Rufus Opus

Tag: RufusAstraCheck

Tag: RufusAstraCheck

  • The Shem Project

    My next magickal project will be the Shem angels. When I first began Working with Spirits, I started with the Seven Archangels of the planets, intending to familiarize myself with them before moving on to more complex systems. Originally, I intended to move from the Planetary Intelligences to the Shem Angels, then on to the Ophanim, and then towards the Enochian system. At this point, I still intend to work the Ophanim system at some point in the future, but the Enochian system I’m wavering on. Time will tell.

    At this point, I’ve only begun formulating some ideas about the Shemhamephoresh angels. I’m definitely in the Initiation phase (for those with Project Management experience), where I begin to gather and analyze data regarding the project. I need to understand what the Angels are, how they fit into the cosmologies, and then identify means of conjuring them efficiently and repeatably. At that point, I can begin to record their attributes as they manifest in my life. That’s a ways down the road though.

    I got the “go-ahead” on the Shem angels from my HGA last week. I was reading in Agrippa that the Shemhamephoresh spirits were “better” than the angels of the planets and elements. I thought that was interesting, but there’s nothing about how to Work with these particular spirits. So, I did what we all do, I hit Google up for some leads.

    The two primary resources I found that had useful information in them were Aaron Leitch’s essay and Section V of Robert Ambelain’s Practical Kabbalah Part II. Both of these sources link the Shemhamephoresh angels to the zodiac.

    Personally, I’m not convinced. Not entirely, at any rate. The evidence for the angels to be astrologically linked is very strong. There are 72 names, one for ever five degrees of the zodiac. Aaron’s essay goes into a lot of the reasoning behind the attributions, and it’s very in-depth, and extends back centuries.

    However, the connections just don’t hold true enough to me at this point. I’m holding myself open to the idea they might be zodiacally related, but there’s more to placing spirits than the numbers they have in common with the zodiac.

    The names of the Shem angels are derived from three Hebrew verses of 72 letters each in Exodus 14:19-21. From Agrippa, we learn that the names of spirits are derived from the verses in the Bible that describe their qualities. The verses describe the Angel the Lord sent to protect, teach, and make a way for the Israelites as they escaped the Egyptians. The Angel’s presence was indicated by the column of smoke by day, and the pillar of fire by night that remained with the Israelites for over forty years. The Cloud remained with the Israelites at least as far as the edges of the Promised Land, but it’s hard to tell exactly when the Cloud and Fire returned to Heaven. We do know that the Cloud of the Lord’s presence returned to the Temple of Solomon, leaving all of Jerusalem weeping in awe.

    In tracking down the Angels’ history, I found they are aligned with the rays on the crowns of the twenty-four elders seated before the throne of God. Now, these elders are closer to the Throne of God than the seven candles representing the planets. They’re also closer to the Throne than the twelve angels that guard the gates of Jerusalem, placing hem above the zodiac as well.

    Based on this information, I’m planning on researching the spirits’ manifestations outside the requirements of astrological timing. I am currently of the opinion they operate outside the “rules” of the planetary governors. I could be wrong, but finding out is one goal of this particular project.

    Now, Ambelain’s section of Practical Kabbalah Part II includes seals for each of the spirits. These seals are copied and presented by Zalewski and Poke Runyon in other works, but Ambelain warns against their use, claiming a six-year operation using the seals resulted in cancer, obsessive thoughts of suicide, and other unpleasant results. Poke and Zalewski don’t mention it, and the general consensus of the magicians I’ve talked to about this is that Ambelain was full of crap. Either it was a false warning, or he was just wrong.

    Regardless, the seals come from a manuscript much later than Agrippa’s record of the angels. Agrippa knew the angels’ names, and knew they were used in magick, but did not offer any indication that they are related to the zodiac. If the seals were created under the auspices of the zodiac-link, they’ll be useless to me. Besides, I don’t like using symbols I don’t understand or that I’m just not comfortable with, and these definitely fall into that category.

    I’ll be working the spirits using the conjuration ceremonies of the 4th book of Occult Philosophy. The seals I’ll generate using some method from the time of Agrippa, or else something provided directly by my HGA. I haven’t figured that part out yet.

  • 4th Pentacle o’ Jupiter

    Ok, so now I’ve scanned the 4th Pentacle of Jupiter I made:


    I also have a digital image I made in “PowerPoint” of all the stupid things. It’s a rough approximation based on colors I have on my pc, fonts I have on my pc, and images I copy-pasted from Joe Peterson’s web site.

    The outermost circle has Muriel and its seal, then the next circle inwards has Jupiter, Tzadqiel, the characters of Jupiter, and the seal of the Archangel. The circle within has the gloria… psalm, and the innermost circle has the symbol from the Key of Solomon. The coloring below is allegedly based on the Picatrix, according to this site.

  • Remembering a Mother-in-law

    My mother-in-law passed away last Monday. It’s been a long week, funeral arrangements to make, two days of viewing the body, and today’s funeral. I had the honor of writing and presenting a eulogy for her at the service today. It went really well. The service was outstanding, and the funeral chapel did a wonderful job with everything. She was a good woman, and I realized at the viewings that she touched so many lives with her goodness.

    At the service, a great Catholic affair, I couldn’t discuss the things about her that meant the most to me personally. She was not an occultist, but she was a believer. One of the ladies that payed her respects was her tarot card reader, who also couldn’t talk about what role she played in my mother-in-law’s life. They had been expecting this for a while.

    My mother-in-law knew of my occult activities. She asked for help with my sister-in-law, and in addressing her needs, I learned a great deal about Bune, the Goetic spirit in my spirit pot, and Michael and Raphael. She saw angels and spirits, and was very aware of the spiritual realm in which we live and move and have our being. We had long talks about the spirit realm, and she always was interested in the things we talked about. It wasn’t like she was just asking to be nice, she really wanted to know what I thought about things. Her respect for me as a magician is something that meant a great deal to me.

    I’ll never forget the things she did for us as a family, and I’ll never forget that she treated me with dignity and respect, even in the realm of . We had our differences, but before she died we were at peace. The last thing she told me was that she was proud of me, and thanked God for my presence in her daughter’s life.

    The neat thing is, I know she’s still with us. When she was younger, she had a vision of an angel wearing a robe with two patches, one over her gall bladder, and one over her liver. For years she wondered what the patches represented. She passed away during a liver transplant surgery from an obscure liver disorder. They discovered it while removing her gall bladder. We’ve figured out the “angel” she saw that day was her own spirit, ministering peace to herself. she drew a picture of that angel the day she saw it, and everyone has commented on the “family resemblance,” some thinking it was her mother, others her father. No one had thought it might have been her.

    We’re looking forward to keeping in touch with her until we have a chance to join her.

  • Remembering a Mother-in-law

    My mother-in-law passed away last Monday. It’s been a long week, funeral arrangements to make, two days of viewing the body, and today’s funeral. I had the honor of writing and presenting a eulogy for her at the service today. It went really well. The service was outstanding, and the funeral chapel did a wonderful job with everything. She was a good woman, and I realized at the viewings that she touched so many lives with her goodness.

    At the service, a great Catholic affair, I couldn’t discuss the things about her that meant the most to me personally. She was not an occultist, but she was a believer. One of the ladies that payed her respects was her tarot card reader, who also couldn’t talk about what role she played in my mother-in-law’s life. They had been expecting this for a while.

    My mother-in-law knew of my occult activities. She asked for help with my sister-in-law, and in addressing her needs, I learned a great deal about Bune, the Goetic spirit in my spirit pot, and Michael and Raphael. She saw angels and spirits, and was very aware of the spiritual realm in which we live and move and have our being. We had long talks about the spirit realm, and she always was interested in the things we talked about. It wasn’t like she was just asking to be nice, she really wanted to know what I thought about things. Her respect for me as a magician is something that meant a great deal to me.

    I’ll never forget the things she did for us as a family, and I’ll never forget that she treated me with dignity and respect, even in the realm of . We had our differences, but before she died we were at peace. The last thing she told me was that she was proud of me, and thanked God for my presence in her daughter’s life.

    The neat thing is, I know she’s still with us. When she was younger, she had a vision of an angel wearing a robe with two patches, one over her gall bladder, and one over her liver. For years she wondered what the patches represented. She passed away during a liver transplant surgery from an obscure liver disorder. They discovered it while removing her gall bladder. We’ve figured out the “angel” she saw that day was her own spirit, ministering peace to herself. she drew a picture of that angel the day she saw it, and everyone has commented on the “family resemblance,” some thinking it was her mother, others her father. No one had thought it might have been her.

    We’re looking forward to keeping in touch with her until we have a chance to join her.

  • Jollishet, they’re serious!

    I believe this article is best appreciated if read while listening to this song. (NSFW)

    Change we can believe in… depending on how we define “change” and/or “believe.”

  • Remembering a Mother-in-law

    My mother-in-law passed away last Monday. It’s been a long week, funeral arrangements to make, two days of viewing the body, and today’s funeral. I had the honor of writing and presenting a eulogy for her at the service today. It went really well. The service was outstanding, and the funeral chapel did a wonderful job with everything. She was a good woman, and I realized at the viewings that she touched so many lives with her goodness.

    At the service, a great Catholic affair, I couldn’t discuss the things about her that meant the most to me personally. She was not an occultist, but she was a believer. One of the ladies that payed her respects was her tarot card reader, who also couldn’t talk about what role she played in my mother-in-law’s life. They had been expecting this for a while.

    My mother-in-law knew of my occult activities. She asked for help with my sister-in-law, and in addressing her needs, I learned a great deal about Bune, the Goetic spirit in my spirit pot, and Michael and Raphael. She saw angels and spirits, and was very aware of the spiritual realm in which we live and move and have our being. We had long talks about the spirit realm, and she always was interested in the things we talked about. It wasn’t like she was just asking to be nice, she really wanted to know what I thought about things. Her respect for me as a magician is something that meant a great deal to me.

    I’ll never forget the things she did for us as a family, and I’ll never forget that she treated me with dignity and respect, even in the realm of . We had our differences, but before she died we were at peace. The last thing she told me was that she was proud of me, and thanked God for my presence in her daughter’s life.

    The neat thing is, I know she’s still with us. When she was younger, she had a vision of an angel wearing a robe with two patches, one over her gall bladder, and one over her liver. For years she wondered what the patches represented. She passed away during a liver transplant surgery from an obscure liver disorder. They discovered it while removing her gall bladder. We’ve figured out the “angel” she saw that day was her own spirit, ministering peace to herself. she drew a picture of that angel the day she saw it, and everyone has commented on the “family resemblance,” some thinking it was her mother, others her father. No one had thought it might have been her.

    We’re looking forward to keeping in touch with her until we have a chance to join her.

  • The Magick Book

    Aaron Leitch posted a neat link to an article at the Solomonic yahoo group today. He was excited about the book bindings that are illustrated, and rightly so. They are truly beautiful. Take a look here:

    http://www.maybelogic.org/maybequarterly/06/0609RoyalBookbinding.htm.

    What I found most interesting is in the interview with the creator of these beautiful works of art and magick. Specifically, the book binder is speaking about an earlier project called the Guardian Angel Grimoire, which he created for his partner Margaret:

    The Guardian Angel Grimoire came about as the result of the problems my life partner Margaret was facing. I made the Grimoire as a Xmas present for her, I drew upon the knowledge I had put away 20 years ago and it all seemed to come back as if it never went away. The interior of the book starts with the Enochian Tree of Life, followed by the Major Arcana of the Tarot, followed by the Pre-Raphalite paintings (Morgan LeFay, the seduction of Merlin etc) ending with 14th-19th century magical symbols, with an 8pp section inserted within each illustration to write whatever.

    The strange thing is, everything Margaret has written in the Grimoire has happened in one form or another. She has been offered many, many thousands of pounds for it, but now she will never part with it.

    How cool is that? How many times would you have used a Magick Book to manifest things if all you had to do was write out what you wanted to happen in the pages?

    I’m telling you, I’ve had this in mind for years. Ever since I read Crowley’s interpretation of the elemental weapons of a Magus in the Book of Toth as the implements of a writer. The quill knife, the ink well, the quill and the page. Beautiful representation of the Work of Materialization, in my opinion. In my chaos days, I attempted to create such an item, and failed MISERABLY. The results were pathetic, as usual.

    However, I think this guy Paul has hit upon the method here, and I’ve got a theory to explain it, based on my own experiences with my Altar and the Glyph I go on about from time to time.

    I’m able to manifest things in my sphere of sensation simply by placing a symbolic representation of what I want on my altar in the Table of Practice. The Table of Practice on my altar represents all the forces of creation and the managing intelligences and spirits that control the processes of manifestation. Articulating what I want symbolically is like planting the seed in the aethyrs and letting it grow.

    Paul has done the same thing in his creation of the Guardian Angel Grimoire above. He’s got the structure of existence and all the powers and principalities that manage it represented in the Tree of Life, the pathways of manifestation presented in the Tarot imagery, and specific images that tie his life partner to the grimoire. He’s also got the seals of various entities included with pages for writing at various stages through the work.

    It’s a beautiful piece of craftsmanship on many levels.

    As soon as his partner writes something in the pages, the spirits associated with their seals set to work to manifest whatever is written. Simple, direct, and aestheticlaly pleasing. There’s not much more that one could wish for.

    It reminds me of something Susanne Illes is working on with her Table of Practice. (Check out her blog for some really excellent art work: http://www.bone-singer.blogspot.com/)

    Well, anyway, it’s something to work on in our spare time. We aren’t all Master Book Binders, but finding journals of blank bound paper is a lot easier than it used to be. Get yourself one, and start putting together your own materializer. You’ll need some representation of the cosmos (like the Ptolemaic System: http://tinyurl.com/ys6ym2). You can draw it yourself or print it up and paste it in, coloring it appropriately.

    Then you’ll need the servants. There’s 72 Shem Angels, a few hundred Ophanim and Enochian angels, or Seven Planetary Intelligences and their legions of Spirits. Plenty of systems to put your servants together from. The Goetia springs to mind. Maybe have a page for each Spirit and a few pages afterwards dedicated to that spirit. If you’re going to do something like that, make sure to include all the other seals and such.

    While we can’t all emboss hand-tanned leather covers with gold gilt lettering for our works, we can all create wooden bindings out of shingles engraved or wood-burned with the appropriate symbols and seals.The key to success is creative ingenuity. I think I’ll put together my own Magick Book of Manifestation this weekend, a little materialization engine that I can just write things in and have them happen.

    I’ll need a lot of pages for whichever spirit I find that makes mountains of gold coins appear at will.

    Keep it simple!

    -R.O.

  • The Magick Book

    Aaron Leitch posted a neat link to an article at the Solomonic yahoo group today. He was excited about the book bindings that are illustrated, and rightly so. They are truly beautiful. Take a look here:

    http://www.maybelogic.org/maybequarterly/06/0609RoyalBookbinding.htm.

    What I found most interesting is in the interview with the creator of these beautiful works of art and magick. Specifically, the book binder is speaking about an earlier project called the Guardian Angel Grimoire, which he created for his partner Margaret:

    The Guardian Angel Grimoire came about as the result of the problems my life partner Margaret was facing. I made the Grimoire as a Xmas present for her, I drew upon the knowledge I had put away 20 years ago and it all seemed to come back as if it never went away. The interior of the book starts with the Enochian Tree of Life, followed by the Major Arcana of the Tarot, followed by the Pre-Raphalite paintings (Morgan LeFay, the seduction of Merlin etc) ending with 14th-19th century magical symbols, with an 8pp section inserted within each illustration to write whatever.

    The strange thing is, everything Margaret has written in the Grimoire has happened in one form or another. She has been offered many, many thousands of pounds for it, but now she will never part with it.

    How cool is that? How many times would you have used a Magick Book to manifest things if all you had to do was write out what you wanted to happen in the pages?

    I’m telling you, I’ve had this in mind for years. Ever since I read Crowley’s interpretation of the elemental weapons of a Magus in the Book of Toth as the implements of a writer. The quill knife, the ink well, the quill and the page. Beautiful representation of the Work of Materialization, in my opinion. In my chaos days, I attempted to create such an item, and failed MISERABLY. The results were pathetic, as usual.

    However, I think this guy Paul has hit upon the method here, and I’ve got a theory to explain it, based on my own experiences with my Altar and the Glyph I go on about from time to time.

    I’m able to manifest things in my sphere of sensation simply by placing a symbolic representation of what I want on my altar in the Table of Practice. The Table of Practice on my altar represents all the forces of creation and the managing intelligences and spirits that control the processes of manifestation. Articulating what I want symbolically is like planting the seed in the aethyrs and letting it grow.

    Paul has done the same thing in his creation of the Guardian Angel Grimoire above. He’s got the structure of existence and all the powers and principalities that manage it represented in the Tree of Life, the pathways of manifestation presented in the Tarot imagery, and specific images that tie his life partner to the grimoire. He’s also got the seals of various entities included with pages for writing at various stages through the work.

    It’s a beautiful piece of craftsmanship on many levels.

    As soon as his partner writes something in the pages, the spirits associated with their seals set to work to manifest whatever is written. Simple, direct, and aestheticlaly pleasing. There’s not much more that one could wish for.

    It reminds me of something Susanne Illes is working on with her Table of Practice. (Check out her blog for some really excellent art work: http://www.bone-singer.blogspot.c

  • The Magick Book

    Aaron Leitch posted a neat link to an article at the Solomonic yahoo group today. He was excited about the book bindings that are illustrated, and rightly so. They are truly beautiful. Take a look here:

    http://www.maybelogic.org/maybequarterly/06/0609RoyalBookbinding.htm.

    What I found most interesting is in the interview with the creator of these beautiful works of art and magick. Specifically, the book binder is speaking about an earlier project called the Guardian Angel Grimoire, which he created for his partner Margaret:

    The Guardian Angel Grimoire came about as the result of the problems my life partner Margaret was facing. I made the Grimoire as a Xmas present for her, I drew upon the knowledge I had put away 20 years ago and it all seemed to come back as if it never went away. The interior of the book starts with the Enochian Tree of Life, followed by the Major Arcana of the Tarot, followed by the Pre-Raphalite paintings (Morgan LeFay, the seduction of Merlin etc) ending with 14th-19th century magical symbols, with an 8pp section inserted within each illustration to write whatever.

    The strange thing is, everything Margaret has written in the Grimoire has happened in one form or another. She has been offered many, many thousands of pounds for it, but now she will never part with it.

    How cool is that? How many times would you have used a Magick Book to manifest things if all you had to do was write out what you wanted to happen in the pages?

    I’m telling you, I’ve had this in mind for years. Ever since I read Crowley’s interpretation of the elemental weapons of a Magus in the Book of Toth as the implements of a writer. The quill knife, the ink well, the quill and the page. Beautiful representation of the Work of Materialization, in my opinion. In my chaos days, I attempted to create such an item, and failed MISERABLY. The results were pathetic, as usual.

    However, I think this guy Paul has hit upon the method here, and I’ve got a theory to explain it, based on my own experiences with my Altar and the Glyph I go on about from time to time.

    I’m able to manifest things in my sphere of sensation simply by placing a symbolic representation of what I want on my altar in the Table of Practice. The Table of Practice on my altar represents all the forces of creation and the managing intelligences and spirits that control the processes of manifestation. Articulating what I want symbolically is like planting the seed in the aethyrs and letting it grow.

    Paul has done the same thing in his creation of the Guardian Angel Grimoire above. He’s got the structure of existence and all the powers and principalities that manage it represented in the Tree of Life, the pathways of manifestation presented in the Tarot imagery, and specific images that tie his life partner to the grimoire. He’s also got the seals of various entities included with pages for writing at various stages through the work.

    It’s a beautiful piece of craftsmanship on many levels.

    As soon as his partner writes something in the pages, the spirits associated with their seals set to work to manifest whatever is written. Simple, direct, and aestheticlaly pleasing. There’s not much more that one could wish for.

    It reminds me of something Susanne Illes is working on with her Table of Practice. (Check out her blog for some really excellent art work: http://www.bone-singer.blogspot.com/)

    Well, anyway, it’s something to work on in our spare time. We aren’t all Master Book Binders, but finding journals of blank bound paper is a lot easier than it used to be. Get yourself one, and start putting together your own materializer. You’ll need some representation of the cosmos (like the Ptolemaic System: http://tinyurl.com/ys6ym2). You can draw it yourself or print it up and paste it in, coloring it appropriately.

    Then you’ll need the servants. There’s 72 Shem Angels, a few hundred Ophanim and Enochian angels, or Seven Planetary Intelligences and their legions of Spirits. Plenty of systems to put your servants together from. The Goetia springs to mind. Maybe have a page for each Spirit and a few pages afterwards dedicated to that spirit. If you’re going to do something like that, make sure to include all the other seals and such.

    While we can’t all emboss hand-tanned leather covers with gold gilt lettering for our works, we can all create wooden bindings out of shingles engraved or wood-burned with the appropriate symbols and seals.The key to success is creative ingenuity. I think I’ll put together my own Magick Book of Manifestation this weekend, a little materialization engine that I can just write things in and have them happen.

    I’ll need a lot of pages for whichever spirit I find that makes mountains of gold coins appear at will.

    Keep it simple!

    -R.O.

  • Fourth Pentacle of Jupiter Results

    Well, that certainly didn’t take long. In the first weekend after creating the talisman, I enjoyed a very pleasant inflow of cash, and multiple long-term opportunities for multiple revenue streams.

    While I was hoping for a cash-cow, single-source bonanza of stupid-wealth, I never quite BOUGHT the lotto tickets, which pretty much ensures no winning there, eh?

    Anyway, I’m very happy with the results. Here’s a brief list:

    • Spouse landed a part-time job watching a friend’s son before and after school, adding about $600 a month to our income; there’s a chance another friend of hers is going back to work as well, and will need someone to watch her son too
    • Spouse had biggest weekend to date in Avon Sales after last week’s Work
    • My “Products and Services” have sold more in the last week than they did in the last year

    There were a few other things that happened rather positively in general. Respiratory infections we’d been fighting since October have left the house. It feels like a gentle “Happy Blanket” has descended on our house, for the most part, except for the ongoing low-grade warfare with my spouse. I scored a professional-grade laser printer-copier-scanner-fax for free. A bunch of other stuff that builds up wealth over time is coming into fruition at the same time.

    Note that even though the Gematria of the figure could be Jupiter-Taurus, and the ritual itself is Jupiter-Cancer, the actual manifestations so far have been in keeping with Jupiter in Capricorn, slow steady, carefully measured growth.