Well, everything’s all set. I’m now taking orders for plaster casts of the talismans of the Kings of the Lemegeton’s Goetia. They’ll be leafed in gold-colored foil, not real gold for now. After I get some overhead capital built up, I’ll invest in some real gold leafing.

For now, I’m selling at $4.95 each, or $35 for a set of all 8.

Email me if you’re interested. I’ll get it set up on my web site later this weekend or some time.

This is not the “how to get rich” using the Goetia post. I lost steam on that article, and it’s going to be pretty long. I might just post it as a web page on my site. I dunno. I’ll keep you all updated.

Everyone should read the Goetic Magic blog.

http://goeticmagic.blogspot.com/

Brother Boyle from the Conspiracy of Pleasure blog has been posting a few interesting tales, and I’ve received an email from Yuzuru detailing his conjuration experiences with the four archangels of the LBRP. I’m cleaning it up a bit, but it should be posted soon. I’m including it because it’s technically a sub-lunar rite, sort of, depending on how you look at it.

I’ll be updating it more frequently too, lord willing. I invited most of the people I know to co-author the blog, but most folks have worked primarily with celestial spirits. I’m surprised, personally, because I thought I was pretty average, and I’ve been doing this goetic stuff for a couple of years now. Most folks into Magic that I tend to befriend are into the Great Work, and don’t seem as interested in goetic stuff as I am.

However… I expect the posting to pick up as soon as people start reading it. Something about being read makes folks want to participate.

I mentioned that I was engraving a quartz crystal with Bune’s sigil to a friend, and he was like, “Bune, again!?” He suggested that I might need to be careful about obsessing over one particular spirit, and mentioned that the Goetic spirits have a reputation for getting magicians obsessed.

I mentioned to my spouse what I was doing, and she said something like, “Bune Bune Bune, all you work with is Bune.”

I guess that’s the image I have because I write so much about him. I’ve been in a relationship with this spirit for almost two years, and I’m very happy with his work in my life. He’s the only spirit of the Goetia that I have a long-term relationship with, via the Spirit Pot. So I talk to him a lot, and I talk to you about him a lot.

However, he is not the only spirit I work with. I’m working on Belial’s seal, as well as the other 8 Kings of the Goetia. I’ve worked 18 of the 72 Spirits altogether from that particular grimoire, but mostly it’s been one-time rites, or simple conversations. I’m also working with the Archangels of the seven heavens on my spiritual alchemy. They get a lot more face time with me than Bune or any other Goetic spirits. I have a personal relationship with God. We hang out and have fun together.

Then there’s my HGA, with whom I’ve been exploring the Seven Heavens, and working with to understand his role in a magician’s life better. He’s not only a Guru to bring you to the edge of the alleged Abyss between the Supernal Triad of the Tree of Life. He’s also a familiar spirit that has authority over the Sub-Lunar spirits. He can directly bring riches, love, peace, joy, happiness, prosperity, and everything else material you need to perform the Great Work in comfort and style. He can help you perform what Psychics call “Remote Viewing,” and he can help heal people who are ill. Dude’s pretty cool.

So as you can see, I do a lot more Work with other spirits than Bune. I talk about Bune the most because he’s usually the one I turn to for money, and the fact is, money is always needed for something when you’re raising three kids. Even when my income covers bills, mortgage, and consumables, there’s college funds, trust funds, and our own retirement funds that need cash to grow. And the Lab needs equipment.

Which brings me to the crystal I engraved with Bune’s seal. After the Crystal Skull experience, I decided to stick with just a Bune Legionairre in the stone, totally focused on bringing the owner of the stone riches. It’s not finished yet. So far, I’ve got the crystal roughly shaped the way I want it, and the sigil in the stone.

There are two Seals for Bune in the Lemegeton’s Goetia. It says in the grimoire that the first (top over on the left) is not as effective as the second (bottom over on the left), but I believe this is only a reference to its effectiveness in contacting the spirit the first time. After that, the first Seal is as effective for marking things as “Belonging to Bune” as the second. The first seal is also much easier to carve into things, like wood, metal, or stone. The second is easier to draw than to engrave or carve. Since the crystal is so brittle, I picked the first seal to engrave in the stone. It’s got more straight lines, and less detail to try to capture.

Like I said, it’s not finished yet. I need to sand it again to get a better polish on it. I need to flatten the base a bit. I tried to make an ink to darken the engraved seal so it stood out more when you look at the stone. I made the ink by grinding up some venus herbs, then roasting the ground herbs on a metal sheet over a candle flame. As it blackened, I stirred it, reground it, and roasted it again until all the herb mass was charred. Then I mixed it with olive oil, and tried to put it into the engraved seal, and it sort of worked. It’s not really an ink though. More of an oily mass of ground charred herbs. Imagine that.

The stone’s got a spirit in it though, a spirit working for me. Last week, I got $750 in incorrect bank fees returned to me, stretching back to May of the previous year. Job offers abound. If enough people want inexpensive plaster seals of the Goetic Spirits, I might be able to pay for an unplanned vacation. Life, as they say, is good.

I mentioned that I was engraving a quartz crystal with Bune’s sigil to a friend, and he was like, “Bune, again!?” He suggested that I might need to be careful about obsessing over one particular spirit, and mentioned that the Goetic spirits have a reputation for getting magicians obsessed.

I mentioned to my spouse what I was doing, and she said something like, “Bune Bune Bune, all you work with is Bune.”

I guess that’s the image I have because I write so much about him. I’ve been in a relationship with this spirit for almost two years, and I’m very happy with his work in my life. He’s the only spirit of the Goetia that I have a long-term relationship with, via the Spirit Pot. So I talk to him a lot, and I talk to you about him a lot.

However, he is not the only spirit I work with. I’m working on Belial’s seal, as well as the other 8 Kings of the Goetia. I’ve worked 18 of the 72 Spirits altogether from that particular grimoire, but mostly it’s been one-time rites, or simple conversations. I’m also working with the Archangels of the seven heavens on my spiritual alchemy. They get a lot more face time with me than Bune or any other Goetic spirits. I have a personal relationship with God. We hang out and have fun together.

Then there’s my HGA, with whom I’ve been exploring the Seven Heavens, and working with to understand his role in a magician’s life better. He’s not only a Guru to bring you to the edge of the alleged Abyss between the Supernal Triad of the Tree of Life. He’s also a familiar spirit that has authority over the Sub-Lunar spirits. He can directly bring riches, love, peace, joy, happiness, prosperity, and everything else material you need to perform the Great Work in comfort and style. He can help you perform what Psychics call “Remote Viewing,” and he can help heal people who are ill. Dude’s pretty cool.

So as you can see, I do a lot more Work with other spirits than Bune. I talk about Bune the most because he’s usually the one I turn to for money, and the fact is, money is always needed for something when you’re raising three kids. Even when my income covers bills, mortgage, and consumables, there’s college funds, trust funds, and our own retirement funds that need cash to grow. And the Lab needs equipment.

Which brings me to the crystal I engraved with Bune’s seal. After the Crystal Skull experience, I decided to stick with just a Bune Legionairre in the stone, totally focused on bringing the owner of the stone riches. It’s not finished yet. So far, I’ve got the crystal roughly shaped the way I want it, and the sigil in the stone.

There are two Seals for Bune in the Lemegeton’s Goetia. It says in the grimoire that the first (top over on the left) is not as effective as the second (bottom over on the left), but I believe this is only a reference to its effectiveness in contacting the spirit the first time. After that, the first Seal is as effective for marking things as “Belonging to Bune” as the second. The first seal is also much easier to carve into things, like wood, metal, or stone. The second is easier to draw than to engrave or carve. Since the crystal is so brittle, I picked the first seal to engrave in the stone. It’s got more straight lines, and less detail to try to capture.

Like I said, it’s not finished yet. I need to sand it again to get a better polish on it. I need to flatten the base a bit. I tried to make an ink to darken the engraved seal so it stood out more when you look at the stone. I made the ink by grinding up some venus herbs, then roasting the ground herbs on a metal sheet over a candle flame. As it blackened, I stirred it, reground it, and roasted it again until all the herb mass was charred. Then I mixed it with olive oil, and tried to put it into the engraved seal, and it sort of worked. It’s not really an ink though. More of an oily mass of ground charred herbs. Imagine that.

The stone’s got a spirit in it though, a spirit working for me. Last week, I got $750 in incorrect bank fees returned to me, stretching back to May of the previous year. Job offers abound. If enough people want inexpensive plaster seals of the Goetic Spirits, I might be able to pay for an unplanned vacation. Life, as they say, is good.

I’m working on a new method for making the golden seals for the Kings of the Goetia. New for me, anyway. I don’t know, maybe other magicians have been doing this for years. As far as I know, it’s all my creation though, so I’m taking credit for it.

I carved Belial’s seal into an ordinary two-inch wooden disk, the kind you get from a craft store. I used the smallest little round carving ball dremel attachment I could find in my box. It may even have been intended for this.

Oh, diamond grinding bits are great for quartz, not wood.

So after carving the seal, I mushed it into Sculpey, some plasticene clay you can buy. You bake it at 275 (F) for fifteen minutes, and it turns to this weird harder-plastic that doesn’t bend or mush anymore. I pulled the wooden disk out, and had a nice little mold.

I baked the mold for about an hour. I should have put it on a baking pan, but being the lazy magi that I am, I threw it on a piece of parchment paper (the baking kind) laying on the oven rack. Then I took it out and let it cool. Then I mixed up some plaster, and poured it in the mold, and let it set for a while.

Sculpey has to be sealed with something water proof to make it water proof. Like paint or something. I didn’t do this, so all the water in the plaster just seeped out through the bottom of the Sculpey mold. I think it helped. I was able to pop out the plaster seal in an hour or so. One thing I noticed was that while baking, the Sculpey was still slightly malleable. Because this is the largest piece of Sculpey I’ve ever baked, it sort of drooped while it was baking, slightly misshaping the mold. So there’s a slight warp to the seal.

I let it sit over night, and then I cleaned it up with a sanding bit for the dremel, drilled a hole in the top, and proceeded to attempt to leaf the damn thing in gold.

With varying degrees of success. I bought this foil leafing kit that has a bottle of glue (they call it “size” but I swear it’s glue), a roll of foil, and some other stuff that doesn’t come into play right now. You put down the glue, wait for it to dry “clear” and then put the foil over it. You peel back the foil, and this plastic tape stuff comes away, and the foil is supposed to stick to the glue. Plaster, as you may know is white. It’s not easy to tell when a white glue has dried “clear” on white plaster. As you can see, it sort of almost worked.

Also, the gold leaf is supposed to get into all the carved out cracks, right? But the foil stuck to the flat bits. So I used the handy 18 kt gold leafing pen. It turned out alright. Not great, but alright. I like the shininess of the leaf foil over the paint pen, but the paint pen has some real gold in it, while the leaf foil doesn’t.

I really need to get a doggone working digital camera. I’ve been using my cell phone camera for this stuff, and it just doesn’t provide the clarity I want. It’s on my list of things to buy, as soon as the kids have all their back to school stuff, and things have quieted down on the home front.

So, I will be trying again. There are some inherent caveats in this. It’s not all gold, for one thing, and that makes me less than happy. It’s plaster. It weighs hardly anything, and I’m afraid it’s going to break if I drop it, or chip, or something. It’s convenient for a one or two-time use, I suspect, but for a long-term relationship with this spirit, I’d probably suggest something a little more durable. Even gold-leafing the wooden disk would probably make for a sturdier talisman…

Duh! I should have done that instead. Huh.

Oh well. If I wanted to mass produce these things, I have the means, at least. Anyone want to buy some gold-painted plaster seals for the Kings of the Goetia?

I’m working on a new method for making the golden seals for the Kings of the Goetia. New for me, anyway. I don’t know, maybe other magicians have been doing this for years. As far as I know, it’s all my creation though, so I’m taking credit for it.

I carved Belial’s seal into an ordinary two-inch wooden disk, the kind you get from a craft store. I used the smallest little round carving ball dremel attachment I could find in my box. It may even have been intended for this.

Oh, diamond grinding bits are great for quartz, not wood.

So after carving the seal, I mushed it into Sculpey, some plasticene clay you can buy. You bake it at 275 (F) for fifteen minutes, and it turns to this weird harder-plastic that doesn’t bend or mush anymore. I pulled the wooden disk out, and had a nice little mold.

I baked the mold for about an hour. I should have put it on a baking pan, but being the lazy magi that I am, I threw it on a piece of parchment paper (the baking kind) laying on the oven rack. Then I took it out and let it cool. Then I mixed up some plaster, and poured it in the mold, and let it set for a while.

Sculpey has to be sealed with something water proof to make it water proof. Like paint or something. I didn’t do this, so all the water in the plaster just seeped out through the bottom of the Sculpey mold. I think it helped. I was able to pop out the plaster seal in an hour or so. One thing I noticed was that while baking, the Sculpey was still slightly malleable. Because this is the largest piece of Sculpey I’ve ever baked, it sort of drooped while it was baking, slightly misshaping the mold. So there’s a slight warp to the seal.

I let it sit over night, and then I cleaned it up with a sanding bit for the dremel, drilled a hole in the top, and proceeded to attempt to leaf the damn thing in gold.

With varying degrees of success. I bought this foil leafing kit that has a bottle of glue (they call it “size” but I swear it’s glue), a roll of foil, and some other stuff that doesn’t come into play right now. You put down the glue, wait for it to dry “clear” and then put the foil over it. You peel back the foil, and this plastic tape stuff comes away, and the foil is supposed to stick to the glue. Plaster, as you may know is white. It’s not easy to tell when a white glue has dried “clear” on white plaster. As you can see, it sort of almost worked.

Also, the gold leaf is supposed to get into all the carved out cracks, right? But the foil stuck to the flat bits. So I used the handy 18 kt gold leafing pen. It turned out alright. Not great, but alright. I like the shininess of the leaf foil over the paint pen, but the paint pen has some real gold in it, while the leaf foil doesn’t.

I really need to get a doggone working digital camera. I’ve been using my cell phone camera for this stuff, and it just doesn’t provide the clarity I want. It’s on my list of things to buy, as soon as the kids have all their back to school stuff, and things have quieted down on the home front.

So, I will be trying again. There are some inherent caveats in this. It’s not all gold, for one thing, and that makes me less than happy. It’s plaster. It weighs hardly anything, and I’m afraid it’s going to break if I drop it, or chip, or something. It’s convenient for a one or two-time use, I suspect, but for a long-term relationship with this spirit, I’d probably suggest something a little more durable. Even gold-leafing the wooden disk would probably make for a sturdier talisman…

Duh! I should have done that instead. Huh.

Oh well. If I wanted to mass produce these things, I have the means, at least. Anyone want to buy some gold-painted plaster seals for the Kings of the Goetia?

I’ve failed in this particular endeavor. I was attempting to work with one archangel of the planets (as listed in Trithemius and Heidrick’s resources) each day this week. I made it as far as Michael on Sunday. (Note: Michael is associated with the sun in Trithemius notes instead of Raphael. My own work with Raphael supports the Trithemius correspondences that put Michael in Tiphareth/Sun and Raphael in Hod/Mercury.)

By Monday, I was exhausted. I was working with the archangels of the planets in the planetary hours of the planetary days. Due to my work schedule, I was waiting until 3:38 or 3:39 a.m. each night. The day time hours fell when I was at work, and the earlier night time hours coincided with the time I spent with my family.

The results of my Saturday working with Tzaphkiel of Saturn were very pleasant. Previous expereinces with Saturn had been unpleasant, and depressing. For this operation, I started with the LBRP, went on through Liber Samekh to invoke my HGA, and then performed the evocation of Tzaphkiel. The results were immediate.

Tzaphkiel appeared in the shewstone, and I stated my intention, to integrate the energies of saturn into my magickal sphere. Tzaphkiel agreed to help with this, and I felt the saturnine energies flowing into me, pooling in my fore-arms (of all places), like a weight was applied directly to my muscles and bones. Tzaphkiel explained the use of that energy as part of the operation.

Sunday I worked with Michael, following the same pattern. I got a false spirit the first time who wouldn’t enter the consecrated shewstone. I banished and conjured Michael again, this time with the desired result. I asked for him to help integrate the energies of the sun into my sphere, and he agreed. The feeling was again physical as the solar essence entered my sphere. This time I felt it in the base of my lungs, and Michael explained that the key to accessing solar energies was in the breath. The four-fold breath excites solar energies (inhale for four seconds, press the breath down in your lungs for four seconds, exhale for four seconds, wait four seconds, and repeat) in your sphere.

Monday I made a half-hearted attempt to contact Gabriel, but I fell asleep. Tuesday I was going to work with Gabriel and Kammael to “catch up,” but I figured it was a bad idea, and chose to stop the operation there for now.

Working with each planet for as little as one day seems to give useful results, but not a lot of depth of understanding of each of the planetary powers. I started to understand the binding aspects of Saturn, and its application in assiah, but before I really integrated the energies, I was on to the Sun. In the future, I’ll pick up with Luna, but spend more time than just one day integrating lunar energies, and so forth throughout the planets.

I just left one of my online message groups today. I had joined because someone invited me there, and it was a Rosicrucian forum so it looked interesting. I’ve been reading about alchemy to get ready for this upcoming series of blog posts I’m noodling over, and I thought I might get some insight into some symbols or something.

Man, what a let down. A couple days into it, I had received about twenty or so posts about the nature of Will. Great topic, wonderful exchange of ideas and opinions and theories, and all that. These people were smart, witty, and nice.

But I’m so bored with that kind of talk. I mean, this is stuff that we went over in like metaphysical kindergarten. I’m at a point now where everyone is saying the same things I’ve already seen other people say before. Sometimes they’ve been said better, other times they’ve been said worse. It doesn’t matter much to me, I’m bored either way.

I’m a little concerned. This is the stuff that I thought would be passionately interesting. I’m finding out that no one’s got anything to say that Solomon didn’t already say in Ecclesiastes. I used to think that if more people did magic, I’d have more to talk to about stuff. I’m finding out that isn’t true.

Caring less and less about more and more. That’s what seems to be happening as I continue in my work. I’m thinking I must be going through either a stagnation or putrification phase. If so, the solution to the problem would be steady and progressive addition of Mercury, Air, and whatever other alchemical symbols for that might be.

What gets me about all this is the damn time it takes. 30 weeks for the Stone, if you use lead and don’t mind poisoning yourself and everyone you “project” onto later. Just “Putrification” can take 6-12 weeks. Dissolving faesces, recondensing, blah blah blah.

Oh well. Perdurabo, as they say. There’s nothing more important to do with life, after all. The trick is to keep the heat steady.

Everyone should read the Goetic Magic blog.

http://goeticmagic.blogspot.com/

Brother Boyle from the Conspiracy of Pleasure blog has been posting a few interesting tales, and I’ve received an email from Yuzuru detailing his conjuration experiences with the four archangels of the LBRP. I’m cleaning it up a bit, but it should be posted soon. I’m including it because it’s technically a sub-lunar rite, sort of, depending on how you look at it.

I’ll be updating it more frequently too, lord willing. I invited most of the people I know to co-author the blog, but most folks have worked primarily with celestial spirits. I’m surprised, personally, because I thought I was pretty average, and I’ve been doing this goetic stuff for a couple of years now. Most folks into Magic that I tend to befriend are into the Great Work, and don’t seem as interested in goetic stuff as I am.

However… I expect the posting to pick up as soon as people start reading it. Something about being read makes folks want to participate.