Rufus Opus

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  • 1.3 – Spirits: Why we Work with ’em, How we Work with ’em

    Now we get to the meat of the matter. This is the post I’ve been looking forward to the most. Unfortunately, I’m short on space. My posts don’t look that big when I’m writing them, but then they’re huge on the blog. So I’ll keep it brief. I did finally break down and get a web page hosting service, so as soon as I find some nifty templates and do some quick-and-easy plug and play stuff, I’ll have a web site with the space for the huge rambling dissertations I’m fond of writing. 😀

    1.3.1 Why we Work with Spirits

    In the NP system, we work with the Spirits to get closer to God. This is called theurgy. Iamblichus, a student of Plotinus, taught that working with the Spirits was a means to purify the sphere of the magician, to make it more like the creator and less like the created. He recognized that when you conjure up a Spirit of Mars, you’re working with something on a higher level, and that something has emanated something into what eventually manifested as you. As it is more pure, its very presence close to your sphere purifies your own sphere, restoring a bit of the awareness of your own divinity as it relates to the powers over which that particular spirit presides.

    From the Thomas Taylor translation of Iamblichus’ Theurgia (Section IV, Chapter II):

    “in all theurgical operations the priest sustains a twofold character; one, indeed, as man, and which preserves the order possessed by our nature in the universe; but the other, which is corroborated by divine signs, and through these is conjoined to more excellent natures, and is elevated to their order by an elegant circumduction, this is deservedly capable of being surrounded with the external form of the Gods.”

    1.3.2 How we Work with Spirits

    The chapter I quoted from is in the context of how Iamblichus taught that we are to interact with spirits. He was addressing an argument from Porphyry, another of Plotinus’ students, who asked why a mortal man in the flesh would be conjuring a “superior” being, and then turn around and command it to act in such-and-such a way. (I’m paraphrasing.)

    The answer is that while yes, we are in matter, we are of two parts, the divine and the flesh. The divine aspect of the self has existed since before time within the One, God, who emanated down through all the spheres and beings and elements and stuff-ness of everything. The flesh part is the temporary shell of the divine spirit, and while it is lower in the cosmic hierarchy, the spirit within is still in authority. Therefore, the magician surrounds the material part of themselves with the symbols of the divinity within, and petitions the higher spirits to appear using the classic conjuring orations from such sources as the grimoires.

    The Spirits (and I’m including the “gods”, angels, daemons, elementals, or whatever else you would call them in your branch of the Western Mystery Tradition) appear in response to the conjurations because they have a vested interest in us. They are also aspects of the One within us. However, they are of a different form, and in that form they don’t have the same capacities that we do. Once they appear, the differences in the nature of our emanation place us in a position of authority over the spirits, and we are therefore able to “command” the spirits to do our bidding.

    Now, the basic formula for conjuring the spirits is pretty simple. You surround yourself with the things the spirit has an affinity for. Each Spirit is responsible for emanating an aspect of the One into the material realm. Michael, Archangel of the Sun, is responsible for emanating the things that manifest with a solar nature in the material realm. You surround yourself with the things that have solar properties to get his attention, and conjure him in the name of God that describes his function. Now, as a ceremonial magician, the best thing you can have that Michael has emanated into the material realm is his Arch-angelic Seal that he revealed to magicians. His Name itself is the means he revealed himself to this realm. The names of God that are associated with him are also revealed by Michael into this realm in order to establish contact with him.

    So to conjure Michael, you would burn some solar incense, wear the seal of Michael, and conjure him in the Name of God associated with the Sphere of the Sun, “Eloahv Da’at.” (Your spelling may differ.)

    When Michael appears, you explain your need, remembering that yes, he is superior to you in some ways, but at the same time, you are his boss (in a VERY spiritual way). That is to say, the Logos within you is the same Logos Michael receives his orders from.

    If you’re commanding the Spirits from the authority of the part of yourself that is the flesh, you’ll get no results. As a Christian, I know that I have been “Born of the Spirit,” and my work with my HGA has resulted in certain “initiations” that grant me the awareness of my Roles and Responsibilities in the cosmic Hierarchies, so I’m getting pretty consistent results. Not always pleasant from the mundane perspective, but always beneficial.

    So the proper order for conjuring the spirits is:

    1. Be right with God. Know your place. “Thou hast cleansed me with hyssop, oh Lord!” and so forth. (Remember in the Exorcist, the priest kept chanting, “It is not I, but Christ that commands you…”)
    2. Have the seal of the spirit.
    3. Call the spirit (“Thou spirit Michael, I conjure thee here in the name of the Most High God, in the Name of the Logos-Christ within me, in the name Eloahv Da’at, to appear before me in this crystal…”)
    4. Explain what you want from the Spirit. (It’s a good idea to get confirmation that it understands, and have it tell you how it will do what it agrees to.)
    5. Thank the Spirit, and bid it to go and do as it agreed.

    Pretty simple, eh? The rest of the details of the various grimoires and such are cultural necessities. That means that when the Almadel has you make a Beeswax Angel Conjuring Device, you make a Beeswax Angel Conjuring Device if you expect to work with the spirits of the Almadel. If you’re OK with working with something that MIGHT be LIKE the spirits of the Almadel, you’re free to make your own adaptations, but the results are not guaranteed. I must stress, you have to know the rules before you can break them.

    The three stages of Classical Education are Grammar, Logic, and Rhetoric. Grammar teaches the basic building blocks, Logic teaches how the building blocks are assembled, and Rhetoric is the stage where you demonstrate your understanding of the pieces and parts by assembling them in new ways.

    The Grimoires themselves contain the elements of the Grammar stage. Lists of spirits. Means of contacting them. Performing the instructions in the Grimoires brings you in touch with the Spirits, who teach the Logic stage. After you’ve been “initiated” you advance to the Rhetoric stage, and you can make things up based on your knowledge and understanding gained from research AND experience. I’m not advocating Chaos Magick, but I’ve grown to recognize the elements of Chaos Magick that are true in certain contexts. What gets on my nerves is that Chaos Magick doesn’t give magicians the context necessary for success. :sigh: I’ve ranted on that elsewhere.

    So much for keeping it brief. 🙂

  • Advice to Aspiring Magicians

    When asked for advice from an aspiring artist, H. R. Giger’s agent wrote an excellent reply. It can be found under the last entry, scroll down towards the bottom.

    Aspirants to the Great Work would do well to interpret this and apply it to their own lives. Myself especially. 🙂

    http://www.hrgiger.com/faq.htm

  • Advice to As

    When asked for advice from an aspiring artist, H. R. Giger’s agent wrote an excellent reply. It can be found under the last entry, scroll down towards the bottom.

    Aspirants to the Great Work would do well to interpret this and apply it to their own lives. Mysel

  • Advice to Aspiring Magicians

    When asked for advice from an aspiring artist, H. R. Giger’s agent wrote an excellent reply. It can be found under the last entry, scroll down towards the bottom.

    Aspirants to the Great Work would do well to interpret this and apply it to their own lives. Myself especially. 🙂

    http://www.hrgiger.com/faq.htm

  • Advice to Aspiring Magicians

    Well, it’s been a while since I’ve given any updates on my Spirit Pot operation with Bune of the Goetia, so here’s some more recent information.

    When I first put the pot together, I was looking to get rich quick. He was the best-looking prospect of the Goetic entities, because his description says “he giveth riches to a man,” and I wanted $7MUSD and change. Things didn’t quite turn out th

  • Some sample feedback on the Angel Grimoires…

    I received a bit of feedback this morning from on the grimoire from one of the recipients. He said some generally kind and praising things, and then said:

    "Now the criticism part of the e-mail.   I would have liked some more angels in the grimoire or maybe some magical advice or guidance the archangels have themselves given to you.  Have you tried lesser angels in this system?  If so record what you did and your results so that the readers can experiment for themselves. "

    I think this is excellent advice, and would be a worthy addition to future revisions.

    Now I’m mentioning this because the guy went on to say, "I hate handing out negative advice I am always afraid someone will take it the wrong way."

    I want to tell everyone who got a draft of the grimoire: I write for a living. I have VERY thick skin. Satan is a kind and gentle friend compared to the editors I’ve worked with in the past.

    This is NOT negative advice. This is constructive criticism. I need honest feedback to make it the best it can be. I’ll be charging for this thing, and I want it to be worth the money.

  • Some sample feedback on the Angel Grimoires…

    I received a bit of feedback this morning from on the grimoire from one of the recipients. He said some generally kind and praising things, and then said:

    "Now the criticism part of the e-mail.   I would have liked some more angels in the grimoire or maybe some magical advice or guidance the archangels have themselves given to you.  Have you tried lesser angels in this system?  If so record what you did and your results so that the readers can experiment for themselves. "

    I think this is excellent advice, and would be a worthy addition to future revisions.

    Now I’m mentioning this because the guy went on to say, "I hate handing out negative advice I am always afraid someone will take it the wrong way."

    I want to tell everyone who got a draft of the grimoire: I write for a living. I have VERY thick skin. Satan is a kind and gentle friend compared to the editors I’ve worked with in the past.

    This is NOT negative advice. This is constructive criticism. I need honest feedback to make it the best it can be. I’ll be charging for this thing, and I want it to be worth the money.

  • Dealing with the Guf – Reclaiming Moments of Horror

    The Guf is the lowest form of soul in some kabbalistic cosmologies. It consists of the actual body we wrap ourselves in. The word “guf” is the source of the English word “goofy,” so you can get an idea of how this soul is viewed in the cosmology of things.

    I was talking to a friend today about the horrifyingly embarrassing moments that crop up in my mind as I’m falling asleep, eliciting an audible groan or whimper. I was relieved to know that I’m not the only one that experiences these things, but that doesn’t really help get rid of the horror that still comes when I remember these kinds of events.

    The best example I have is when I went down to the end of a shooting range to hang a paper target, and the drill sergeant guy yelled “CEASE FIRE!!!!” at the top of his considerable lungs to get everyone else (who were still shooting) to take a break so I didn’t get killed. Everyone looked over at me, and I’m standing there like an idiot where about thirty people were shooting. Not a happy moment.

    What gets me is that this happened almost a decade ago, and to this day, I groan out loud remembering it. I’ve tried to “reclaim” that part of my brain to get rid of this response. Kraig has a retroactive magick section (I think) in his Modern Magick book, and I tried that. I tried going back and reliving the moment in my mind, trying to replace it with a different memory. I’ve tried rationalizing that I’d never been to a shooting range before, I was at the far end of the shooting range, and everyone else was at the other side, where I had assumed they wouldn’t shoot me… but nothing’s worked. It’s always in that light hypnogoguic state between waking and sleeping that I remember standing there in the crisp autumn wind with a crowd made up of fathers and sons and war vets looking at me like I was Forrest, Forrest Gump.

    My friend suggested that we can’t forget this kind of thing for a reason, that it serves some purpose. I can see how it can aid survival to never forget how stupid it is to steal a dinosaur’s egg while you think the thing is sleeping, but this was just embarrassing. Socially embarrassing. Sure, we’re pack animals, and it’s required to not do something stupid in public to not get ostracized… but that’s stretching it a bit.

    So on a seemingly unrelated tangent, I was reading through Plotinus’ Fifth Ennead. Not too far in, it says:

    “A double discipline must be applied if human beings in this pass are to be reclaimed, and brought back to their origins, lifted once more towards the Supreme and One and First.”

    “Reclaimed” jumped out at me. I had literally just been talking about reclaiming, so looking for an answer to this question, I read on…

    “There is the method, which we amply exhibit elsewhere, declaring the dishonour of the objects which the Soul holds here in honour; the second teaches or recalls to the soul its race and worth; this latter is the leading truth, and, clearly brought out, is the evidence of the other.”

    So there are two disciplines required to accomplish the returning to the Source, God, which sums up Plotinus’ idea of what I think of as the Great Work. The discipline of stating the dishonour of things the Soul holds dear here, and the remembrance of the race and worth of the Soul.

    Respect of others is what my Guf-Soul holds dear, so dear that an embarrassing moment haunts me for years, permanently ingrained in my neural paths. Dishonouring the “need for respect from others,” (hmmm, pride, perhaps?) isn’t too difficult. I recognize that the opinions of those rednecks at that moment aren’t really that important.

    Teaching the Soul its race and worth though… How does this apply in the context of a mortifying memory? The Soul in the Guf at that moment was of God and was God. The value of that Soul is inestimable. How can teaching the Soul its race and value make the horror of that moment go away?

    I don’t have an answer, but I do know that I was particularly Guf-ey that day. I’ll be holding these two things together in my mind as I remember what happened, and see what comes of it. Educating the Guf as to its value and source may indeed be the key to getting rid of that disgusting horror.

  • 2.4 – Elemental Kings

    Ahh, the Elemental Kings… I’m just going to jump into this with minimal preamble. It’s been a long week already.

    In the Second Book of Occult Philosophy, Chapter 7, Agrippa provides a table that presents the Scale of the Number Four. In this Table, the Kings of the elements are listed as the Four Angels ruling over the corners of the world. Under them are the Four Rulers of the Elements, the Four Princes of Spirits, and the Four Princes of “Divels, offensive in the Elements.”

    Fire Air Water Earth
    Four Angels ruling over the corners of the world. Michael Raphael Gabriel Uriel
    Four rulers of the Elements. Seraph Cherub Tharsis Ariel
    Four Princes of divels, offensive in the Elements. Samael Azazel Azael Mahazael
    Four Princes of spirits, upon the four angels [angles] of the world. Oriens Paymon Egyn Amaymon

    2.4.1 – Four Angels – The Kings

    Personally, when I work with the Kings of the Elements, I prefer to work with these Angels. I’ve got an angelic connection in general with my Work, and I figure if it’s working as well as it is, why mix things up?

    For years, I’ve thought the LBRP got the angels from the Bedtime Sh’Ma, a Jewish version of “now I lay me down to sleep.” I was very pleased to discover they are also considered the angels of the corners of the Earth in Agrippa’s system. The GD got most of their stuff from Francis Barrett’s The Magus anyway, and that was plagiarized from Agrippa almost 100%. Seeing the angels here as the Kings of the Elements has helped me further understand that Angels can share names without sharing their personage. I mean, Michael, King of Fire isn’t going to be the same as Michael Governor of the Sun. There are similitudes, of course, but that doesn’t make them the “same” being. Even if they were the same being, in the office of the King of Fire, Michael will not be behaving as the Governor of the Sun.

    One nice thing about discovering these guys are the Kings of the Elements is that I’ve been doing the LBRP in ignorance for years. I’ve managed to build up as decent a relationship with them as can be hoped for, considering the depths of ignorance I was wallowing in.

    2.4.2 – Four Rulers of the Elements – Angelic Orders

    If you look at the sigils of the ten countenances of God in the Magical Calendar, you’ll see that the names of the angels ruling the planet/sphere are written on one side of the talismans along with the names of their respective Angelic Orders. I believe these are the Orders from which each Angelic King draws their legions of helpers. In working with these spirits, I’m placing the names of the Angels on their talisman along with the name of the Order of Angels presented here.

    2.4.3 – Four Princes of “Divels,” Offensive in the Elements

    These spirits represent the malefic aspects of the elements. While Michael might represent a controlled flame, like a candle or a hearth, Samael would represent a burning house. Both are aspects of Fire, and it is important to note that the Princes of Divels are under the authority of the Kings of the Elements.

    2.4.4 – Four Princes of Spirits

    These four Princes represent the “neutral” spirits of the elements. They are like the worker bees of the elements, in my experience. They, and their assigned legions, are the ones that oversee the manifestation of the elemental manifestations of the directives of the spirits higher up in, uhm, hierarchy.

    2.4.5 Working with the Elemental Kings and their Princes

    Now, with the above overview in mind, and remembering the way magicians work with the hierarchies of the spirits, a multitude of possibilites becomes available to the resourceful magician. In terms of the Great Work, we know from the Divine Pymander chapter of the Corpus Hermeticum that the Logos (manifested as the HGA in my interpretation of this system) abides with the righteous and sends an evil Daemon to confound the impious through their sphere of sensation, causing them to be further removed from their memories of their race and value as manifestations of God.

    Later in the series, I’ll be getting into more practical work with the Kings that specifically relates to the topic of the four Kings and the eight Princes listed by Agrippa.

    I did a ritual the other day with the Four Kings that has shed a lot of light on the subject in general in my personal Work, and I’ll be posting about it separately.

  • A Call for Ethiopian Magicians

    I’ve recently started monitoring my blog stats, and there are hits coming in from all over the world, but not one from Africa. My favorite country in Africa is Ethiopia, and I’d damned well better start seeing some traffic from Addis. Ethiopians from the Ethiopian Orthodox Church would make ideal Neo-Platonic magicians, their history has perfectly attuned them for it. Plus they have a sense of humor that is sadly lacking in the modern Western Mystery Tradition.

    With that in mind, I’m writing this blog post as a magickal act. 🙂

    Agrippa places Ethiopia under the influence of Saturn. Therefore:

    Thou Spirits of I conjure thee, in the name of Jehovah Elohim, by the Powers of the Thrones, to send forth in overwhelming flame thy Angels, Intelligences, and Spirits to bring to this blog my brothers from Addis.

    Tzaphkiel, I conjure thee by Jehovah Elohim. My simple request is more Ethiopians, please.

    Thou Spirits of Saturn, by thy Table I conjure thee:

    By thy Seal I conjure thee:

    Thou Intelligence of Saturn Agiel, I conjure thee by thy Seal:

    that thou wouldst direct thy Legions and Guide the Forces of the Spirit Zazel to break down every barrier to the Magi of Ethiopia that would stand against their participation with me through this blog.

    Thou Spirit Zazel, I conjure thee by thy Seal:

    that thou wouldst destroy any plan, plot or action of any man or force of nature within this realm that would stop the Magi of Ethiopia from joining me through this Blog.

    Jehovah Elohim, by the powers of thy host, let this Work bear the fruit Thou intend.

    Amen.