Tag: Teachings

Tag: Teachings

  • 1.1 – Neo-Platonic Cosmology: How it all started

    The best encapsulation of the neo-platonic creation story that I’ve found is in the second book of The Divine Pymander by Hermes Trismegistus. (Check wikipedia for his story.) It’s simple and to the point. Christians like myself can identify enough parallels to feel at ease in it, and pagans can find enough other gods that they feel at home too. It’s a good little catch-all, and that makes sense when you study its history. Which I won’t get into here. Lots of debate around that, and I’d rather get to the point.

    My understanding of the Creation is summarized below. There’s a lot I’m omitting for the sake of brevity, but I’m trying to include the required pieces to to lay the foundation.

    In the beginning was essential God-the-Progenitor, dwelling in perfect darkness. In that perfect darkness, God still and always resides. By its nature, it radiates infinite pure light. In The Divine Pymander, Hermes Trismegistus is given a vision of the creation of the material realm. Within the infinite light appeared a great darkness, smoking as if it were on fire. Out of the infinite Light leaped a “certain holy Word” and that Word joined itself to the dark mass of Matter that came into being. When this holy Word entered the darkness, it separated into four realms. Fire leaped up highest to be closest to the infinite light, followed by Air, which seemed to hang between the Fire and Earth-Water below.

    Next, God created a Workman. This guy created seven governors, each with their own sphere, surrounding the realm of Matter. When he did, the Word leaped up and cohabited with the Workman. This being then set the spheres in motion, and the natural world began creating animals and plants.

    Meanwhile, God made Man in Its image. Man was the honored and beloved “brother” of the family. Eventually, after a lot went down (!), Man entered the physical realm, containing a spark of infinite God within, and yet also loving and being loved by Nature. We’re of two natures, mortal and immortal.

    The Spark of the Divine within is what gives us “authority” overt the elements, and the seven governors. We’re coworkers though, not masters and slaves.

    Ptolemy laid out the basic cosmology of the NP system. the center sphere is the sphere of Earth, surrounded by the sphere of Water, then Air, then Fire. Then there are the seven Spheres of the Governors. Each of these spheres is associated with one of the seven planets of classical astrology, the Moon, Mercury, Venus, the Sun, Mars, Jupiter and Saturn. Around these are the “fixt stars,” whose influence is primarily felt through the planetary governors. Beyond the stars is the realm of eternal light, and sitting in eternal divine darkness, radiating the light outwards and willing existence is the Primum Mobile, God.

    The following image displays the basic cosmology of the NP system:

    As you can see, there’s a hierarchy involved. Each successive sphere heading “outward” brings you further from the realm of matter and closer to the realm of God. This is the structure brought to Creation by Logos, the “holy Word” created or uttered by God-the-Progenitor.
  • 1.1 – Neo-Platonic Cosmology: How it all started

    The best encapsulation of the neo-platonic creation story that I’ve found is in the second book of The Divine Pymander by Hermes Trismegistus. (Check wikipedia for his story.) It’s simple and to the point. Christians like myself can identify enough parallels to feel at ease in it, and pagans can find enough other gods that they feel at home too. It’s a good little catch-all, and that makes sense when you study its history. Which I won’t get into here. Lots of debate around that, and I’d rather get to the point.

    My understanding of the Creation is summarized below. There’s a lot I’m omitting for the sake of brevity, but I’m trying to include the required pieces to to lay the foundation.

    In the beginning was essential God-the-Progenitor, dwelling in perfect darkness. In that perfect darkness, God still and always resides. By its nature, it radiates infinite pure light. In The Divine Pymander, Hermes Trismegistus is given a vision of the creation of the material realm. Within the infinite light appeared a great darkness, smoking as if it were on fire. Out of the infinite Light leaped a “certain holy Word” and that Word joined itself to the dark mass of Matter that came into being. When this holy Word entered the darkness, it separated into four realms. Fire leaped up highest to be closest to the infinite light, followed by Air, which seemed to hang between the Fire and Earth-Water below.

    Next, God created a Workman. This guy created seven governors, each with their own sphere, surrounding the realm of Matter. When he did, the Word leaped up and cohabited with the Workman. This being then set the spheres in motion, and the natural world began creating animals and plants.

    Meanwhile, God made Man in Its image. Man was the honored and beloved “brother” of the family. Eventually, after a lot went down (!), Man entered the physical realm, containing a spark of infinite God within, and yet also loving and being loved by Nature. We’re of two natures, mortal and immortal.

    The Spark of the Divine within is what gives us “authority” overt the elements, and the seven governors. We’re coworkers though, not masters and slaves.

    Ptolemy laid out the basic cosmology of the NP system. the center sphere is the sphere of Earth, surrounded by the sphere of Water, then Air, then Fire. Then there are the seven Spheres of the Governors. Each of these spheres is associated with one of the seven planets of classical astrology, the Moon, Mercury, Venus, the Sun, Mars, Jupiter and Saturn. Around these are the “fixt stars,” whose influence is primarily felt through the planetary governors. Beyond the stars is the realm of eternal light, and sitting in eternal divine darkness, radiating the light outwards and willing existence is the Primum Mobile, God.

    The following image displays the basic cosmology of the NP system:

    As you can see, there’s a hierarchy involved. Each successive sphere heading “outward” brings you further from the realm of matter and closer to the realm of God. This is the structure brought to Creation by Logos, the “holy Word” created or uttered by God-the-Progenitor.
  • Neo-Platonic Basics

    I’m in a bit of a quandary. I’ve been Working with this syncretic Judeo-Christian/Neo-Platonic system for a while now, based almost entirely on the the Three Books of Occult Philosophy by Agrippa. I’ve been reading Plato’s Timaeus, Plotinus’ Enneads, and Hermes Trismegistus’ s The Divine Pymander, and it’s all been percolating into a pretty strong brew within my sphere. When I hit the epiphany the other day, I was convinced it was a Universal Truth. I still think it is, but the general responses I’m getting are telling me that it’s not making the kind of impact it had on me. In general, I’ve gotten a “yeah, ok” response, when this is the Key to Everything! Well, at least I think it is. For me, definitely, and I don’t see anything that would indicate it wouldn’t be the Key to Life, the Universe and Everything in a much more more meaningful way than “42.”

    So, with that in mind, I’m going to be posting a series of NP basics so the foundation of the system I’m working with is documented somewhere. I see another book in my future. Distant future. 🙂

    So here’s the planned outline:

    1.0 – Overview Sections:

    • 1.1 – NP Cosmology: How it all started
    • 1.2 – The Harmony of the Spheres
    • 1.3 – Spirits: Why we Work with ’em, How we Work with ’em
    • 1.4 – Why we’re here: The Great Work in a NP Magical System
    • 1.5 – While we’re here: The Great Work in Action

    2.0 – Practical Sections:

    • 2.1 – The Lamp
    • 2.2 – About those Planets…
    • 2.3 – The Joys of Making Talismen
    • 2.4 – Elemental Kings
    • 2.5 – Spirit Pots
    • 2.6 – Them pesky demons are at it again…
    • 2.7 – The Genius and the Evil Daimon

    3.0 – The Glyph

    • 3.1 – Putting it all Together: The Altar Layout Revisited
    • 3.2 – Using the Glyph in Practice

    That should cover everything. Along the way, I’ll probably have other posts to make about some pet projects. I’ve started making my Genius/Evil Daimon… thing. Yeah, I’ll get to details on that later.

  • Neo-Platonic Basics

    I’m in a bit of a quandary. I’ve been Working with this syncretic Judeo-Christian/Neo-Platonic system for a while now, based almost entirely on the the Three Books of Occult Philosophy by Agrippa. I’ve been reading Plato’s Timaeus, Plotinus’ Enneads, and Hermes Trismegistus’ s The Divine Pymander, and it’s all been percolating into a pretty strong brew within my sphere. When I hit the epiphany the other day, I was convinced it was a Universal Truth. I still think it is, but the general responses I’m getting are telling me that it’s not making the kind of impact it had on me. In general, I’ve gotten a “yeah, ok” response, when this is the Key to Everything! Well, at least I think it is. For me, definitely, and I don’t see anything that would indicate it wouldn’t be the Key to Life, the Universe and Everything in a much more more meaningful way than “42.”

    So, with that in mind, I’m going to be posting a series of NP basics so the foundation of the system I’m working with is documented somewhere. I see another book in my future. Distant future. 🙂

    So here’s the planned outline:

    1.0 – Overview Sections:

    • 1.1 – NP Cosmology: How it all started
    • 1.2 – The Harmony of the Sphere
  • Neo-Platonic Basics

    I’m in a bit of a quandary. I’ve been Working with this syncretic Judeo-Christian/Neo-Platonic system for a while now, based almost entirely on the the Three Books of Occult Philosophy by Agrippa. I’ve been reading Plato’s Timaeus, Plotinus’ Enneads, and Hermes Trismegistus’ s The Divine Pymander, and it’s all been percolating into a pretty strong brew within my sphere. When I hit the epiphany the other day, I was convinced it was a Universal Truth. I still think it is, but the general responses I’m getting are telling me that it’s not making the kind of impact it had on me. In general, I’ve gotten a “yeah, ok” response, when this is the Key to Everything! Well, at least I think it is. For me, definitely, and I don’t see anything that would indicate it wouldn’t be the Key to Life, the Universe and Everything in a much more more meaningful way than “42.”

    So, with that in mind, I’m going to be posting a series of NP basics so the foundation of the system I’m working with is documented somewhere. I see another book in my future. Distant future. 🙂

    So here’s the planned outline:

    1.0 – Overview Sections:

    • 1.1 – NP Cosmology: How it all started
    • 1.2 – The Harmony of the Spheres
    • 1.3 – Spirits: Why we Work with ’em, How we Work with ’em
    • 1.4 – Why we’re here: The Great Work in a NP Magical System
    • 1.5 – While we’re here: The Great Work in Action

    2.0 – Practical Sections:

    • 2.1 – The Lamp
    • 2.2 – About those Planets…
    • 2.3 – The Joys of Making Talismen
    • 2.4 – Elemental Kings
    • 2.5 – Spirit Pots
    • 2.6 – Them pesky demons are at it again…
    • 2.7 – The Genius and the Evil Daimon

    3.0 – The Glyph

    • 3.1 – Putting it all Together: The Altar Layout Revisited
    • 3.2 – Using the Glyph in Practice

    That should cover everything. Along the way, I’ll probably have other posts to make about some pet projects. I’ve started making my Genius/Evil Daimon… thing. Yeah, I’ll get to details on that later.

  • Holistic Wholeness and Perfect Goodness

    Good news, everyone, I got it! I mean, I got it. I really got it.

    I had an epiphany last night and early this morning. I’ll try not to
    wax all mystical and ecstatic on it, but it was beautiful. It made
    sense of everything. Literally, everything. Birth, life,m death, struggles, woe, time, death, eternity, bliss, joy, it all wrapped up together around 4:30 a.m. in the following. The glyph is the key, ultimately.

    I’m not getting into the boring details at the moment, I’m just going to summarize. I posted this to Ritual Magick, so if you’ve been there, you’ll be wasting your time unless you want to hear me talk more about it. You should be working on this shit. I’ll be coming down with a minor messiah complex for a few days, but I DID do some conjuring in the name of Messiah at daybreak, so hey, what can you expect?

    Anyway, the result of my moment is the following layout for the altar:

    In the center, you place four sealed vessels that have the spirits
    of the Four Kings of the elements bound within, each in their
    appropriate quadrant:

    • South – Mahazael, sealed with the name Uriel
    • North – Azael, sealed with the name Gabriel
    • West – Azazel, sealed with the name Raphael
    • East – Samael, sealed with the name Michael

    Make sure you seal these demons in using something that you can let
    them out if you need them later in your existence, but you want them
    sealed unless they are actively performing something you’ve told them
    to do.

    Around these four sealed vessels, you place the following talismen
    in their appropriate quadrant:

    • South – Uriel~Ariel Talisman
    • North – Gabriel~Tharsis Talisman
    • West – Raphael~Cherub Talisman
    • East – Michael~Seraph Talisman

    These talismen should NOT use the seals of the angels as attributed
    in other grimoires. These are the four elemental Kings, not the
    Archangels of the planetary spheres that share the same names. To
    get the appropriate seal, conjure each of the Elemental Kings
    separately.

    Beside each of the Elemental Kings’ talismen, place the appropriate
    elemental weapon. The wand in the East, the Cup in the North, the
    Knife in the West, and in the South your own personal seal.

    You now have two circles on your altar, the infernal circle in the
    center, and the elemental circle around that. These two spheres
    *are* the material realm, and at the exact same time they *are* your
    personal Sphere as a magician.

    Starting in the South, place 7 planetary Talisman in the following
    order clockwise, 51.429 degrees apart (give or take a hundredth of a
    degree):

    • Moon
    • Venus
    • Jupiter
    • Mercury
    • Saturn
    • Sun
    • Mars

    These are the seven spheres that surround the magician’s sphere.
    These create the table of practice.

    That’s the physical manifestation of the Key. The Lamp should be
    placed outside this circle to the east. The Divine Darkness that
    Dionysius the Areopogate is outside the light.

    The altar is now complete.

    This is what mine looks like:

    As you can see, I’m using the four elemental kings of the Tarot as temporary placeholders for Michael, Uriel, Raphael, and Gabriel.

  • Holistic Wholene

    Good news, everyone, I got it! I mean, I got it. I really got it.

    I had an epiphany last night and early this morning. I’ll try not to
    wax all mystical and ecstatic on it, but it was beautiful. It made
    sense of everything. Literally, everything. Birth, life,m death, struggles, woe, time, death, eternity, bliss, joy, it all wrapped up together around 4:30 a.m. in the following. The glyph is the key, ultimately.

    I’m not getting into the boring details at the moment, I’m just going to summarize. I posted this to Ritual Magick, so if you’ve been there, you’ll be wasting your time unless you want to hear me talk more about it. You should be working on this shit. I’ll be coming down with a minor messiah complex for a few days, but I DID do some conjuring in the name of Messiah at daybreak, so hey, what can you expect?

    Anyway, the result of my moment is the following layout for the altar:

    In the center, you place four sealed vessels that have the spirits
    of the Four Kings of the elements bound within, each in their
    appropriate quadrant:

    • South – Mahazael, sealed with the name Uriel
    • North – Azael, sealed with the name Gabriel
    • West – Azazel, sealed with the name Raphael
    • East – Samael, sealed with the name Michael

    Make sure you seal these demons in using something that you can let
    them out if you need them later in your existence, but you want them
    sealed unless they are actively performing something you’ve told them
    to do.

    Around these four sealed vessels, you place the following talismen
    in their appropriate quadrant:

    • South – Uriel~Ariel Talisman
    • North – Gabriel~Tharsis Talisman
    • West – Raphael~Cherub Talisman
    • East – Michael~Seraph Talisman

    These talismen should NOT use the seals of the angels as attributed
    in other grimoires. These are the four elemental Kings, not the
    Archangels of the planetary spheres that share the same names. To
    get the appropriate seal, conjure each of the Elemental Kings
    separately.

    Beside each of the Elemental Kings’ talismen, place the appropriate
    elemental weapon. The wand in the East, the Cup in the North, the
    Knife in the West, and in the South your own personal seal.

    You now have two circles on your altar, the infernal circle in the
    center, and the elemental circle around that. These two spheres
    *are* the material realm, and at the exact same time they *are* your
    personal Sphere as a magician.

    Starting in the South, place 7 planetary Talisman in the following
    order clockwise, 51.429 degrees apart (give or take a hundredth of a
    degree):

    • Moon
    • Venus
    • Jupiter
    • Mercury
    • Saturn
    • Sun
    • Mars

    These are the seven spheres that surround the magician’s sphere.
    These create the table of practice.

    That’s the physical manifestation of the Key. The Lamp should be
    placed outside this circle to the east. The Divine Darkness that
    Dionysius the Areopogate is outside the light.

    The altar is now complete.

    This is what mine looks like:

    As you can see, I’m using the four elemental kings of the Tarot as temporary placeholders for Michael, Uriel, Raphael, and Gabriel.

  • Holistic Wholeness and Perfect Goodness

    Good news, everyone, I got it! I mean, I got it. I really got it.

    I had an epiphany last night and early this morning. I’ll try not to
    wax all mystical and ecstatic on it, but it was beautiful. It made
    sense of everything. Literally, everything. Birth, life,m death, struggles, woe, time, death, eternity, bliss, joy, it all wrapped up together around 4:30 a.m. in the following. The glyph is the key, ultimately.

    I’m not getting into the boring details at the moment, I’m just going to summarize. I posted this to Ritual Magick, so if you’ve been there, you’ll be wasting your time unless you want to hear me talk more about it. You should be working on this shit. I’ll be coming down with a minor messiah complex for a few days, but I DID do some conjuring in the name of Messiah at daybreak, so hey, what can you expect?

    Anyway, the result of my moment is the following layout for the altar:

    In the center, you place four sealed vessels that have the spirits
    of the Four Kings of the elements bound within, each in their
    appropriate quadrant:

    • South – Mahazael, sealed with the name Uriel
    • North – Azael, sealed with the name Gabriel
    • West – Azazel, sealed with the name Raphael
    • East – Samael, sealed with the name Michael

    Make sure you seal these demons in using something that you can let
    them out if you need them later in your existence, but you want them
    sealed unless they are actively performing something you’ve told them
    to do.

    Around these four sealed vessels, you place the following talismen
    in their appropriate quadrant:

    • South – Uriel~Ariel Talisman
    • North – Gabriel~Tharsis Talisman
    • West – Raphael~Cherub Talisman
    • East – Michael~Seraph Talisman

    These talismen should NOT use the seals of the angels as attributed
    in other grimoires. These are the four elemental Kings, not the
    Archangels of the planetary spheres that share the same names. To
    get the appropriate seal, conjure each of the Elemental Kings
    separately.

    Beside each of the Elemental Kings’ talismen, place the appropriate
    elemental weapon. The wand in the East, the Cup in the North, the
    Knife in the West, and in the South your own personal seal.

    You now have two circles on your altar, the infernal circle in the
    center, and the elemental circle around that. These two spheres
    *are* the material realm, and at the exact same time they *are* your
    personal Sphere as a magician.

    Starting in the South, place 7 planetary Talisman in the following
    order clockwise, 51.429 degrees apart (give or take a hundredth of a
    degree):

    • Moon
    • Venus
    • Jupiter
    • Mercury
    • Saturn
    • Sun
    • Mars

    These are the seven spheres that surround the magician’s sphere.
    These create the table of practice.

    That’s the physical manifestation of the Key. The Lamp should be
    placed outside this circle to the east. The Divine Darkness that
    Dionysius the Areopogate is outside the light.

    The altar is now complete.

    This is what mine looks like:

    As you can see, I’m using the four elemental kings of the Tarot as temporary placeholders for Michael, Uriel, Raphael, and Gabriel.

  • Holistic Wholeness and Perfect Goodness

    Good news, everyone, I got it! I mean, I got it. I really got it.

    I had an epiphany last night and early this morning. I’ll try not to
    wax all mystical and ecstatic on it, but it was beautiful. It made
    sense of everything. Literally, everything. Birth, life,m death, struggles, woe, time, death, eternity, bliss, joy, it all wrapped up together around 4:30 a.m. in the following. The glyph is the key, ultimately.

    I’m not getting into the boring details at the moment, I’m just going to summarize. I posted this to Ritual Magick, so if you’ve been there, you’ll be wasting your time unless you want to hear me talk more about it. You should be working on this shit. I’ll be coming down with a minor messiah complex for a few days, but I DID do some conjuring in the name of Messiah at daybreak, so hey, what can you expect?

    Anyway, the result of my moment is the following layout for the altar:

    In the center, you place four sealed vessels that have the spirits
    of the Four Kings of the elements bound within, each in their
    appropriate quadrant:

    • South – Mahazael, sealed with the name Uriel
    • North – Azael, sealed with the name Gabriel
    • West – Azazel, sealed with the name Raphael
    • East – Samael, sealed with the name Michael

    Make sure you seal these demons in using something that you can let
    them out if you need them later in your existence, but you want them
    sealed unless they are actively performing something you’ve told them
    to do.

    Around these four sealed vessels, you place the following talismen
    in their appropriate quadrant:

    • South – Uriel~Ariel Talisman
    • North – Gabriel~Tharsis Talisman
    • West – Raphael~Cherub Talisman
    • East – Michael~Seraph Talisman

    These talismen should NOT use the seals of the angels as attributed
    in other grimoires. These are the four elemental Kings, not the
    Archangels of the planetary spheres that share the same names. To
    get the appropriate seal, conjure each of the Elemental Kings
    separately.

    Beside each of the Elemental Kings’ talismen, place the appropriate
    elemental weapon. The wand in the East, the Cup in the North, the
    Knife in the West, and in the South your own personal seal.

    You now have two circles on your altar, the infernal circle in the
    center, and the elemental circle around that. These two spheres
    *are* the material realm, and at the exact same time they *are* your
    personal Sphere as a magician.

    Starting in the South, place 7 planetary Talisman in the following
    order clockwise, 51.429 degrees apart (give or take a hundredth of a
    degree):

    • Moon
    • Venus
    • Jupiter
    • Mercury
    • Saturn
    • Sun
    • Mars

    These are the seven spheres that surround the magician’s sphere.
    These create the table of practice.

    That’s the physical manifestation of the Key. The Lamp should be
    placed outside this circle to the east. The Divine Darkness that
    Dionysius the Areopogate is outside the light.

    The altar is now complete.

    This is what mine looks like:

    As you can see, I’m using the four elemental kings of the Tarot as temporary placeholders for Michael, Uriel, Raphael, and Gabriel.

  • 1.5 – While we’re here: The Great Work in Action

    Ok, so we’ve established what the Great Work “is” within the neo-platonic context in the previous installment of the NP Basics series. This post is about how it all unfolds in the life of your average Magician practicing the Great Work using the NP system.

    1.5.1 – The HGA, Your Emissary from God

    Ok, so there’s a boat-load of talk about the HGA, what it is, and what it does on various message boards and web pages across the Internet. There’s lots of talk in modern published magical books, too. Most of what you read is speculation, because people with opinions and writing talents haven’t attained K&CHGA (Knowledge and Conversation with the Holy Guardian angel), but they don’t bother to let that stop them from saying their piece.

    Now, the phrase itself comes from the Sacred Magic of Abramelin the Mage. It was popularized by Crowley, predominantly, in the modern Western Mystery Tradition. The author of the Sacred Magic wrote the book to his second son because he could not pass on the mysteries of the QBL to him. The QBL had to go to the first-born son. He wanted his second son to have a mystical heritage as well, so he gave him the mysteries of the Sacred Magic. He states that the Sacred Magic can be derived from the QBL, but the QBL cannot be derived from the Sacred Magic.

    In the NP magical system, we’ve seen that the basic premise is that of emanation. God unfolded itself throughout existence in hierarchical stages, each getting closer to the realm of Matter. The QBL is another manifestation of this type of philosophy. I’ve argued that the NP emanationist philosophy is the source of the QBL, that the Jews adopted the concepts and dressed them up in their own cultural symbols. There’s evidence that can be found to support this view, or the view that the NP system was derived from the QBL, or that they developed from at the same time concurrently, in the same environment, drawing from the same sources. While various interpretations of the evidence can support different views, I personally believe the NP system is the source of the QBL, or at least the primary influence. There’s just an awful lot of “coincidental” domination of the Jews by Greek influence at every major growth-point of the QBL.

    So that’s how the HGA, a symbol from a QBList, ties into the NP system I’m presenting. I’ve staid away from the QBL in this series of posts so far, but practically speaking, the HGA is the best-known representative from God in the modern Western Mystery Traditions. There’s an Agathadaimon in more traditional Hellenistic writings that may correspond to the HGA, but I worked with my HGA before even knowing about the Agathadaimon, so anything I would say about that entity would be tainted speculation. I’ve got to stick with what I know.

    The first thing you should do as a practicing magician using the NP system is make contact with your HGA. This entity is assigned to you at birth, and is responsible for all the spiritual initiations, authority, and Gnosis you achieve in life. It is your personal emissary from the Good, the One, the Source, God itself. Through K&CHGA, you get the attunement of your sphere to the point where you can work with the spirits from your position of authority as a representative of God in the material realm. It’s “like” a new age spirit guide, in some ways, but the new age spirit guide model doesn’t present the meat of the entity’s interaction with you the way the HGA model does. Spirit guides in the New Age take on forms of animals and such, indicating they are “lower” in the neo-platonic hierarchical system than the angels. However, that being said, my HGA revealed it had taken on the form of a spirit guide earlier in my magickal practices to get me to the point where I could attain K&CHGA.

    To attain K&CHGA, I used the ritual Liber Samekh as presented in Lon Milo DuQuette’s The Magick of Aleister Crowley. Some people say it isn’t the same thing at all, but they’re honestly mistaken. The evidence to prove this is found in the Abramelin rite itself. You have to perform Samekh successfully to find the proof, but it’s there.

    After making contact with the HGA, your sphere is changed. You go through a Solar “initiation,” to put it in Golden Dawn terminology. The result is the beginning of the experiential knowledge of your Race and Value as expressed by Plotinus. From this knowledge-based-on-experience, the authority to “command” the spirits is attained.

    1.5.2 – Working with the Spirits

    After attaining K&CHGA, the magician is ready (and strongly urged by the HGA) to begin working with the spirits. Spirit conjuration is the primary methodology of any magician’s performance of the Great Work. I believe that every magickal act, whether ritual or contemplative, involves interacting with spirits in some way or another.

    I started with the ten Archangels of the Sephiroth, because I was coming out of a primarily-QBListic background. After Working with the spirits for a little while, I realized that the Archangels of the seven classical planets were sufficient for my initial stages of the Work. Through them, I learned an incredible amount of knowledge. Their influence on my sphere changed the way I am able to see the world. Nothing spectacular (no auras, second-sight, remote viewing, psychic flashes per se), but totally and completely life-changing. The procedures for working with the spirits of the planets can be found in the Modern Angelic Grimore I wrote. It’s remarkably easy.

    In addition to the spirits of the planets, the spirits of the elements are also worked with in performing the Great Work. These spirits rule over the physical manifestations of the rays of the higher spheres. A fire elemental might be put in charge of manifesting a Jupiter ray into someone’s life, resulting in an unexpected and tumultuous promotion at work. For mundane operations, I’m learning these are the best spirits to work with in the overall hierarchy of spirits.

    The spirits of various grimoires are also worked with in the Great Work. The spirits of the Goetia in the Lemegetton, for example, can be considered to be “earth-bound” spirits, that is, residing closer to the material realms than to the heavenly realms. These entities have been documented and worked with by many magicians, and the methods of contacting them are recorded and pretty clear. Their attributes are documented, and once contacted, their abilities and limitations can be discovered simply by asking the spirit itself.

    1.5.3 – The Goal of the Great Work in the NP System

    You’ve no doubt noticed that the Work consists of both the spirits of the higher realms and the spirits of the lower realms. If the Great Work were all about transcending the material realm, there would be no reason to work with the lower spirits. The fact is, however, that we aren’t born in the flesh to transcend it. We are here to learn our role, and then to exercise our authority to meet our obligations.

    Humanity is the nexus point between the material realm and the spiritual realm. We are the stewards of the manifest realms. In the NP system, we stand at the gateway between the realms, seeking union with the divine in order to fulfill our assigned tasks while we appear to be separated from God, and directing the forces that manifest as reality according to the Will of God. We learn this Will by going up through the hierarchies and learning our place in existence, and then we implement the plans through the direction of the spirits. The higher up you go, the more responsibility you get, and the more Work in the physical realm you’ll have to accomplish.

    The Goal of the great Work is not to leave the flesh and material realms behind. We do that when we die anyway. The Goal is to find your place in the scheme of things, your reason for being, and in finding that, you gain the ability and authority to accomplish it. The accomplishment of the purpose is the practical manifestation of the Great Work.