Tag: RufusAstraCheck

Tag: RufusAstraCheck

  • Chthonic vs. Celestial

    Jake Stratton-Kent wrote the following explanation of his views on the Goetia as a genre (not just a grimoire in a grimoire). I’ve found the information Jake presented really useful in discussions with Goetic and Celestial entities alike since first reading it, and he was kind enough to let me post it here.

    Chthonic versus Celestial
    by Jake Stratton-Kent

    All ancient religions differ from modern religions in several major respects. We’re used to seeing things from a cultural perspective at least partly defined by what is known as *Revealed Religion*, in which *Revelation* (ultimately in the form of a Book) is received from on high (what we might term the *Celestial* region). The centre of gravity of this type of religion is the Celestial region, even though other realms of experience are considered – such as Earth, Hell and the physical universe in general.

    Ancient religions, and ‘primitive’ religion generally, is significantly different. Collectively they are termed Natural Religion (not to be confused with Nature Religion) which in contrast with Revelation from the Celestial realm evolves from the ground up, via deductive reasoning and observation of the world, including perceived supernatural components. It’s centre of gravity is Chthonic – it is notable that the Greeks at every stage of religious development considered the Earth the source of oracular power (contrasting Oracles with Revelations). Note again that this centre of gravity does not exclude consideration of other regions of experience, and thus gods of
    thunder, Sun, Moon etc. are not excluded by this focus.

    In the subsequent development of Greek religion the Celestial gained in importance, while the Chthonic powers for a long time retained divine status (notwithstanding some unpleasant characters in the underworld and elsewhere). My comparison of goetia with African Traditional Religions is intended to reflect this earlier status, and the chthonic ‘centre of gravity’ from which it evolved. The comparison is part of an effort to provide a position from which the pre-devaluation form of goetia may be understood in something like its own terms. In the past – whether in traditional sources, later publications or in discussions on the internet – goetia and dealing with the underworld has almost invariably been seen and described in terms of the later ‘Revealed Religion’ and has assumed the Celestial centre of gravity. That this gives an entirely false idea of how goetia originally operated – prior to devaluation – is obvious once this is taken on board. Otherwise it is very difficult to get past the perspective of Revealed Religion etc. which has prevailed in our culture for upwards of 2000 years.

    Additional perspective may be useful: the ‘goetia’ implicit in my usage is what Cumont called the ‘coarse and ancient goetia’; rites which preceded the adoption of supposed Persian ‘magic’ by the Greeks. That one survived alongside the other does not detract from the fact they had different frames of reference. In later magic goetia is not understood in its own original terms, having become a survival within a host tradition with another perspective. My use of chthonic and
    celestial refers to this aspect of the discussion, and as should be obvious I’m interested in recovering the perspective of goetia rather than of the host tradition (with which we’re all familiar in various guises).

  • Tezcatlipoca and Dee’s Aztec Mirror


    Mr. Doctor Professor Patrick (OMG, total Spongebob moment… hang on… whew, ok…) Brought up a question on the previous blog that ought to be further expounded upon.

    Dee’s Aztec Obsidian Mirror came to Europe between 1527 and 1530, according to the British Museum’s notes on his magic mirror.

    I don’t know if he ever used it in scrying the Enochian stuff, but he did use it for scrying some things.

    So, Tezcatlipoca

    He’s been popping up across my searches, weaving his smoke and mirrored way into my reality. I just sort of felt lead to put the mask on the skull, and it looks nice.

    Tezcatlipoca, among other things, is the God of the night. He appeared in the form of a jaguar in many tales (get it, jaguar tales… tails…), and did other cool stuff that I can’t remember. It’s a cop out, I know, but Wikipedia’s got a big article on him here, and I’m exhausted from putting together my garage today. Pulled all the accumulated crap out, and then neatly put it back in after sweeping. It doesn’t SOUND like an 8-hour job, but it was.

    The Garage, with all its cool space and alchemistical stuff is now officially “The Lab.” I may be running local workshops on making talismans out of copper and tin. Eventually.

    Anyway, I’m tarred (that’s “tired” for the yankees). So no more typey.

  • How to be an Uber-cool Magician and Never Pay Taxes Again

    In a previous post, I mentioned that I had asked Bune why he needed to be able to put the spirits under him on sepulchers. He answered me in a dream, and then I couldn’t remember the details. Last night and early this morning, he explained it to me again in a dream.

    That phrase, according to Bune, means that he will show you the ranks of his spirits. It refers to a process of “putting them in their place.” I got the sense that it was like a parade of soldiers, demonstrating the ranks and file of his legions. I also got the sense that it served him personally to keep the spirits in their place. They’re as unruly as people, and require discipline, to be shown “who’s boss” on occassion, and that what happens when he “puts them in their sepulcher.” It establishes a hierarchy of authority in their ranks, and teaches them where they belong. Like an exercise or drill in the armed forces. A spirit’s sepulcher is his place in the scheme of things.

    It seems like there’s a necromantic side to this as well that I don’t quite understand yet.

  • How to be an Uber-cool Magician and Never Pay Taxes Again

    Ha! Yeah right.

    Anyway, here are some random thoughts about why I haven’t experienced the same level of creeping chaos in my life as I’ve been working with Goetic spirits.

    Generally, I think, people who have the creeping chaos had the seeds for it already there in their lives before beginning their Goetic Work.

    Most magical traditions in the West have a methodology of identifying the parts of the self that are out of harmony with the rest of the universe and bringing them into harmony. In the Golden Dawn, for instance, this can take the form of initiations. In Alchemy, there is the Black stage where the impurities of the base ingredients are brought to the surface, the White stage where the impurities are burned to ash, and the Red stage, when the essence of the original ingredients is purified and transformed into the Philosopher’s Stone.

    This purification process is essential, in my opinion. It happens as you do the Work. When you begin the Work, you’re supposed to start where you’re at, and then ascend through the heavens to your Source, and then return to the earth in great power. That’s the methodology laid out in the Emerald Tablet of Hermes. The human being descends from the heavens through the elements into the flesh of the Earth. Through theurgical rituals, we ascend through the spheres of the heavens. As we do, the impurities get burned away, and when we return to the earth, we do so in power, and from this process the universe is continuously created.

    I didn’t jump ahead in the process. I started with making contact with my HGA. Based on the translation of the Sacred Magic of Abramelin by Mathers, I thought that after I had made contact with my HGA I was required to conjure the Four Kings of Hell, and all their servants, and get four familiars. Since that translation didn’t have all the seals of the demons you’re supposed to work with, I thought I would substitute the Goetia, as it’s more complete. Or so I thought at the time.

    Since my HGA was the only spirit I’d ever conjured, I figured I’d get my feet wet by Working with the Archangels of the Sephiroth. I looked for a quick and easy conjuration method, and found Trithemius’ Art of Drawing Spirits into Crystals. This technique is pretty straightforward and readily adaptable. It also only focuses on the seven Planetary Archangels. I was learning more about neoplatonism at the time, and this fit my personal understanding of the universal cosmology and spiritual hierarchies anyway, so I went with it.

    As I conjured each of the Archangels, I asked them to “purify the tincture of my sphere.” I went through various issues as a result (although honestly, it wasn’t that hard to deal with). I also built up my own sphere by interacting with these beings over a period of about a year. By the time I got back to the Goetic entities, I had already performed the ascension part. I knew where I belonged in the cosmic hierarchy, understood my race and value from an eternal perspective, and was ready to assume my role as the administrator of my physically manifest realm. There was no room for the Goetic spirit to cause chaos. There was no reason for it to, either.

  • How to be an Uber-cool Magician and Never Pay Taxes Again

    Ha! Yeah right.

    Anyway, here are some random thoughts about why I haven’t experienced the same level of creeping chaos in my life as I’ve been working with Goetic spirits.

    Generally, I think, people who have the creeping chaos had the seeds for it already there in their lives before beginning their Goetic Work.

    Most magical traditions in the West have a methodology of identifying the parts of the self that are out of harmony with the rest of the universe and bringing them into harmony. In the Golden Dawn, for instance, this can take the form of initiations. In Alchemy, there is the Black stage where the impurities of the base ingredients are brought to the surface, the White stage where the impurities are burned to ash, and the Red stage, when the essence of the original ingredients is purified and transformed into the Philosopher’s Stone.

    This purification process is essential, in my opinion. It happens as you do the Work. When you begin the Work, you’re supposed to start where you’re at, and then ascend through the heavens to your Source, and then return to the earth in great power. That’s the methodology laid out in the Emerald Tablet of Hermes. The human being descends from the heavens through the elements into the flesh of the Earth. Through theurgical rituals, we ascend through the spheres of the heavens. As we do, the impurities get burned away, and when we return to the earth, we do so in power, and from this process the universe is continuously created.

    I didn’t jump ahead in the process. I started with making contact with my HGA. Based on the translation of the Sacred Magic of Abramelin by Mathers, I thought that after I had made contact with my HGA I was required to conjure the Four Kings of Hell, and all their servants, and get four familiars. Since that translation didn’t have all the seals of the demons you’re supposed to work with, I thought I would substitute the Goetia, as it’s more complete. Or so I thought at the time.

    Since my HGA was the only spirit I’d ever conjured, I figured I’d get my feet wet by Working with the Archangels of the Sephiroth. I looked for a quick and easy conjuration method, and found Trithemius’ Art of Drawing Spirits into Crystals. This technique is pretty straightforward and readily adaptable. It also only focuses on the seven Planetary Archangels. I was learning more about neoplatonism at the time, and this fit my personal understanding of the universal cosmology and spiritual hierarchies anyway, so I went with it.

    As I conjured each of the Archangels, I asked them to “purify the tincture of my sphere.” I went through various issues as a result (although honestly, it wasn’t that hard to deal with). I also built up my own sphere by interacting with these beings over a period of about a year. By the time I got back to the Goetic entities, I had already performed the ascension part. I knew where I belonged in the cosmic hierarchy, understood my race and value from an eternal perspective, and was ready to assume my role as the administrator of my physically manifest realm. There was no room for the Goetic spirit to cause chaos. There was no reason for it to, either.

  • Crystal Skull 1 – Roughly Finished


    Behold the BLURRY CRYSTAL SKULL OF DOOOOOOOM!!!

    The best camera in the house is my daughter’s cell phone camera at 2.0 megapix. And she’s twelve. But hey, I gots pictures! I ain’t complaining!

    For size comparison, that is a twelve-year-old girl’s hand holding the crystal above a hardwood floor. The wood planks are about two inches wide, if that helps. It’s rather … smallish.

    My spouse said it was “cute.”

    Nevertheless!!! It’s awesome. I had worked after conjuring my Agatha Daimon and the Goetic spirit Bune. I was tingling from the whole experience, physically, and spiritually.

    Quartz has some pretty cool occult properties on its own. Carving quartz is delicate work, it cracks and shatters. That’s partially why it turned out so small. It’s my first effort, and I learned a lot.

    The heat from grinding it down was all focused at the tip of the crystal point, while it had one. I also dowsed it using a pendulum before carving it, and I’ll be dowsing it when it’s all the way finished too. It still needs more polishing, and the “mask” needs more work.

    The mask, by the way, is a reference to the Aztec God of Sorcerors, Tezcatlipoca. I remember it by repeating Tez-Cat-Lip-Polka. His name translates as “Smoking Mirror,” and he was the god they would work with to perform scrying acts in their obsidian mirrors. The god was often depicted either wearing the mirror, or having it for a foot. He had lost the foot luring the crocodile from the waters that he and Qetzelcoatl made the land out of in some of the Aztec creation myths.

    The mirror used by John Dee was one of these Aztec Mirrors made out of Obsidian and brought from the New World. Chances are pretty good that it was at one time used by someone of high importance under the auspices of Tezcatlipoca.

    So, we’ve got a nod to the god of scrying from the Aztec cosmology. Why? Because. The Google expedition on crystal skulls in general lead me to very specific skulls that were masks of Tezcatlipoca. I also got engrossed in Aztec creation myths, and I read most of the Popul Vu codex. Comparative theology never ceases to entertain me.

    Since beginning to carve the skull, it has appeared unasked for in a visit to my astral temple, sort of like Bune was just there one day after I put my spirit pot together for him. I’m not surprised, as Bune has worked on this skull with me, laying down a communications network for the spirits of the dead. My Agatha Daimon was also on hand to imbue it with pure Divine Light, so it’s more likely to draw whomever uses it towards God rather than away.

    I’m going to keep this for a while and play with it, see what comes out of my Work with it. I performed some basic psychometry on the crystals before choosing them, and found the ones that would be the best candidates based on their “vibe.” I’ll be testing them again, and maybe even writing up some of the Great Work lessons I learned from grinding the skull itself. Shaping a brittle crystalline matrix using a rotary tool and diamond bits requires a finesse and a strength combined that is hard to explain off the top of my head.

    Sorry if I’m all over the map on this post, I’m kind of excited.

  • Powers of the Sphinx in Rending the Veil

    Greetings!

    I’ve gotten new information on formulating the Spirit Pot from a hoodoo worker and root doctor (are they the same thing?) over at the Solomonic yahoo group. He goes by the name “Inominandum,” and has written a book and quite a few interesting articles over at his website. I enjoyed the interview with Simon, author of the still-controversial Necronomicon, immensely.

    He suggested lining the bottom of the pot with dirt form my local community. Since Bune is associated with bringing riches and eloquence to a man, the ideal dirt would be from a local bank and from the local library. I’ll be gathering some dirt from my own branches of both this weekend. We also discussed including the ashes of burned books, and he indicated that would be useful as well.

    Everything that goes into the Spirit Pot serves some purpose. Tools for the spirit to use in his activities on your behalf are included. For example, the “Magickal Weapon” from 777 I included was the arrow, as Bune is a Sagitarian aspected spirit. With a weapon he is associated with, Bune becomes a more formidable spirit ally. The other stuff I’ve included in the pot serve to create a conducive environment for the spirit.

    Additionally, the process of making offerings was clarified. Inominandum confirmed that anything given to the spirit is the spirit’s for life. No giving and taking away. Food offerings that spoil can be taken away when the spirit indicates it is finished by turning the food into “ick.” (Ick is the technical term for food offerings deprived of spiritual essence, I believe.)

    Other members of the group have helped me understand how to set up the pot in my ritual space. Aaron Leitch suggested setting up a dedicated space with an altar cloth with Bune’s seal on it, and that suggestion was confirmed by others on the list as being appropriate. Inominandum mentioned that the pot can also be placed on a plate that serves as a place to make your offerings as well. Generally, anything placed in the vicinity seems to work.

    Last night I spoke directly with Bune via the Spirit Pot for the first time in a while. Mostly I’ve only addressed him casually while making offerings. I asked for more information on what the part of his description about spirits gathering on sepulchers was used for, and asked him to reveal it to me in dreams. I tossed and turned all night after that, couldn’t get into a deep sleep. I kept having short bursts of lucid dreaming where I heard Bune speaking, but in images that I couldn’t make out, or in a voice that was barely audible.

    I’ve been on an orgone generator craze lately, and I’ve got about three or four of them in my room. I think they were making too much static for clear communications. This morning in between snooze alarms, I had extremely visual dreams where Bune explained exactly what was going on with that part of his description, but as soon as I sat up, the dreams were gone. I expect to be able to recover the information in trance work later this evening though.

  • Powers of the Sphinx in Rending the Veil

    I just finished reading an article on the Four Powers of the Sphinx by Patrick Dunn in the latest edition of Rending the Veil. I liked it, a lot. I usually get annoyed when the subject of the Four Powers of the Sphinx comes up. I’m not silent about my Work, I talk about it all the time. I’m not convinced that the “Will” has ever been properly identified in a magickal context. Daring and Knowledge didn’t strike me much as being more than a passing Captain Obvious reference. (As in, way to go, Captain Obvious!)

    But Patrick Dunn’s article treats the subject in a way I’ve never seen presented before. I’m no postmodernist, but I still could grasp what he was saying and see how it made the Powers of the Sphinx into something useful, instead of being a puss-filled boil on magic’s backside.

    The full article is located via this link. Click the underlined part, dude, or the Title of this post. It’s well worth the read.

  • Daimon Brainstorming Sessions Part 1

    So in the post “The Weirdest Bune Thing Yet” covered my most recent joy-ride in the occult. I’d like to talk a bit about how my Daimon and I brainstormed a way to make sure it didn’t happen again.

    For starters, the first thing I did when I got the explanation of what was going on was to verify it with my Daimon. I simply cocked my head to where he usually resides, behind me and a little on the right, and asked him if this was legit. I got a nod from him, and I confirmed the next step was to do my own divination.

    So I shuffled my mini-Rider-Waite deck while specifically asking out loud “What is the source of my illness?” I use the 15-card layout that is suggested in the little book that comes with Crowley’s Thoth deck. It’s always worked well for me.

    Current circumstances indicated that the oracle was right. I had the Five of Wands in the center significator spot. Cards surrounding it indicated I was fighting the results of a smug person stealing knowledge, and a confirmation from my Daimon that the coin oracle had described what happened accurately. I then had two options to deal with the problem. Magickal counter-attack aimed at the person who had done it in the first place, or rising above it and putting the forces that were at work in my sphere into their proper place as the second option. I had been considering the first option, mainly, because I was pissed. however, the cards indicated I’d run into more fighting and eventual sorrow or regret at taking that path.

    The second option showed me how I could permanently conquer this kind of strife by putting things right that were wrong in the moment, and by behaving in a different way in my personal practices. These cards were the King of Wands on the right, the Hierophant in the center, and the six of wands on the left. The six of wands indicated peace and victory after putting down the current strife in the five of wands. From the King of Wands, I got the image of no longer having to fight because I had established the hierarchy in the realm of Wands one must in order to be the King.

    The Hierophant was the primary image of this grouping. It coalesced the other two cards, representing the path that I needed to take to achieve present victory (6 of wands) and lasting Lordship over this kind of strife (King of Wands). I have a long history of the Hierophant popping up representing me, in readings I perform for myself and readings performed by others. That and the much better results made it clear which option I should take.

    The next step was to plan out the actual ritual Work I would need to do in order to clear up the current mess and make sure it wouldn’t happen again. The coin oracle indicated that “my” Bune (the spirit in the Bune Spirit Pot I made) would be able to fix the current mess, so I confirmed that with my Daimon. He indicated that was the way to go.

    It’s in keeping with the role of the Hierophant to be the go-between with the spirits on behalf of people who have messed things up. The priest or shaman is called to perform the exorcism, the man or woman with the divine connections is there for the people. I think this is why the Rider-Waite Hierophant is pointing up with his projecting (right) hand and the receptive (left) hand is projecting over the monks in front of him, holding the symbol that represents (in my opinion) the Caduceus, or his ability to travel through the higher spheres, the heavens, or sephiroth, however you want to perceive it.

    So I went to my spirit pot and asked Bune to put any spirits that were causing me illness back into their proper place. This is one of his talents he revealed to me (it’s in the description in the Goetia, but I didn’t understand it). Bune agreed, and I lit five tea light candles in front of his Pot in thanks for his actions.

    I woke up healed the next morning, as stated in the earlier post. I still had to figure out how to overcome things like this happening again though, so I planned another Daimon brainstorming session for the next night. That will be Part 2.

  • Cool Stuff

    Someone on the lists is selling off a bunch of stuff to fund a move. It’s neat. Check here:

    http://search.ebay.com/W0QQsassZheatherc717

    One of the really cool items is this Phoenix Scepter:

    As you may know, I’ve got kids. That means an ever-handy excuse to watch Cartoons. One of our family favorites is Tutenstein. It’s from the Discovery Channel and integrates real archaeology with a fun supernatural plot line. Spoiled teenage brat zombie megalomaniacs. How can you go wrong?

    One of the things the boy-king has because he’s the Pharaoh is the “Scepter of Was.” I couldn’t help but notice the similarities. Heather, the person selling the Ceremonial Magic stuff, is a really detailed artistic person with a former passionate history for the whole Egyptian Thing. I’d be willing to bet there’s a real scepter of Was that she based her image on. If the Phoenix Wand could do half the things Tutenstein’s Scepter does, I say God Damn! Buy that bitch!