“The Great Work”

A magnificent phrase, eh? I’ve been through so many online debates and discussions about what the Great Work “means” that it isn’t even funny anymore. There are those who say it is “attaining unity with the Divine.” Others say it is becoming the best that you can. Others believe that every person has their own Great Work to do, that it represents the climactic culmination of all their efforts in life.

In tracking back the phrase in the esoteric community, I ended up back with the Alchemists. I’m sure it goes back further, but I’ll be damned if I can find it quickly enough to suit my purposes. If anyone has any input, let me know. 🙂

Briefly (there’s never enough space), the alchemists saw the Great Work as the accomplishment of a spiritual transformation. It was also seen as the creation of the Philosopher’s Stone, a stone with the ability to turn base materials into finer materials, like lead into gold. One couldn’t create the Philosopher’s Stone (in my opinion) without being spiritually “advanced.” The process of creating the Stone resulted in perfection of the person, and the perfection of the person resulted in the ability to create the Philosopher’s Stone. There’s a marriage here of physical and spiritual elements that I think cannot be stressed enough.

In the NP context, the goal of man is to return to the Source of all that is. The Philosophers saw this as a process of training the mind to think like a God without becoming falsely proud. Plotinus speaks of the process as “reclaiming” our race and value. I love that concept.

It isn’t becoming a God. (You’re already a manifestation of “the good,” “the One,”, the “Primum Mobile.) It’s a process of remembering where you came from. The reason we forget is detailed in the Enneads of Plotinus, and they’re an interesting read. Here’s an excerpt that pertains:

It must be noted, however, that the process of reclaiming your race and value did not result in anything spectacularly fabulous. No lightning from the fingertips, or flaming balls of fire. What it did result in was a change in the person you are. It changed the way you acted and interacted with everything else. You remember you’re here, and what your purpose in life is, and you’re suddenly happy. You see things as a whole complete process, and the painfulness of the moments of sadness are gone, and the moments of joy are magnified. It was a philosophical change, a change of Mind that brought satiety, the sense of being completely fulfilled. And if you weren’t feeling that way, you had forgotten, and needed to remember where you were from again.

So Plotinus said there’s two ways to remember your race and value. You honor the things of the higher realms, and dishonor the things of the lower realm. I’ve turned this into contemplative method of getting rid of the horrors of embarrassing moments that haunt you through your life. I broke it into steps at this link.

Asceticism blossomed under this philosophy. Lots of Gnostics took up the mantra of “all things material are evil and to be avoided at all costs.” This view influenced a lot of the early Christians too. Paul, for instance, expresses a lot of ascetic notions in his writings in the New Testament.

Iamblichus, meanwhile, took things down a different route. He was a “wee bit” more into the Hellenised Egyptian mythology. As a result of his initiations into the Egyptian mystery cults, he participated in the Theurgic rituals of his day. I’m intensely jealous. In the Theurgia, his reply to a letter written by Porphyry criticising Theurgy, he explains how working with the spirits of the higher realms results in getting you closer to God. He also talks about our role in this realm of matter.

Each level of emanation from the higher realms, each entity that inhabits the realms between the material and the Source of Everything has a purpose. We are also manifestations, and our greatest goal as magicians is to remember that we are emanations of God, and that we are here to do something specific. The Work is a process of learning what that purpose is, and how we’re supposed to accomplish that purpose while we’re here. We work with the spirits to learn, and to be raised higher and closer to God, but at the same time, we guide them in their ministrations here in the realm of matter, because that’s where we fit into the hierarchy of things. We’re the part of God that came to matter (Nature) out of love for matter to care for the matter and minister to it through the actions of the spirits on the higher levels. The trick is to remember what we’re here for, and then to learn to do it the right way.

Now we get to the meat of the matter. This is the post I’ve been looking forward to the most. Unfortunately, I’m short on space. My posts don’t look that big when I’m writing them, but then they’re huge on the blog. So I’ll keep it brief. I did finally break down and get a web page hosting service, so as soon as I find some nifty templates and do some quick-and-easy plug and play stuff, I’ll have a web site with the space for the huge rambling dissertations I’m fond of writing. 😀

1.3.1 Why we Work with Spirits

In the NP system, we work with the Spirits to get closer to God. This is called theurgy. Iamblichus, a student of Plotinus, taught that working with the Spirits was a means to purify the sphere of the magician, to make it more like the creator and less like the created. He recognized that when you conjure up a Spirit of Mars, you’re working with something on a higher level, and that something has emanated something into what eventually manifested as you. As it is more pure, its very presence close to your sphere purifies your own sphere, restoring a bit of the awareness of your own divinity as it relates to the powers over which that particular spirit presides.

From the Thomas Taylor translation of Iamblichus’ Theurgia (Section IV, Chapter II):

“in all theurgical operations the priest sustains a twofold character; one, indeed, as man, and which preserves the order possessed by our nature in the universe; but the other, which is corroborated by divine signs, and through these is conjoined to more excellent natures, and is elevated to their order by an elegant circumduction, this is deservedly capable of being surrounded with the external form of the Gods.”

1.3.2 How we Work with Spirits

The chapter I quoted from is in the context of how Iamblichus taught that we are to interact with spirits. He was addressing an argument from Porphyry, another of Plotinus’ students, who asked why a mortal man in the flesh would be conjuring a “superior” being, and then turn around and command it to act in such-and-such a way. (I’m paraphrasing.)

The answer is that while yes, we are in matter, we are of two parts, the divine and the flesh. The divine aspect of the self has existed since before time within the One, God, who emanated down through all the spheres and beings and elements and stuff-ness of everything. The flesh part is the temporary shell of the divine spirit, and while it is lower in the cosmic hierarchy, the spirit within is still in authority. Therefore, the magician surrounds the material part of themselves with the symbols of the divinity within, and petitions the higher spirits to appear using the classic conjuring orations from such sources as the grimoires.

The Spirits (and I’m including the “gods”, angels, daemons, elementals, or whatever else you would call them in your branch of the Western Mystery Tradition) appear in response to the conjurations because they have a vested interest in us. They are also aspects of the One within us. However, they are of a different form, and in that form they don’t have the same capacities that we do. Once they appear, the differences in the nature of our emanation place us in a position of authority over the spirits, and we are therefore able to “command” the spirits to do our bidding.

Now, the basic formula for conjuring the spirits is pretty simple. You surround yourself with the things the spirit has an affinity for. Each Spirit is responsible for emanating an aspect of the One into the material realm. Michael, Archangel of the Sun, is responsible for emanating the things that manifest with a solar nature in the material realm. You surround yourself with the things that have solar properties to get his attention, and conjure him in the name of God that describes his function. Now, as a ceremonial magician, the best thing you can have that Michael has emanated into the material realm is his Arch-angelic Seal that he revealed to magicians. His Name itself is the means he revealed himself to this realm. The names of God that are associated with him are also revealed by Michael into this realm in order to establish contact with him.

So to conjure Michael, you would burn some solar incense, wear the seal of Michael, and conjure him in the Name of God associated with the Sphere of the Sun, “Eloahv Da’at.” (Your spelling may differ.)

When Michael appears, you explain your need, remembering that yes, he is superior to you in some ways, but at the same time, you are his boss (in a VERY spiritual way). That is to say, the Logos within you is the same Logos Michael receives his orders from.

If you’re commanding the Spirits from the authority of the part of yourself that is the flesh, you’ll get no results. As a Christian, I know that I have been “Born of the Spirit,” and my work with my HGA has resulted in certain “initiations” that grant me the awareness of my Roles and Responsibilities in the cosmic Hierarchies, so I’m getting pretty consistent results. Not always pleasant from the mundane perspective, but always beneficial.

So the proper order for conjuring the spirits is:

1. Be right with God. Know your place. “Thou hast cleansed me with hyssop, oh Lord!” and so forth. (Remember in the Exorcist, the priest kept chanting, “It is not I, but Christ that commands you…”)
2. Have the seal of the spirit.
3. Call the spirit (“Thou spirit Michael, I conjure thee here in the name of the Most High God, in the Name of the Logos-Christ within me, in the name Eloahv Da’at, to appear before me in this crystal…”)
4. Explain what you want from the Spirit. (It’s a good idea to get confirmation that it understands, and have it tell you how it will do what it agrees to.)
5. Thank the Spirit, and bid it to go and do as it agreed.

Pretty simple, eh? The rest of the details of the various grimoires and such are cultural necessities. That means that when the Almadel has you make a Beeswax Angel Conjuring Device, you make a Beeswax Angel Conjuring Device if you expect to work with the spirits of the Almadel. If you’re OK with working with something that MIGHT be LIKE the spirits of the Almadel, you’re free to make your own adaptations, but the results are not guaranteed. I must stress, you have to know the rules before you can break them.

The three stages of Classical Education are Grammar, Logic, and Rhetoric. Grammar teaches the basic building blocks, Logic teaches how the building blocks are assembled, and Rhetoric is the stage where you demonstrate your understanding of the pieces and parts by assembling them in new ways.

The Grimoires themselves contain the elements of the Grammar stage. Lists of spirits. Means of contacting them. Performing the instructions in the Grimoires brings you in touch with the Spirits, who teach the Logic stage. After you’ve been “initiated” you advance to the Rhetoric stage, and you can make things up based on your knowledge and understanding gained from research AND experience. I’m not advocating Chaos Magick, but I’ve grown to recognize the elements of Chaos Magick that are true in certain contexts. What gets on my nerves is that Chaos Magick doesn’t give magicians the context necessary for success. :sigh: I’ve ranted on that elsewhere.

So much for keeping it brief. 🙂

Now we get to the meat of the matter. This is the post I’ve been looking forward to the most. Unfortunately, I’m short on space. My posts don’t look that big when I’m writing them, but then they’re huge on the blog. So I’ll keep it brief. I did finally break down and get a web page hosting service, so as soon as I find some nifty templates and do some quick-and-easy plug and play stuff, I’ll have a web site with the space for the huge rambling dissertations I’m fond of writing. 😀

1.3.1 Why we Work with Spirits

In the NP system, we work with the Spirits to get closer to God. This is called theurgy. Iamblichus, a student of Plotinus, taught that working with the Spirits was a means to purify the sphere of the magician, to make it more like the creator and less like the created. He recognized that when you conjure up a Spirit of Mars, you’re working with something on a higher level, and that something has emanated something into what eventually manifested as you. As it is more pure, its very presence close to your sphere purifies your own sphere, restoring a bit of the awareness of your own divinity as it relates to the powers over which that particular spirit presides.

From the Thomas Taylor translation of Iamblichus’ Theurgia (Section IV, Chapter II):

“in all theurgical operations the priest sustains a twofold character; one, indeed, as man, and which preserves the order possessed by our nature in the universe; but the other, which is corroborated by divine signs, and through these is conjoined to more excellent natures, and is elevated to their order by an elegant circumduction, this is deservedly capable of being surrounded with the external form of the Gods.”

1.3.2 How we Work with Spirits

The chapter I quoted from is in the context of how Iamblichus taught that we are to interact with spirits. He was addressing an argument from Porphyry, another of Plotinus’ students, who asked why a mortal man in the flesh would be conjuring a “superior” being, and then turn around and command it to act in such-and-such a way. (I’m paraphrasing.)

The answer is that while yes, we are in matter, we are of two parts, the divine and the flesh. The divine aspect of the self has existed since before time within the One, God, who emanated down through all the spheres and beings and elements and stuff-ness of everything. The flesh part is the temporary shell of the divine spirit, and while it is lower in the cosmic hierarchy, the spirit within is still in authority. Therefore, the magician surrounds the material part of themselves with the symbols of the divinity within, and petitions the higher spirits to appear using the classic conjuring orations from such sources as the grimoires.

The Spirits (and I’m including the “gods”, angels, daemons, elementals, or whatever else you would call them in your branch of the Western Mystery Tradition) appear in response to the conjurations because they have a vested interest in us. They are also aspects of the One within us. However, they are of a different form, and in that form they don’t have the same capacities that we do. Once they appear, the differences in the nature of our emanation place us in a position of authority over the spirits, and we are therefore able to “command” the spirits to do our bidding.

Now, the basic formula for conjuring the spirits is pretty simple. You surround yourself with the things the spirit has an affinity for. Each Spirit is responsible for emanating an aspect of the One into the material realm. Michael, Archangel of the Sun, is responsible for emanating the things that manifest with a solar nature in the material realm. You surround yourself with the things that have solar properties to get his attention, and conjure him in the name of God that describes his function. Now, as a ceremonial magician, the best thing you can have that Michael has emanated into the material realm is his Arch-angelic Seal that he revealed to magicians. His Name itself is the means he revealed himself to this realm. The names of God that are associated with him are also revealed by Michael into this realm in order to establish contact with him.

So to conjure Michael, you would burn some solar incense, wear the seal of Michael, and conjure him in the Name of God associated with the Sphere of the Sun, “Eloahv Da’at.” (Your spelling may differ.)

When Michael appears, you explain your need, remembering that yes, he is superior to you in some ways, but at the same time, you are his boss (in a VERY spiritual way). That is to say, the Logos within you is the same Logos Michael receives his orders from.

If you’re commanding the Spirits from the authority of the part of yourself that is the flesh, you’ll get no results. As a Christian, I know that I have been “Born of the Spirit,” and my work with my HGA has resulted in certain “initiations” that grant me the awareness of my Roles and Responsibilities in the cosmic Hierarchies, so I’m getting pretty consistent results. Not always pleasant from the mundane perspective, but always beneficial.

So the proper order for conjuring the spirits is:

1. Be right with God. Know your place. “Thou hast cleansed me with hyssop, oh Lord!” and so forth. (Remember in the Exorcist, the priest kept chanting, “It is not I, but Christ that commands you…”)
2. Have the seal of the spirit.
3. Call the spirit (“Thou spirit Michael, I conjure thee here in the name of the Most High God, in the Name of the Logos-Christ within me, in the name Eloahv Da’at, to appear before me in this crystal…”)
4. Explain what you want from the Spirit. (It’s a good idea to get confirmation that it understands, and have it tell you how it will do what it agrees to.)
5. Thank the Spirit, and bid it to go and do as it agreed.

Pretty simple, eh? The rest of the details of the various grimoires and such are cultural necessities. That means that when the Almadel has you make a Beeswax Angel Conjuring Device, you make a Beeswax Angel Conjuring Device if you expect to work with the spirits of the Almadel. If you’re OK with working with something that MIGHT be LIKE the spirits of the Almadel, you’re free to make your own adaptations, but the results are not guaranteed. I must stress, you have to know the rules before you can break them.

The three stages of Classical Education are Grammar, Logic, and Rhetoric. Grammar teaches the basic building blocks, Logic teaches how the building blocks are assembled, and Rhetoric is the stage where you demonstrate your understanding of the pieces and parts by assembling them in new ways.

The Grimoires themselves contain the elements of the Grammar stage. Lists of spirits. Means of contacting them. Performing the instructions in the Grimoires brings you in touch with the Spirits, who teach the Logic stage. After you’ve been “initiated” you advance to the Rhetoric stage, and you can make things up based on your knowledge and understanding gained from research AND experience. I’m not advocating Chaos Magick, but I’ve grown to recognize the elements of Chaos Magick that are true in certain contexts. What gets on my nerves is that Chaos Magick doesn’t give magicians the context necessary for success. :sigh: I’ve ranted on that elsewhere.

So much for keeping it brief. 🙂

Now we get to the meat of the matter. This is the post I’ve been looking forward to the most. Unfortunately, I’m short on space. My posts don’t look that big when I’m writing them, but then they’re huge on the blog. So I’ll keep it brief. I did finally break down and get a web page hosting service, so as soon as I find some nifty templates and do some quick-and-easy plug and play stuff, I’ll have a web site with the space for the huge rambling dissertations I’m fond of writing. 😀

1.3.1 Why we Work with Spirits

In the NP system, we work with the Spirits to get closer to God. This is called theurgy. Iamblichus, a student of Plotinus, taught that working with the Spirits was a means to purify the sphere of the magician, to make it more like the creator and less like the created. He recognized that when you conjure up a Spirit of Mars, you’re working with something on a higher level, and that something has emanated something into what eventually manifested as you. As it is more pure, its very presence close to your sphere purifies your own sphere, restoring a bit of the awareness of your own divinity as it relates to the powers over which that particular spirit presides.

From the Thomas Taylor translation of Iamblichus’ Theurgia (Section IV, Chapter II):

“in all theurgical operations the priest sustains a twofold character; one, indeed, as man, and which preserves the order possessed by our nature in the universe; but the other, which is corroborated by divine signs, and through these is conjoined to more excellent natures, and is elevated to their order by an elegant circumduction, this is deservedly capable of being surrounded with the external form of the Gods.”

1.3.2 How we Work with Spirits

The chapter I quoted from is in the context of how Iamblichus taught that we are to interact with spirits. He was addressing an argument from Porphyry, another of Plotinus’ students, who asked why a mortal man in the flesh would be conjuring a “superior” being, and then turn around and command it to act in such-and-such a way. (I’m paraphrasing.)

The answer is that while yes, we are in matter, we are of two parts, the divine and the flesh. The divine aspect of the self has existed since before time within the One, God, who emanated down through all the spheres and beings and elements and stuff-ness of everything. The flesh part is the temporary shell of the divine spirit, and while it is lower in the cosmic hierarchy, the spirit within is still in authority. Therefore, the magician surrounds the material part of themselves with the symbols of the divinity within, and petitions the higher spirits to appear using the classic conjuring orations from such sources as the grimoires.

The Spirits (and I’m including the “gods”, angels, daemons, elementals, or whatever else you would call them in your branch of the Western Mystery Tradition) appear in response to the conjurations because they have a vested interest in us. They are also aspects of the One within us. However, they are of a different form, and in that form they don’t have the same capacities that we do. Once they appear, the differences in the nature of our emanation place us in a position of authority over the spirits, and we are therefore able to “command” the spirits to do our bidding.

Now, the basic formula for conjuring the spirits is pretty simple. You surround yourself with the things the spirit has an affinity for. Each Spirit is responsible for emanating an aspect of the One into the material realm. Michael, Archangel of the Sun, is responsible for emanating the things that manifest with a solar nature in the material realm. You surround yourself with the things that have solar properties to get his attention, and conjure him in the name of God that describes his function. Now, as a ceremonial magician, the best thing you can have that Michael has emanated into the material realm is his Arch-angelic Seal that he revealed to magicians. His Name itself is the means he revealed himself to this realm. The names of God that are associated with him are also revealed by Michael into this realm in order to establish contact with him.

So to conjure Michael, you would burn some solar incense, wear the seal of Michael, and conjure him in the Name of God associated with the Sphere of the Sun, “Eloahv Da’at.” (Your spelling may differ.)

When Michael appears, you explain your need, remembering that yes, he is superior to you in some ways, but at the same time, you are his boss (in a VERY spiritual way). That is to say, the Logos within you is the same Logos Michael receives his orders from.

If you’re commanding the Spirits from the authority of the part of yourself that is the flesh, you’ll get no results. As a Christian, I know that I have been “Born of the Spirit,” and my work with my HGA has resulted in certain “initiations” that grant me the awareness of my Roles and Responsibilities in the cosmic Hierarchies, so I’m getting pretty consistent results. Not always pleasant from the mundane perspective, but always beneficial.

So the proper order for conjuring the spirits is:

1. Be right with God. Know your place. “Thou hast cleansed me with hyssop, oh Lord!” and so forth. (Remember in the Exorcist, the priest kept chanting, “It is not I, but Christ that commands you…”)
2. Have the seal of the spirit.
3. Call the spirit (“Thou spirit Michael, I conjure thee here in the name of the Most High God, in the Name of the Logos-Christ within me, in the name Eloahv Da’at, to appear before me in this crystal…”)
4. Explain what you want from the Spirit. (It’s a good idea to get confirmation that it understands, and have it tell you how it will do what it agrees to.)
5. Thank the Spirit, and bid it to go and do as it agreed.

Pretty simple, eh? The rest of the details of the various grimoires and such are cultural necessities. That means that when the Almadel has you make a Beeswax Angel Conjuring Device, you make a Beeswax Angel Conjuring Device if you expect to work with the spirits of the Almadel. If you’re OK with working with something that MIGHT be LIKE the spirits of the Almadel, you’re free to make your own adaptations, but the results are not guaranteed. I must stress, you have to know the rules before you can break them.

The three stages of Classical Education are Grammar, Logic, and Rhetoric. Grammar teaches the basic building blocks, Logic teaches how the building blocks are assembled, and Rhetoric is the stage where you demonstrate your understanding of the pieces and parts by assembling them in new ways.

The Grimoires themselves contain the elements of the Grammar stage. Lists of spirits. Means of contacting them. Performing the instructions in the Grimoires brings you in touch with the Spirits, who teach the Logic stage. After you’ve been “initiated” you advance to the Rhetoric stage, and you can make things up based on your knowledge and understanding gained from research AND experience. I’m not advocating Chaos Magick, but I’ve grown to recognize the elements of Chaos Magick that are true in certain contexts. What gets on my nerves is that Chaos Magick doesn’t give magicians the context necessary for success. :sigh: I’ve ranted on that elsewhere.

So much for keeping it brief. 🙂

Ahh, the Elemental Kings… I’m just going to jump into this with minimal preamble. It’s been a long week already.

In the Second Book of Occult Philosophy, Chapter 7, Agrippa provides a table that presents the Scale of the Number Four. In this Table, the Kings of the elements are listed as the Four Angels ruling over the corners of the world. Under them are the Four Rulers of the Elements, the Four Princes of Spirits, and the Four Princes of “Divels, offensive in the Elements.”

2.4.1 – Four Angels – The Kings

Personally, when I work with the Kings of the Elements, I prefer to work with these Angels. I’ve got an angelic connection in general with my Work, and I figure if it’s working as well as it is, why mix things up?

For years, I’ve thought the LBRP got the angels from the Bedtime Sh’Ma, a Jewish version of “now I lay me down to sleep.” I was very pleased to discover they are also considered the angels of the corners of the Earth in Agrippa’s system. The GD got most of their stuff from Francis Barrett’s The Magus anyway, and that was plagiarized from Agrippa almost 100%. Seeing the angels here as the Kings of the Elements has helped me further understand that Angels can share names without sharing their personage. I mean, Michael, King of Fire isn’t going to be the same as Michael Governor of the Sun. There are similitudes, of course, but that doesn’t make them the “same” being. Even if they were the same being, in the office of the King of Fire, Michael will not be behaving as the Governor of the Sun.

One nice thing about discovering these guys are the Kings of the Elements is that I’ve been doing the LBRP in ignorance for years. I’ve managed to build up as decent a relationship with them as can be hoped for, considering the depths of ignorance I was wallowing in.

2.4.2 – Four Rulers of the Elements – Angelic Orders

If you look at the sigils of the ten countenances of God in the Magical Calendar, you’ll see that the names of the angels ruling the planet/sphere are written on one side of the talismans along with the names of their respective Angelic Orders. I believe these are the Orders from which each Angelic King draws their legions of helpers. In working with these spirits, I’m placing the names of the Angels on their talisman along with the name of the Order of Angels presented here.

2.4.3 – Four Princes of “Divels,” Offensive in the Elements

These spirits represent the malefic aspects of the elements. While Michael might represent a controlled flame, like a candle or a hearth, Samael would represent a burning house. Both are aspects of Fire, and it is important to note that the Princes of Divels are under the authority of the Kings of the Elements.

2.4.4 – Four Princes of Spirits

These four Princes represent the “neutral” spirits of the elements. They are like the worker bees of the elements, in my experience. They, and their assigned legions, are the ones that oversee the manifestation of the elemental manifestations of the directives of the spirits higher up in, uhm, hierarchy.

2.4.5 Working with the Elemental Kings and their Princes

Now, with the above overview in mind, and remembering the way magicians work with the hierarchies of the spirits, a multitude of possibilites becomes available to the resourceful magician. In terms of the Great Work, we know from the Divine Pymander chapter of the Corpus Hermeticum that the Logos (manifested as the HGA in my interpretation of this system) abides with the righteous and sends an evil Daemon to confound the impious through their sphere of sensation, causing them to be further removed from their memories of their race and value as manifestations of God.

Later in the series, I’ll be getting into more practical work with the Kings that specifically relates to the topic of the four Kings and the eight Princes listed by Agrippa.

I did a ritual the other day with the Four Kings that has shed a lot of light on the subject in general in my personal Work, and I’ll be posting about it separately.

Let me just say up front, I really hated writing that last post. There’s so much more than I can cram into a blog post, it’s unbelievable. There are competing doctrines of creation, details given in the Bible that complement the details given in Trismegistus, and Timaeus, the thing that started it all… Man. There’s a lot that was left out.

But that’s yesterday. On to the Harmony of the Spheres!

Ok, so there are spheres within spheres that make up the cosmos beneath the realm of God. There’s a sphere that has the constellations on it, a sphere for each of the planets, a sphere for each of the elements. That’s 12 spheres (hey, just like the number of astrological signs, and the number of tribes of Israel, and the number of apostles, and the hours in a day and in a night, what a freaking coincidence!).

Now, there aren’t “really” 12 spheres. The realm of sensate matter is the lower four spheres, the Elemental spheres. This sphere includes all the physical planets, stars, galaxies, universes, etc. that we can and cannot see. Anything that can be sensed exists in the realm of the the elements, below the sphere of the Moon. So the elemental spheres, while separate and harmonious, blend together in to what we see. This is the sphere that can be sensed through our material bodies.

This leaves us with nine spheres.

The uppermost sphere, that of the constellations, can be viewed as an influencing sphere as opposed to a governing sphere. Agrippa talks a bit about this, and I won’t get too into details here, but suffice it to say that in my understanding of the NP cosmology, the sphere of the constellations is more like a barrier between the realms of the planetary governors (ending at the horizon of Saturn’s Sphere) and the unknowable Realm of God (Light-Divine Darkness-the One). The constellations can be viewed as pinpricks in this barrier through which the infinite light enters the realms of sensation, guiding or feeding as it were, the planetary governors.

Now, what we’ve done here is divided the infinite universe into three parts. The material realm is composed of the four elemental spheres. The seven spheres of the planetary governors is the second part, ending at the barrier of the Sphere of the constellations. Then there’s the infinite realm of God, the third part.

Only the realms of the Planetary Governors and the sphere of matter can be known and interacted with consciously. The higher realms may be experienced, but being before the utterance of the Word, they can’t really be put into words.

The realms of the Planetary Governors exist as pure emanations of God. When viewing God they are passive, but when viewing the realm of Matter, they are active. Being pure in their essence, they are in perfect harmony with one another and with God.

Now I’d like to introduce a concept I’ve used on the blog before (and I don’t claim to have created it), the Sphere of the Magician. Every one of us live in a bubble of perception. Lots of us have read various modern and classical interpretations of existence as being only that which can be sensed. Plato would have totally grokked Robert Anton Wilson, God rest his heathen soul. (I doubt Wilson could grok Plato though.)

This bubble of perception is our sphere within the material realm. The Emerald Tablet of Hermes, an excellent model of magickal operation on its own, bears the famous inscription “that which is above is like that which is below.” Metaphysically speaking, we have a spiritual sphere of sensation as well as the physical sphere of sensation. They aren’t really separated, but it’s easier to think of them as parts than to try to understand the whole all at once. A seed in an orange doesn’t look like an orange, and neither does the peel by itself, but they’re still one thing.

The basic intent of the magician is to get their “sphere” into harmony with the other spheres. Neo-platonic philosophers had various ways of achieving this. Plotinus taught that you could instantly “get it” by realizing your race and value. He talks about denigrating the things of matter and exalting the things of spirit. He, and Porphyry, his student and biographer, believed that the way to reclaim your race and value was through Philosophy, and various forms of Asceticism. Later, some Gnostics and others would take the idea to the extreme. They believed that because matter distracted you from your goal of reuniting with God, then all matter must be inherently evil. Some went so far as to claim that the God that created Matter must have been evil.

Poppycock.

Plotinus had another student that helped us out immensely as magicians who would rather do something more active than philosophize all day, and who wanted to participate in the matter-manifestation process in a more hands-on way. This guy was Iamblichus. He taught that theurgy, magickal arts and working with spirits were viable means of reuniting with the One, God. That’s the core of this system I’m presenting here. There are various other branches of neo-Platonism, and lots to discuss and argue about, but as magicians working with the NP magickal system, the point is to harmonize our sphere with the spheres above, and through this harmony to join with God, accomplishing what later became known as the Great Work.

The best encapsulation of the neo-platonic creation story that I’ve found is in the second book of The Divine Pymander by Hermes Trismegistus. (Check wikipedia for his story.) It’s simple and to the point. Christians like myself can identify enough parallels to feel at ease in it, and pagans can find enough other gods that they feel at home too. It’s a good little catch-all, and that makes sense when you study its history. Which I won’t get into here. Lots of debate around that, and I’d rather get to the point.

My understanding of the Creation is summarized below. There’s a lot I’m omitting for the sake of brevity, but I’m trying to include the required pieces to to lay the foundation.

In the beginning was essential God-the-Progenitor, dwelling in perfect darkness. In that perfect darkness, God still and always resides. By its nature, it radiates infinite pure light. In The Divine Pymander, Hermes Trismegistus is given a vision of the creation of the material realm. Within the infinite light appeared a great darkness, smoking as if it were on fire. Out of the infinite Light leaped a “certain holy Word” and that Word joined itself to the dark mass of Matter that came into being. When this holy Word entered the darkness, it separated into four realms. Fire leaped up highest to be closest to the infinite light, followed by Air, which seemed to hang between the Fire and Earth-Water below.

Next, God created a Workman. This guy created seven governors, each with their own sphere, surrounding the realm of Matter. When he did, the Word leaped up and cohabited with the Workman. This being then set the spheres in motion, and the natural world began creating animals and plants.

Meanwhile, God made Man in Its image. Man was the honored and beloved “brother” of the family. Eventually, after a lot went down (!), Man entered the physical realm, containing a spark of infinite God within, and yet also loving and being loved by Nature. We’re of two natures, mortal and immortal.

The Spark of the Divine within is what gives us “authority” overt the elements, and the seven governors. We’re coworkers though, not masters and slaves.

Ptolemy laid out the basic cosmology of the NP system. the center sphere is the sphere of Earth, surrounded by the sphere of Water, then Air, then Fire. Then there are the seven Spheres of the Governors. Each of these spheres is associated with one of the seven planets of classical astrology, the Moon, Mercury, Venus, the Sun, Mars, Jupiter and Saturn. Around these are the “fixt stars,” whose influence is primarily felt through the planetary governors. Beyond the stars is the realm of eternal light, and sitting in eternal divine darkness, radiating the light outwards and willing existence is the Primum Mobile, God.

The following image displays the basic cosmology of the NP system:

As you can see, there’s a hierarchy involved. Each successive sphere heading “outward” brings you further from the realm of matter and closer to the realm of God. This is the structure brought to Creation by Logos, the “holy Word” created or uttered by God-the-Progenitor.

The best encapsulation of the neo-platonic creation story that I’ve found is in the second book of The Divine Pymander by Hermes Trismegistus. (Check wikipedia for his story.) It’s simple and to the point. Christians like myself can identify enough parallels to feel at ease in it, and pagans can find enough other gods that they feel at home too. It’s a good little catch-all, and that makes sense when you study its history. Which I won’t get into here. Lots of debate around that, and I’d rather get to the point.

My understanding of the Creation is summarized below. There’s a lot I’m omitting for the sake of brevity, but I’m trying to include the required pieces to to lay the foundation.

In the beginning was essential God-the-Progenitor, dwelling in perfect darkness. In that perfect darkness, God still and always resides. By its nature, it radiates infinite pure light. In The Divine Pymander, Hermes Trismegistus is given a vision of the creation of the material realm. Within the infinite light appeared a great darkness, smoking as if it were on fire. Out of the infinite Light leaped a “certain holy Word” and that Word joined itself to the dark mass of Matter that came into being. When this holy Word entered the darkness, it separated into four realms. Fire leaped up highest to be closest to the infinite light, followed by Air, which seemed to hang between the Fire and Earth-Water below.

Next, God created a Workman. This guy created seven governors, each with their own sphere, surrounding the realm of Matter. When he did, the Word leaped up and cohabited with the Workman. This being then set the spheres in motion, and the natural world began creating animals and plants.

Meanwhile, God made Man in Its image. Man was the honored and beloved “brother” of the family. Eventually, after a lot went down (!), Man entered the physical realm, containing a spark of infinite God within, and yet also loving and being loved by Nature. We’re of two natures, mortal and immortal.

The Spark of the Divine within is what gives us “authority” overt the elements, and the seven governors. We’re coworkers though, not masters and slaves.

Ptolemy laid out the basic cosmology of the NP system. the center sphere is the sphere of Earth, surrounded by the sphere of Water, then Air, then Fire. Then there are the seven Spheres of the Governors. Each of these spheres is associated with one of the seven planets of classical astrology, the Moon, Mercury, Venus, the Sun, Mars, Jupiter and Saturn. Around these are the “fixt stars,” whose influence is primarily felt through the planetary governors. Beyond the stars is the realm of eternal light, and sitting in eternal divine darkness, radiating the light outwards and willing existence is the Primum Mobile, God.

The following image displays the basic cosmology of the NP system:

As you can see, there’s a hierarchy involved. Each successive sphere heading “outward” brings you further from the realm of matter and closer to the realm of God. This is the structure brought to Creation by Logos, the “holy Word” created or uttered by God-the-Progenitor.

The best encapsulation of the neo-platonic creation story that I’ve found is in the second book of The Divine Pymander by Hermes Trismegistus. (Check wikipedia for his story.) It’s simple and to the point. Christians like myself can identify enough parallels to feel at ease in it, and pagans can find enough other gods that they feel at home too. It’s a good little catch-all, and that makes sense when you study its history. Which I won’t get into here. Lots of debate around that, and I’d rather get to the point.

My understanding of the Creation is summarized below. There’s a lot I’m omitting for the sake of brevity, but I’m trying to include the required pieces to to lay the foundation.

In the beginning was essential God-the-Progenitor, dwelling in perfect darkness. In that perfect darkness, God still and always resides. By its nature, it radiates infinite pure light. In The Divine Pymander, Hermes Trismegistus is given a vision of the creation of the material realm. Within the infinite light appeared a great darkness, smoking as if it were on fire. Out of the infinite Light leaped a “certain holy Word” and that Word joined itself to the dark mass of Matter that came into being. When this holy Word entered the darkness, it separated into four realms. Fire leaped up highest to be closest to the infinite light, followed by Air, which seemed to hang between the Fire and Earth-Water below.

Next, God created a Workman. This guy created seven governors, each with their own sphere, surrounding the realm of Matter. When he did, the Word leaped up and cohabited with the Workman. This being then set the spheres in motion, and the natural world began creating animals and plants.

Meanwhile, God made Man in Its image. Man was the honored and beloved “brother” of the family. Eventually, after a lot went down (!), Man entered the physical realm, containing a spark of infinite God within, and yet also loving and being loved by Nature. We’re of two natures, mortal and immortal.

The Spark of the Divine within is what gives us “authority” overt the elements, and the seven governors. We’re coworkers though, not masters and slaves.

Ptolemy laid out the basic cosmology of the NP system. the center sphere is the sphere of Earth, surrounded by the sphere of Water, then Air, then Fire. Then there are the seven Spheres of the Governors. Each of these spheres is associated with one of the seven planets of classical astrology, the Moon, Mercury, Venus, the Sun, Mars, Jupiter and Saturn. Around these are the “fixt stars,” whose influence is primarily felt through the planetary governors. Beyond the stars is the realm of eternal light, and sitting in eternal divine darkness, radiating the light outwards and willing existence is the Primum Mobile, God.

The following image displays the basic cosmology of the NP system:

As you can see, there’s a hierarchy involved. Each successive sphere heading “outward” brings you further from the realm of matter and closer to the realm of God. This is the structure brought to Creation by Logos, the “holy Word” created or uttered by God-the-Progenitor.