I’ve compiled the Neo-Platonics Basics series into yet another eBook available over on the right. The original blog posts are still available in the history, and on www.rufusopus.com, but for those who like eBooks to print out and have, it saves you some editing.
For those who have signed up for the course, DON’T BUY IT. You’ll get a copy as part of the course.
Once the Altar was laid out appropriately, methods of using the Glyph in practice came naturally.
The binding of the Demonic Kings immediately cut off a great deal of mischief in my life. People at work that were obstacles to accomplishing my work suddenly became too distracted doing their work to give me grief, and began giving me the information I needed to do my job quickly to get rid of me. The kids behaved better. My spouse and I understood one another better. I quit running over curbs. (This is a big deal. For some reason, I’ve been running over curbs a lot in the last few years. It twisted the frame of one van, and popped the tire of another.)
The placement of the elemental Kings in their appropriate locations (that is, not the traditional GD quadrants) brought me into harmony with the tiny parts that go into the moments I experience. The first few days, I had supra-luminescent vision, that transcendentalist-painting-vision, where the underlying divinity of all things is bursting through the edges of the forms they’re wearing to manifest in. I performed (successfully) workings within the elemental kingdoms for the first time in my magical career since leaving behind the 21 Lessons of Merlin. (Don’t read it.)
My elemental weapons have gained a “shine” to them that wasn’t there previously. I don’t feel at all silly using the wand or dagger like I used to. They’ve become a natural extension of my Work. The Elemental realms themselves appear at the edges of my Altar space in the astral temple I use. My favorite is Raphael standing on the windswept mountains of the West. Reminds me of Colorado.
The Planetary Talismans… Well, let’s just say things are going as well there as they are everywhere else in my Work. I’ve been doing a lot more Work with Michael in the Sun for others as part of the Solar Attunements included with the Genius rites I have performed for people, and it’s been… wonderful. I can’t recommend highly enough the importance of having a talisman for each planet on your altar arranged in the right place. Wonderful.
Enough of the Bliss. It’s good, trust me. But the practical benefits are awesome too. Having the Talismans in their appropriate place in the physical representation of my magickal sphere has resulted in the effects of those planets integrating in ways I didn’t expect. I can be fifty miles away from home at work, and feel a planetary influence, conjure the archangel or one of their legions, and receive something I need right then and there. The communications are bi-directional, and the results are cumulative.
The first thing I did, being the pragmatic Tech-writing Taurus that I am, was to draw up the Glyph on my computer. It’s easier to do concentric circles and save them as images in Visio. What I ended up with is this:
As you can see, there aren’t seven circles for the spheres of the planets, or four for the elements as you might expect. I drew out all the spheres in earlier drawings, but they’re just too big. This suffices, and it has a circle for each of the primary items one works with as an incarnate magician.
The inner three circles represent the sphere of the incarnate magician. They are divided into four quadrants, one for each of the cardinal points. In the innermost circle are the four Demonic Kings of the corners of the world. The brackets here represent their influence upon the magician being bound. Surrounding them are the Four Angelic Kings of the four corners of the World. These angels bind the influence of the Demonic Kings from the sphere of the magician. In the circle around the angles, I placed the elements as presented in Agrippa’s Scale of the Number Four.
In the outermost circle are the planets. The order is very specific. If you look at the table in Agrippa’s Book 2, Chapter vii, you’ll see why they are placed where they are placed.
The order of the planetary spheres as the spirit descends into matter is Saturn-Jupiter-Mars-Sun-Venus-Mercury-Moon. However, we’re already incarnated, and when we look up at the spheres from the world of manifestation, we’ll see them from the perspective of the material realm.
Placing the planets in their respective quadrants as seen from below represents understanding the place of the incarnated magician in the cosmos. We are spirits, sparks of the Logos, of the Race of Gods. Our origin is from beyond the stars and the planets they influence. Yet our home, our sphere of influence is the material realm. We transcend through the realms of the planets to return to God, yet we retain our places in the manifest world, anchors, as it were, for the power of God to return with us to this realm.
Not to get all loopy or anything. There’s only so much theory and metaphysics I can personally stand. It doesn’t mean anything if it doesn’t affect anything, in my opinion, and it was vitally important to get the harmony represented in the Glyph grounded in my sphere.
Where is the magician’s sphere represented physically? Their altar, of course. It holds their elemental tools, the symbols of their authority over the essences that Plato taught combined to form all things. It’s also the Table of Practice, the key to working with the spirits of each realm. It represents the access point for the Magician. It’s the pivotal point between the realms Above and the realms Below. It represents everything spiritual in the magicians manifest realm.
So I took the Key to Everything represented in the Glyph and put it in place on my altar. The first thing I did was bind the Demonic Kings in miniature Spirit Pots. Then I created miniature talismans of the Angels of the four corners of the Earth using the Kings of the elements in the Rider-Waite Tarot deck. Beside each of these cards on the Altar, I placed the Elemental weapons associated with the Corner. That was great for the physical sphere.
For the planets, I placed the seven talismans in the layout in the outermost circle of the glyph. Outside the circle of the planets, I placed my Lamp, to represent the Source of all, the True Father, the Speaker of the Word who dwells in perfect darkness within the source of the radiating Light.
Immediately I began to see the effects of cleaning up my altar space on my Work. The Spirits of the planets come more quickly, and every aspect of my life has been drawn into an increasing harmony. My credit has cleared up, my job has become more secure, communications that were blocked are open now. Questions I have are resolved quickly and “miraculously.”
Everything isn’t perfect, of course. We’re still in the manifest realm. But I do have an insight and a position of stability and authority from which to oversee the sources and interactions of the forces behind the scenes in my life.
Life is truly Good.
Long ago, and far away, I began this series on the Neo-Platonic system. It began because I wanted to share the background that had lead up to the satori experience I had while studying Agrippa’s table on the Scale of the Number 4 (Book 2, Chapter 7 ). Everything I had been studying all came together in that moment, and the result was a compelling urge to map out what I was seeing on paper. Working into the wee hours of the morning with a compass and some folded paper to serve as a straight edge (the kids had broken my ruler), I ended up with a Glyph. This Glyph embodies the Great Work of the Magician, the realms of the spirits we work with in the material realm, the spirits of the seven planetary realms, and the role of the magician balanced in between the Above and the Below.
Pretty neat, in my opinion. Not long after receiving it, I posted the information everywhere I could. I thought that just looking at the Glyph would bring instant Illumination to everyone who saw it. When people looked at it and said, yeah, ok, neat, and went on with their lives and Work, I thought they just didn’t have the background to see the awesome impact this Glyph can have on Ceremonial Magicians. Taking what it represents, taking the keys that are summarized in its concentric circles and the perspective of the layout, and putting it into practical use results in complete and total control of all things material and spiritual, from an enlightened and beneficent place of authority in the cosmos.
So I labored on the different sections of this work with the goal of bringing everyone this power, illumination, and understanding of Life, the Universe, and Everything.
Since the time that I got this Glyph, I’ve been using it to great effect in my Work. It really does do everything I thought it would do. But I’ve realized that it’s not going to be for everyone.
Understanding now that this is a personal revelation, I’ve been putting off wrapping up the series. I intended it to be a climactic culmination that brought everything else together and sparked a mass enlightenment experience that spread like wildfire through my audience that has grown to a global scale. I no longer expect that to happen, but nevertheless, I hope this serves to at least inspire some of you on to your own Glyphs, your own empowerment, and your own harmony.
The Genius and the Evil Daimon are entities with a long history in the Western Mystery Tradition. The idea of the good and evil spirits assigned to people is so ingrained in the American culture that I grew up watching cartoons that frequently showed a character with a little angel with a harp on one shoulder and a little red devil with horns and a tail on the other, each giving the person advice. More often than not, the character would listen to the devil. How typical of mankind.
The term “Genius” as I’m using it in this post loosely comes from Agrippa’s Third Book of Occult Philosophy, chapter xxii. Technically, “Genius” is supposed to refer only to one part of the three-fold good Daimon that preserves the person it’s assigned to. The three parts are the Holy part, which is roughly speaking the Holy Guardian Angel (HGA) of the Abramelin ritual, the Genius or “Nativity Angel,” a Spirit whose nature is determined by the placement of the stars at birth, and the Daimon of your Profession, who influences how successful we are at our chosen line of work. Agrippa refers to all three parts singularly in the title of the chapter, “That there is a threefold keeper of man.” Since it’s a singular entity, and he only gives instructions on deducing the name of a Genius, and not the HGA or Professional Demon, I’m referring to all three parts of this one entity as the Genius.
The earliest reference to the Genius that I’ve found so far is in the Corpus Hermeticum, written in Hellenized Egypt. In The Divine Pymander, it says:
This is the Logos talking about how he works with those who are pious. While it might look like a bit of a stretch, the Logos and the HGA are of the same Spirit. In Agrippa’s record written roughly 1200 years later, this corresponds to the Holy part of the Genius. Agrippa frames it thus:
Agrippa says of the Genius specifically:
In other words, the Genius is what can guide you to the roles and responsibilities you are incarnated to accomplish.
In addition, being the only part of the threefold keeper of human beings that you can get the name of from your horoscope, the Genius can also be used to establish conversation with the rest of the threefold keeper, including the HGA and the Daimon of your Profession. By “used,” I mean you can converse with it through conjurations and establish a relationship, discovering the things that are needed to be done in your life to prepare you for the next step in your Work.
As you Work with your Genius, a momentum builds up. You don’t have to choose to be a decent, pious person always choosing to do good and be kind to small furry animals, or help old ladies across the street. You don’t have to choose to be offended by injustice when you see it. You don’t have to try to find wisdom or insight in your studies. And you don’t have to make yourself seek your Race and Value in God.
Instead, you find yourself naturally doing these things. You find character flaws revealed, and the means to change them. You find yourself naturally pursuing Virtue over Vice. You stop sabotaging your progress towards your goals, and you find yourself knowing and understanding things intuitively about yourself and others around you. Glimpses of the future come in sureties felt in evaluating potential outcomes of situations. Mysteries unravel before your very eyes.
This spirit’s influence on your life can be enhanced through practical exaltation of the spirits name, which I’ll discuss below.
Heading back to The Divine Pymander, it goes on to say:
57. And such an one never ceaseth, having unfulfiled desires, and unsatisfiable concupiscences, and always fighting in darkness; for the Demon always afflicts and tormenteth him continually, and increaseth the fire upon him more and more.
Here is the Evil Daimon, sent by God to punish the wicked with insatiable desires. My experience with this entity leads me to believe that this Demon drives you to the point where you have to turn to God to find relief from your passions, or die of despair or overdose. If you refuse to do so, when you die you return as a more brutish man, or an animal, or even a plant according to Plotinus. The further from God you turn in your life, the further from God you result in your next, each incarnation resulting in less and less opportunity to turn from God until you are a plant with no choice but to turn to the Sun to live.
People always have some degree of a relationship with this spirit. Like the cartoon characters listening to the little red demon on their shoulder, we have spent our lives listening to and following the advice of the evil daimon. A momentum builds up with the Evil Daimon just like with the Genius, and soon you find yourself surrounded by chaos and madness, if you give too much into the temptations this spirit whispers to you.
Like the demons discussed in Section 2.6, The effects of the Evil Daimon can be curbed.
To Work with these entities, the first thing you’ll need is their name. These are discovered through your horoscope, as discussed in Agrippa’s Three Books of Occult Philosophy, Book 3, at the end of chapter xxvi:
Ok, did you catch all that? No? Well, fortunately I’ve got a spreadsheet I use to make the process a little easier. I don’t know how the renaissance magicians managed without the power of modern technology.
I’ve got all the Hebrew letters associated with the degrees for the Good Genius and the Evil Daimon lined up with their appropriate degrees. To determine the name, you get a horoscope of the your birth, and write down the degrees of the sun, moon, ascendant, and part of fortune. Then you find the syzygy, and that’s the fifth letter of the name. The syzygy is the location of the moon at the closest full or new moon to the date you’re charting. To find this, you get another horoscope of the time of the nearest full or new moon, and write down the degree the moon is in. Pretty simple, eh?
No, not really. It’s a bit of a pain in the hindquarters, honestly. But this is worth it.
Once you’ve got their names, you can conjure and commune with your Genius by creating a Lamen of the spirit. Spell out its name in Hebrew in a circle with the names of God written around the perimeter. I use the Celestial Script from Agrippa, and the Lamen looks like this (That’s YHVH in the script, you’d need to change the name to use it):
Poke a little hole in the top, and you wear it during the ritual. Conjure the spirit in a crystal or other scrying medium and you’re all set.
On the flip side, you’ve got the Evil Daimon’s name. I intend to bind mine in a lead-lined spirit pot.
In fact, I’ve got this idea for a multi-purpose talisman. I’ve got a log that I’m carving to serve as a means to exalt the Genius and bind the Evil Daimon at the same time. I’ll be burning incense and candles in the top where the Genius name is inscribed in gold leaf, and the Evil Daimon will be bound in the hollowed-out, lead-lined base.
It should look something like this when I’m done:
In the Neo-Platonic tradition, in the grimoires that comprise it, in the writings of Hermes Trismegistus that frame it, and in the writings of Agrippa that provide the most comprehensive resource of the modern occult, there are mentions of demons, maleficent spirits that cause trouble. I would personally rather believe that all spirits are basically neutral, and they don’t have any ill will in and of themselves towards humanity. Unfortunately, the Neo-Platonic writings (and my experience) fail to support this belief.
Going back thousands of years, mankind has known that there are spirits that are out to make life miserable for humans. It’s in the Bible, the Hesiod, and in the African Traditional Religions. From the steppes of Siberia to the Amazon rain forest, shamans deal with evil spirits every day. Modern cultures have lots of rational ways to explain away the existence of demons, from anti-Christian rhetoric that says the Church is to blame for misrepresenting gods of other cultures (which is true, to a degree), to psychological models that say they’re all in our heads (which is also true, from the perspective implied by the notariqon ARARITA). Regardless of the veracity of these explanations, the pragmatic truth is that if you are doing magick regularly, you will run into spirits that will behave as if they are Demons.
Fortunately, we have the benefit of thousands of years of occult research on our side. We know from sources like the Bible and the Divine Pymander that the evil spirits are under the authority of God. If you’re into paganism, you’ll find in the story of Pandora’s box that evil spirits contained in a divine spirit pot were sent to plague mankind by Zeus after Prometheus gave us fire. They’re serving god. In the Divine Pymander, Pymander tells Hermes that the Evil Daimon is sent to the impious to drive man further away from the Logos by filling the senses with desire for more sensations than can ever be appeased. In the Bible, evil spirits are sent to set up kings to fall, to reveal the glory of God.
They are sent by God into the world to wreak havoc in the lives of those who are ignorant of God. Their primary victims are those who have grown ignorant of their Race and Value in God and instead of seeking their Source, people who seek satisfaction in the things of the material world. Demons serve as tempters, bringers of illness, and they serve to create situations that result in spiritual advancement. They perform evil acts, but they do them to draw people closer to God.
In your life, you’re going through all kinds stress that I can’t begin to know about. Job insecurity, financial woes, emotional problems, and sickness plague us all. Most of the people reading this blog have it pretty good compared to poorest of the poor on the planet, but that doesn’t make the problems we face any easier to bear in the moment.
I don’t believe every bad thing that happens is the result of a demon, but they do happen to be present every time bad things happen. I’m sure it’s a coincidence, really. They could just be attracted to bad things… sure… that could be it…
Alright, I really do think all bad things that happen are the result of demonic activity. I’m a Christian, for Christ’s sake. “We wrestle not against flesh and blood, but against powers, principalities, and wickedness in high places.” It’s the simple truth.
They set the stage for pain and suffering, they sit at the edges of our sphere whispering thoughts that sound a lot like our own, speaking fear and doubt and anger and anguish and despair into our minds. They entice our senses with lights and shining things. They use the people at work like pawns to challenge us, to bring us to the brink of catastrophe. They influence kings, presidents, princes, senators, congressmen and women, people in power across the lands of the earth to create a realm that will drive those with an understanding of their race and value closer and closer to the Logos within.
Pretty nasty, really. And as annoying as hell.
Demons are under God’s authority. God’s within. We deal with spirits in every ritual. We have the names of the demonic princes from Agrippa’s Book 2, chapter 7. We know how to make talismans and spirit pots. They can only do what they’re allowed to, and God sets the boundaries.
The fastest way to lessen the effects of the evil spirits is to put the Demonic Kings in spirit pots and bind them with melted lead sealed with the Names of the four Elemental Kings. I’ve got a makeshift version of this on my altar at the moment. It hasn’t completely eliminated bad things from happening, but it sure has cut down on the extremes of my emotional reactions to bad things when they come. That in itself robs the demons of their powers over us and our lives.
I hope you enjoyed the update on the Bune spirit pot earlier. That particular vessel is an example of the brass vessel described in the Goetia within the Lemegetton. The Lemeggeton is a Solomonic grimoire, and like all the grimoires I’ve seen, it is fundamentally rooted in the Neo-Platonic system we’ve been discussing. Personally, I place the spirits of the Goetia in the elemental realm, mostly within the sphere of the Aire.
Spirit pots are an interesting subject. I don’t think they are the specific product of the Neo-Platonic system, but like the brass vessel in the Goetia, they certainly fit nicely into the scheme of things. In Greek mythology (at least in Hesiod from over 500 years before Christ), there’s the story of Pandora’s “Box,” which in the original Greek was a jar. The jar as a vessel for trapping spirits can be found in many cultures, and frankly, I can’t tell whether it originated in one culture and traveled, or if it’s a universal constant across all cultures. The use of pots to contain spirits or their effects can be found in Persian stories in 1001 Arabian nights (along with rings), African Tribal Religions, Hesiod in the Greek traditions, and even in the Bible in the form of the Ark of the Covenant. (Ok, that might be stretching it a bit, but functionally, it’s the same thing.)
The reason I bring up the spirit pot in the context of this system is because it’s going to play a significant role when I get back to the Glyph.
My understanding about spirit pots in Palo and Hoodoo practices is that they are usually homes for spirits specific to the magician. That is to say, the spirits in a Palo or Hoodoo pot aren’t going to be conjured at any given time by three or four hundred magicians reading from the same grimoire. I don’t know how many magicians are working with Bune at any given time, but I’ve talked to at least three other magicians who have worked with Bune, and God knows how many other mages or would-be demonologists are summoning Bune right now.
Spirit pots can be made for any spirit. They generally seem to function like an icon to a saint. Burning candles in its vicinity with a statement of intent results in a manifestation of the desired outcome in the way the Spirit interprets the request. For instance, asking to get a specific dollar amount has resulted in Bune providing a huge series of very lucrative opportunities in my chosen line of work. Bune hears the request and goes about manifesting it according to his role, his designated nature. It’s like the dollar figure gets filtered through a Jupiter-Sagittarius screen and then manifests in my physical sphere.
Other manipulations of the spirit pot have provided results that have led me to the conclusions I currently hold. Polishing the lid resulted in clearer manifestations. Placing it in an exalted status on my altar by putting it on a stand resulted in more authoritative results. I went from working with co-workers on projects to working directly with management. The spirit pot has given me the ability to fine-tune my interactions with Bune in a way that I wouldn’t have had otherwise.
Making a spirit pot is easy. A friend made one out of a paper box. All you need is a container, the means to get the spirit’s attention, and something to inscribe the appropriate seals around it to influence the Spirit’s activities in your sphere. I prefer metal containers for their durability. I like to inscribe metal with my dremel tool. It’s fun. The Spirit’s representation should be at least its name and/or its seal. Any corresponding materials that are in tune with its nature can be included. I have dirt and rocks from my local bank in Bune’s pot, along with things from the same line of 777 that Crowley puts Bune on.
The names that constrain the Spirit’s influence should be representative of the macrocosm. Ideally, all seven classical planets and the Primum Mobile should be represented in your work with the Spirit. For example, the names on the front of the Mathers-Crowley version of the brass vessel in the Goetia are “AShR AHIH: GBRiAL: MIKAL: HANIAL:”. From the GD interpretation of things, these are the God-Name of Kether, the GD Archangels of the Moon, Venus and Mercury. On the back is the notariqon ARARITA (One is His Beginning: One is His Individuality: His Permutation is One) followed by ChShMLIM, the name of the order of angels of the Sun, and Tzadkiel, the Archangel of Jupiter. Mars and Saturn can be found on the Secret Seal of Solomon, and Michael on the Triangle of Art.
At the very least, the Spirits in charge of the Spirit you’re working with should be inscribed somewhere on the pot. This ensures the Spirit is constrained to operate with your best intentions in mind. This is more important with the troublesome “demonic” entities than with the neutral or angelic spirits, but it can never hurt.
Ahh, the Elemental Kings… I’m just going to jump into this with minimal preamble. It’s been a long week already.
In the Second Book of Occult Philosophy, Chapter 7, Agrippa provides a table that presents the Scale of the Number Four. In this Table, the Kings of the elements are listed as the Four Angels ruling over the corners of the world. Under them are the Four Rulers of the Elements, the Four Princes of Spirits, and the Four Princes of “Divels, offensive in the Elements.”
| Fire | Air | Water | Earth | |
| Four Angels ruling over the corners of the world. | Michael | Raphael | Gabriel | Uriel |
| Four rulers of the Elements. | Seraph | Cherub | Tharsis | Ariel |
| Four Princes of divels, offensive in the Elements. | Samael | Azazel | Azael | Mahazael |
| Four Princes of spirits, upon the four angels [angles] of the world. | Oriens | Paymon | Egyn | Amaymon |
Personally, when I work with the Kings of the Elements, I prefer to work with these Angels. I’ve got an angelic connection in general with my Work, and I figure if it’s working as well as it is, why mix things up?
For years, I’ve thought the LBRP got the angels from the Bedtime Sh’Ma, a Jewish version of “now I lay me down to sleep.” I was very pleased to discover they are also considered the angels of the corners of the Earth in Agrippa’s system. The GD got most of their stuff from Francis Barrett’s The Magus anyway, and that was plagiarized from Agrippa almost 100%. Seeing the angels here as the Kings of the Elements has helped me further understand that Angels can share names without sharing their personage. I mean, Michael, King of Fire isn’t going to be the same as Michael Governor of the Sun. There are similitudes, of course, but that doesn’t make them the “same” being. Even if they were the same being, in the office of the King of Fire, Michael will not be behaving as the Governor of the Sun.
One nice thing about discovering these guys are the Kings of the Elements is that I’ve been doing the LBRP in ignorance for years. I’ve managed to build up as decent a relationship with them as can be hoped for, considering the depths of ignorance I was wallowing in.
If you look at the sigils of the ten countenances of God in the Magical Calendar, you’ll see that the names of the angels ruling the planet/sphere are written on one side of the talismans along with the names of their respective Angelic Orders. I believe these are the Orders from which each Angelic King draws their legions of helpers. In working with these spirits, I’m placing the names of the Angels on their talisman along with the name of the Order of Angels presented here.
These spirits represent the malefic aspects of the elements. While Michael might represent a controlled flame, like a candle or a hearth, Samael would represent a burning house. Both are aspects of Fire, and it is important to note that the Princes of Divels are under the authority of the Kings of the Elements.
These four Princes represent the “neutral” spirits of the elements. They are like the worker bees of the elements, in my experience. They, and their assigned legions, are the ones that oversee the manifestation of the elemental manifestations of the directives of the spirits higher up in, uhm, hierarchy.
Now, with the above overview in mind, and remembering the way magicians work with the hierarchies of the spirits, a multitude of possibilites becomes available to the resourceful magician. In terms of the Great Work, we know from the Divine Pymander chapter of the Corpus Hermeticum that the Logos (manifested as the HGA in my interpretation of this system) abides with the righteous and sends an evil Daemon to confound the impious through their sphere of sensation, causing them to be further removed from their memories of their race and value as manifestations of God.
Later in the series, I’ll be getting into more practical work with the Kings that specifically relates to the topic of the four Kings and the eight Princes listed by Agrippa.
I did a ritual the other day with the Four Kings that has shed a lot of light on the subject in general in my personal Work, and I’ll be posting about it separately.
In Section 1, we established that the planetary spheres represent aspects of God radiating down from the highest heavens into the manifest realm. Each sphere has a governing spirit and legions of spirits that are responsible for manifesting the aspects of that sphere into the material realm, and specifically into the sphere of the magician. We also established that these governors are under the authority of the Logos, and that the Logos is within every magician. Consequently, the Governors of the planetary spheres are under our authority as magicians.
In order to access this authority, we must first get to the point where we reclaim our Race and Value, as Plotinus put it. There are various means to accomplish this. My personal favorite is being Born Again in the Spirit, but I’m a ecstatic Christian, so what can you expect? The major downfall of this method is that the best environment for receiving this rebirth, or “baptism of the Holy Spirit” is in a fundamentalist charismatic Christian Church, and while the spirit of God is awesome, the people in the churches… well, they aren’t exactly… centered. Usually.
Within the Western Mystery Tradition (WMT), other means exist. Knowledge and Conversation with your Holy Guardian Angel (K&CHGA) is one way. I personally believe this is a necessary first step in every magician’s practice. Once this has been accomplished, you’re guaranteed access to the Governing Spirits of the Planets, and you can begin to work with them to harmonize your sphere with theirs, thus eliminating the stumbling blocks in the areas of your life that are governed by their assigned rays. Integrating the powers of the planetary spheres into your own sphere results in progress along the Great Work, the elimination of character flaws that hinder your satiety, and wisdom in the realm governed by that particular sphere.
For example, if you’re chronically unlucky in business, this could indicate that you’re out of tune with the sphere of Mercury. In such a circumstance, you would conjure the Governor of Mercury, and ask it to integrate the powers of Mercury into your sphere. Soon after the ritual, you’ll find that patterns of inappropriate behavior become apparent in your life. When you’ve identified these patterns, you work with your HGA to change these patterns of behavior, isolate the root cause, and reclaim that part of your life, putting it in its proper place. Eventually, you’ll find that you’re not ruled by misfortune in areas of business, instead you’re dictating through Mercury how your success in business will manifest in your sphere.
This can be applied to the other planets as well. Agrippa gives the following attributes to the planets in chapter xxxviii of Book 3:
The Spirits of the Planets have their own hierarchy. Different Grimoires provide different interpretations, but for the sake of simplicity, each planet can be said to have an Intelligence that acts as a mediator between the lower realms and the higher realms, and a Spirit that acts as a mediator between the higher realms and the lower realms. The magician (generally speaking) works with the Intelligences on matters of spiritual growth, and the Spirits in matters of material manifestation. The Spirits, while extremely powerful, are placed under the authority of the Intelligences.
For Work that results in material gain, like fabulous riches, you might start by working with Your HGA to identify the best means to get the fabulous riches to manifest in your life, and identify the appropriate planet to work with. This could be Jupiter, if you want to get rich by gaining promotions and responsibilities in your career, or the Sun, if you want to discover fabulous riches that were previously hidden, or Mercury, if you want to get rich through quick-witted transactions. Your HGA will guide you to the appropriate planet.
Once you’ve identified the appropriate sphere, you’ll want to ascend to the Intelligence of the sphere and enlist its aid in preparing you to receive the manifestation, and in getting its help in directing the Spirit to manifest the riches in the best possible way in the material realm. Then you would conjure the Spirit of the planet, and give it detailed instructions. the Spirits of the planets are incredibly powerful, but not necessarily intuitive. They’ll often do what you say, not what you want. That’s why it’s important to work with the higher spirits first.
Now, if you’re in a hurry, you can also choose to work directly with the lower spirits, those closer to the material realm. Each of the spirits and angels in the various Grimoires are usually listed with some reference to their planetary governor, and you would work these spirits through the authority of their higher-ups.
In the next section, I’ll get into Talismen, the most effective means I’ve found to direct the rays of the planets into your personal sphere.
The first post of the Practical section is mercifully brief, but I think it’s important to include the Lamp in your list of required magickal tools. Its influence and usefulness will help with the application of the subjects that follow.
The Lamp is a tool I hadn’t really used much before getting the vision of that Glyph that started this series of posts on the NP basics. Usually, I would light some appropriately-colored candles in my Work, and either let them burn out as part of the ritual, or snuff them and relight them later.
Then Modrocus posted a couple of experiments he had been doing using the Papryi Graecae Magicae (PGM) at the ritual_magic yahoo group. This was about a day or two before I had a revelation about the Glyph and the altar setup it implies. When the revelation came, the role of the Lamp became pretty clear.
In the PGM, the Lamp is used as a means to commune with the spirits. In some rituals, when the spirit is present, the magician or skryer can see their presence as a quality of the light around the Lamp that isn’t there when the spirit isn’t present. In other rituals, the Lamp is like a transmitter, with the wick being made out of a cloth with the spell written on it and then burned. I thought that was pretty cool.
Then I had the revelation of the Glyph, and it became apparent to me that the Lamp plays another role as well. In order to be effective in this role, the Lamp must be positioned outside the circle of the planetary talismen, representing the realm of infinite light that surrounds the divine darkness in which the Good dwells. This minor little detail has made a big impact in my Work. I never grasped the far-reaching effects a properly laid-out altar can have on your personal and magickal life. The altar is the representation of the macrocosm and the implements at your disposal to function within that macrocosm as a magician. Just setting up your altar properly results in a fundamental change in your life.
My “Lamp” is a tall brass candle stand, about 18 inches high. I have a tea-lite candle holder on top of this, and I can drop in a tea-lite before the ritual begins, and it has a really neat effect on the rest of the altar layout. It provides just the right ambiance for scrying in a crystal, and as I go through the various stages of the Work, I can check the Lamp to see if I’m where I need to be. If the Spirit of God is present, it shows.
In addition, I can use the Lamp as a transmitter through the use of tea-lites appropriately inscribed and anointed, following the guidelines of the PGM.
So in addition to the “standard” elemental tools a magician in the NP system has on their altar, I strongly urge you to include a Lamp. It completes your altar in a way that can’t be easily described, but is almost instantly understood when implemented.