brackets here represent their influence upon the magician being bound. Surrounding them are the Four Angelic Kings of the four corners of the World. These angels bind the influence of the Demonic Kings from the sphere of the magician. In the circle around the angles, I placed the elements as presented in Agrippa’s Scale of the Number Four.

    In the outermost circle are the planets. The order is very specific. If you look at the table in Agrippa’s Book 2, Chapter vii, you’ll see why they are placed where they are placed.

    The order of the planetary spheres as the spirit descends into matter is Saturn-Jupiter-Mars-Sun-Venus-Mercury-Moon. However, we’re already incarnated, and when we look up at the spheres from the world of manifestation, we’ll see them from the perspective of the material realm.

    Placing the planets in their respective quadrants as seen from below represents understanding the place of the incarnated magician in the cosmos. We are spirits, sparks of the Logos, of the Race of Gods. Our origin is from beyond the stars and the planets they influence. Yet our home, our sphere of influence is the material realm. We transcend through the realms of the planets to return to God, yet we retain our places in the manifest world, anchors, as it were, for the power of God to return with us to this realm.

    Not to get all loopy or anything. There’s only so much theory and metaphysics I can personally stand. It doesn’t mean anything if it doesn’t affect anything, in my opinion, and it was vitally important to get the harmony represented in the Glyph grounded in my sphere.

    Where is the magician’s sphere represented physically? Their altar, of course. It holds their elemental tools, the symbols of their authority over the essences that Plato taught combined to form all things. It’s also the Table of Practice, the key to working with the spirits of each realm. It represents the access point for the Magician. It’s the pivotal point between the realms Above and the realms Below. It represents everything spiritual in the magicians manifest realm.

    So I took the Key to Everything represented in the Glyph and put it in place on my altar. The first thing I did was bind the Demonic Kings in miniature Spirit Pots. Then I created miniature talismans of the Angels of the four corners of the Earth using the Kings of the elements in the Rider-Waite Tarot deck. Beside each of these cards on the Altar, I placed the Elemental weapons associated with the Corner. That was great for the physical sphere.

    For the planets, I placed the seven talismans in the layout in the outermost circle of the glyph. Outside the circle of the planets, I placed my Lamp, to represent the Source of all, the True Father, the Speaker of the Word who dwells in perfect darkness within the source of the radiating Light.

    Immediately I began to see the effects of cleaning up my altar space on my Work. The Spirits of the planets come more quickly, and every aspect of my life has been drawn into an increasing harmony. My credit has cleared up, my job has become more secure, communications that were blocked are open now. Questions I have are resolved quickly and “miraculously.”

    Everything isn’t perfect, of course. We’re still in the manifest realm. But I do have an insight and a position of stability and authority from which to oversee the sources and interactions of the forces behind the scenes in my life.

    Life is truly Good.

  • 3.0 – The Glyph

    Long ago, and far away, I began this series on the Neo-Platonic system. It began because I wanted to share the background that had lead up to the satori experience I had while studying Agrippa’s table on the Scale of the Number 4 (Book 2, Chapter 7 ). Everything I had been studying all came together in that moment, and the result was a compelling urge to map out what I was seeing on paper. Working into the wee hours of the morning with a compass and some folded paper to serve as a straight edge (the kids had broken my ruler), I ended up with a Glyph. This Glyph embodies the Great Work of the Magician, the realms of the spirits we work with in the material realm, the spirits of the seven planetary realms, and the role of the magician balanced in between the Above and the Below.

    Pretty neat, in my opinion. Not long after receiving it, I posted the information everywhere I could. I thought that just looking at the Glyph would bring instant Illumination to everyone who saw it. When people looked at it and said, yeah, ok, neat, and went on with their lives and Work, I thought they just didn’t have the background to see the awesome impact this Glyph can have on Ceremonial Magicians. Taking what it represents, taking the keys that are summarized in its concentric circles and the perspective of the layout, and putting it into practical use results in complete and total control of all things material and spiritual, from an enlightened and beneficent place of authority in the cosmos.

    So I labored on the different sections of this work with the goal of bringing everyone this power, illumination, and understanding of Life, the Universe, and Everything.

    Since the time that I got this Glyph, I’ve been using it to great effect in my Work. It really does do everything I thought it would do. But I’ve realized that it’s not going to be for everyone.

    Understanding now that this is a personal revelation, I’ve been putting off wrapping up the series. I intended it to be a climactic culmination that brought everything else together and sparked a mass enlightenment experience that spread like wildfire through my audience that has grown to a global scale. I no longer expect that to happen, but nevertheless, I hope this serves to at least inspire some of you on to your own Glyphs, your own empowerment, and your own harmony.

  • 2.7 – The Genius and the Evil Daimon

    The Genius and the Evil Daimon are entities with a long history in the Western Mystery Tradition. The idea of the good and evil spirits assigned to people is so ingrained in the American culture that I grew up watching cartoons that frequently showed a character with a little angel with a harp on one shoulder and a little red devil with horns and a tail on the other, each giving the person advice. More often than not, the character would listen to the devil. How typical of mankind.

    2.7.1 – The Genius

    The term “Genius” as I’m using it in this post loosely comes from Agrippa’s Third Book of Occult Philosophy, chapter xxii. Technically, “Genius” is supposed to refer only to one part of the three-fold good Daimon that preserves the person it’s assigned to. The three parts are the Holy part, which is roughly speaking the Holy Guardian Angel (HGA) of the Abramelin ritual, the Genius or “Nativity Angel,” a Spirit whose nature is determined by the placement of the stars at birth, and the Daimon of your Profession, who influences how successful we are at our chosen line of work. Agrippa refers to all three parts singularly in the title of the chapter, “That there is a threefold keeper of man.” Since it’s a singular entity, and he only gives instructions on deducing the name of a Genius, and not the HGA or Professional Demon, I’m referring to all three parts of this one entity as the Genius.

    The earliest reference to the Genius that I’ve found so far is in the Corpus Hermeticum, written in Hellenized Egypt. In The Divine Pymander, it says:

    54. I (the LOGOS, Pymander, shepherd of Men) … come unto men that are holy and good, pure and merciful, and that live piously and religiously; and my presence is a help unto them. And forthwith they know all things, and lovingly they supplicate and propitiate the Father; and blessing him, they give him thanks, and sing hymns unto him, being ordered and directed by filial Affection and natural Love. And before they give up their bodies to the death of them, they hate their senses, knowing their Works and Operations.

    This is the Logos talking about how he works with those who are pious. While it might look like a bit of a stretch, the Logos and the HGA are of the same Spirit. In Agrippa’s record written roughly 1200 years later, this corresponds to the Holy part of the Genius. Agrippa frames it thus:

    The holy Demon is one, according to the Doctrine of the Egyptians, assigned to the rationall soul, not from the Stars or Planets, but from a supernaturall cause, from God himself, the president of Demons, being universall, above nature: This doth direct the life of the soul, & doth alwaies put good thoughts into the minde, being alwaies active in illuminating us, although we do not alwaies take notice of it; but when we are purified, and live peaceably, then it is perceived by us, then it doth as it were speak with us, and communicates its voyce [voice] to us, being before silent, and studyeth daily to bring us to a sacred perfection. Also by the ayd [aid] of this Demon we may avoid the malignity of a Fate…

    Agrippa says of the Genius specifically:

    …when the soul is coming down into the body, it doth out of the quire of the Demons naturally choose a preserver to it self, nor only choose this guide to it self, but hath that willing to defend it. This being the executor, and keeper of the life, doth help it to the body, and takes care of it, being Communicated to the body, and helps a man to that very office, to which the Celestials have deputed him, being born.

    In other words, the Genius is what can guide you to the roles and responsibilities you are incarnated to accomplish.

    In addition, being the only part of the threefold keeper of human beings that you can get the name of from your horoscope, the Genius can also be used to establish conversation with the rest of the threefold keeper, including the HGA and the Daimon of your Profession. By “used,” I mean you can converse with it through conjurations and establish a relationship, discovering the things that are needed to be done in your life to prepare you for the next step in your Work.

    As you Work with your Genius, a momentum builds up. You don’t have to choose to be a decent, pious person always choosing to do good and be kind to small furry animals, or help old ladies across the street. You don’t have to choose to be offended by injustice when you see it. You don’t have to try to find wisdom or insight in your studies. And you don’t have to make yourself seek your Race and Value in God.

    Instead, you find yourself naturally doing these things. You find character flaws revealed, and the means to change them. You find yourself naturally pursuing Virtue over Vice. You stop sabotaging your progress towards your goals, and you find yourself knowing and understanding things intuitively about yourself and others around you. Glimpses of the future come in sureties felt in evaluating potential outcomes of situations. Mysteries unravel before your very eyes.

    This spirit’s influence on your life can be enhanced through practical exaltation of the spirits name, which I’ll discuss below.

    2.7.2 – The Evil Daimon

    Heading back to The Divine Pymander, it goes on to say:

    56. But to the foolish, and evil, and wicked, and envious, and covetous, and murderous, and profane, I am far off, giving place to the revenging Demon, which applying unto him the sharpness of fire, tormenteth such a man sensible, and armeth him the more to all wickedness, that he may obtain the greater punishment.

    57. And such an one never ceaseth, having unfulfiled desires, and unsatisfiable concupiscences, and always fighting in darkness; for the Demon always afflicts and tormenteth him continually, and increaseth the fire upon him more and more.

    Here is the Evil Daimon, sent by God to punish the wicked with insatiable desires. My experience with this entity leads me to believe that this Demon drives you to the point where you have to turn to God to find relief from your passions, or die of despair or overdose. If you refuse to do so, when you die you return as a more brutish man, or an animal, or even a plant according to Plotinus. The further from God you turn in your life, the further from God you result in your next, each incarnation resulting in less and less opportunity to turn from God until you are a plant with no choice but to turn to the Sun to live.

    People always have some degree of a relationship with this spirit. Like the cartoon characters listening to the little red demon on their shoulder, we have spent our lives listening to and following the advice of the evil daimon. A momentum builds up with the Evil Daimon just like with the Genius, and soon you find yourself surrounded by chaos and madness, if you give too much into the temptations this spirit whispers to you.

    Like the demons discussed in Section 2.6, The effects of the Evil Daimon can be curbed.

    2.7.3 – Working With the Genius and the Evil Daimon

    To Work with these entities, the first thing you’ll need is their name. These are discovered through your horoscope, as discussed in Agrippa’s Three Books of Occult Philosophy, Book 3, at the end of chapter xxvi:

    There are also the Arabians, and many others, and some Hebrews, who finde out the name of a Genius by the places of the five Hylegians, and making projection alwayes from the beginning of Aries, and the letters being found out according to the order of Hylegians with the Astrologers, being reduced into a known order, and being joyned together, make the name of a good Genius: but they draw the name of an evil Genius from the opposite Hylegian places, projection being made from the last degree of Pisces against the order of signs.

    Ok, did you catch all that? No? Well, fortunately I’ve got a spreadsheet I use to make the process a little easier. I don’t know how the renaissance magicians managed without the power of modern technology.

    I’ve got all the Hebrew letters associated with the degrees for the Good Genius and the Evil Daimon lined up with their appropriate degrees. To determine the name, you get a horoscope of the your birth, and write down the degrees of the sun, moon, ascendant, and part of fortune. Then you find the syzygy, and that’s the fifth letter of the name. The syzygy is the location of the moon at the closest full or new moon to the date you’re charting. To find this, you get another horoscope of the time of the nearest full or new moon, and write down the degree the moon is in. Pretty simple, eh?

    No, not really. It’s a bit of a pain in the hindquarters, honestly. But this is worth it.

    Once you’ve got their names, you can conjure and commune with your Genius by creating a Lamen of the spirit. Spell out its name in Hebrew in a circle with the names of God written around the perimeter. I use the Celestial Script from Agrippa, and the Lamen looks like this (That’s YHVH in the script, you’d need to change the name to use it):


    Poke a little hole in the top, and you wear it during the ritual. Conjure the spirit in a crystal or other scrying medium and you’re all set.

    On the flip side, you’ve got the Evil Daimon’s name. I intend to bind mine in a lead-lined spirit pot.

    In fact, I’ve got this idea for a multi-purpose talisman. I’ve got a log that I’m carving to serve as a means to exalt the Genius and bind the Evil Daimon at the same time. I’ll be burning incense and candles in the top where the Genius name is inscribed in gold leaf, and the Evil Daimon will be bound in the hollowed-out, lead-lined base.

    It should look something like this when I’m done:

  • 2.6 – Them Pesky Demons are at it Again…

    In the Neo-Platonic tradition, in the grimoires that comprise it, in the writings of Hermes Trismegistus that frame it, and in the writings of Agrippa that provide the most comprehensive resource of the modern occult, there are mentions of demons, maleficent spirits that cause trouble. I would personally rather believe that all spirits are basically neutral, and they don’t have any ill will in and of themselves towards humanity. Unfortunately, the Neo-Platonic writings (and my experience) fail to support this belief.

    Going back thousands of years, mankind has known that there are spirits that are out to make life miserable for humans. It’s in the Bible, the Hesiod, and in the African Traditional Religions. From the steppes of Siberia to the Amazon rain forest, shamans deal with evil spirits every day. Modern cultures have lots of rational ways to explain away the existence of demons, from anti-Christian rhetoric that says the Church is to blame for misrepresenting gods of other cultures (which is true, to a degree), to psychological models that say they’re all in our heads (which is also true, from the perspective implied by the notariqon ARARITA). Regardless of the veracity of these explanations, the pragmatic truth is that if you are doing magick regularly, you will run into spirits that will behave as if they are Demons.

    2.6.1 The Role of Demons

    Fortunately, we have the benefit of thousands of years of occult research on our side. We know from sources like the Bible and the Divine Pymander that the evil spirits are under the authority of God. If you’re into paganism, you’ll find in the story of Pandora’s box that evil spirits contained in a divine spirit pot were sent to plague mankind by Zeus after Prometheus gave us fire. They’re serving god. In the Divine Pymander, Pymander tells Hermes that the Evil Daimon is sent to the impious to drive man further away from the Logos by filling the senses with desire for more sensations than can ever be appeased. In the Bible, evil spirits are sent to set up kings to fall, to reveal the glory of God.

    They are sent by God into the world to wreak havoc in the lives of those who are ignorant of God. Their primary victims are those who have grown ignorant of their Race and Value in God and instead of seeking their Source, people who seek satisfaction in the things of the material world. Demons serve as tempters, bringers of illness, and they serve to create situations that result in spiritual advancement. They perform evil acts, but they do them to draw people closer to God.

    2.6.2 How Demonic Influence Manifests

    In your life, you’re going through all kinds stress that I can’t begin to know about. Job insecurity, financial woes, emotional problems, and sickness plague us all. Most of the people reading this blog have it pretty good compared to poorest of the poor on the planet, but that doesn’t make the problems we face any easier to bear in the moment.

    I don’t believe every bad thing that happens is the result of a demon, but they do happen to be present every time bad things happen. I’m sure it’s a coincidence, really. They could just be attracted to bad things… sure… that could be it…

    Alright, I really do think all bad things that happen are the result of demonic activity. I’m a Christian, for Christ’s sake. “We wrestle not against flesh and blood, but against powers, principalities, and wickedness in high places.” It’s the simple truth.

    They set the stage for pain and suffering, they sit at the edges of our sphere whispering thoughts that sound a lot like our own, speaking fear and doubt and anger and anguish and despair into our minds. They entice our senses with lights and shining things. They use the people at work like pawns to challenge us, to bring us to the brink of catastrophe. They influence kings, presidents, princes, senators, congressmen and women, people in power across the lands of the earth to create a realm that will drive those with an understanding of their race and value closer and closer to the Logos within.

    Pretty nasty, really. And as annoying as hell.

    2.6.3 How to Deal with the Bastards

    Demons are under God’s authority. God’s within. We deal with spirits in every ritual. We have the names of the demonic princes from Agrippa’s Book 2, chapter 7. We know how to make talismans and spirit pots. They can only do what they’re allowed to, and God sets the boundaries.

    The fastest way to lessen the effects of the evil spirits is to put the Demonic Kings in spirit pots and bind them with melted lead sealed with the Names of the four Elemental Kings. I’ve got a makeshift version of this on my altar at the moment. It hasn’t completely eliminated bad things from happening, but it sure has cut down on the extremes of my emotional reactions to bad things when they come. That in itself robs the demons of their powers over us and our lives.