Rufus Opus

Category: Blogspot Archive

Category: Blogspot Archive

  • New blog to add to my list of faves


    Jason Miller, author of Protection and Reversal Magick, has a new blog that specifically deals with magic and the practice thereof. Titled “Strategic Sorcery,” this promises to be one of the kinds of blogs that I love.

    Jason has spent time in Nepal training in Tantric Magic. He’s also a rootworker from Cat Yronwoode’s tradition, and a traditional ceremonial magician who works magic from the pages of Agrippa, Trithemius, and several popular grimoires I’m sure. The dude is pretty awesome.

    He’s one of those online treasures that get really emotionally and spiritually appreciated by millions of people who never think to thank him by giving him a couple bucks each.

    I believe he’s also teaching a series of workshops on Strategic Sorcery as well. I don’t have all the details, but I’m sure he’d be willing to pass them on to you at his earliest convenience, if you’re near enough to benefit.

  • Chthonic vs. Celestial

    Jake Stratton-Kent wrote the following explanation of his views on the Goetia as a genre (not just a grimoire in a grimoire). I’ve found the information Jake presented really useful in discussions with Goetic and Celestial entities alike since first reading it, and he was kind enough to let me post it here.

    Chthonic versus Celestial
    by Jake Stratton-Kent

    All ancient religions differ from modern religions in several major respects. We’re used to seeing things from a cultural perspective at least partly defined by what is known as *Revealed Religion*, in which *Revelation* (ultimately in the form of a Book) is received from on high (what we might term the *Celestial* region). The centre of gravity of this type of religion is the Celestial region, even though other realms of experience are considered – such as Earth, Hell and the physical universe in general.

    Ancient religions, and ‘primitive’ religion generally, is significantly different. Collectively they are termed Natural Religion (not to be confused with Nature Religion) which in contrast with Revelation from the Celestial realm evolves from the ground up, via deductive reasoning and observation of the world, including perceived supernatural components. It’s centre of gravity is Chthonic – it is notable that the Greeks at every stage of religious development considered the Earth the source of oracular power (contrasting Oracles with Revelations). Note again that this centre of gravity does not exclude consideration of other regions of experience, and thus gods of
    thunder, Sun, Moon etc. are not excluded by this focus.

    In the subsequent development of Greek religion the Celestial gained in importance, while the Chthonic powers for a long time retained divine status (notwithstanding some unpleasant characters in the underworld and elsewhere). My comparison of goetia with African Traditional Religions is intended to reflect this earlier status, and the chthonic ‘centre of gravity’ from which it evolved. The comparison is part of an effort to provide a position from which the pre-devaluation form of goetia may be understood in something like its own terms. In the past – whether in traditional sources, later publications or in discussions on the internet – goetia and dealing with the underworld has almost invariably been seen and described in terms of the later ‘Revealed Religion’ and has assumed the Celestial centre of gravity. That this gives an entirely false idea of how goetia originally operated – prior to devaluation – is obvious once this is taken on board. Otherwise it is very difficult to get past the perspective of Revealed Religion etc. which has prevailed in our culture for upwards of 2000 years.

    Additional perspective may be useful: the ‘goetia’ implicit in my usage is what Cumont called the ‘coarse and ancient goetia’; rites which preceded the adoption of supposed Persian ‘magic’ by the Greeks. That one survived alongside the other does not detract from the fact they had different frames of reference. In later magic goetia is not understood in its own original terms, having become a survival within a host tradition with another perspective. My use of chthonic and
    celestial refers to this aspect of the discussion, and as should be obvious I’m interested in recovering the perspective of goetia rather than of the host tradition (with which we’re all familiar in various guises).

  • Using the Spirit Pot

    I’m experimenting with different ways to use my spirit pot. From what I can find on the internet about spirit pots in hoodoo and the spirit cauldron in Palo, offerings to the spirit are made by placing the offering in the general vicinity of the pot. So far my offerings have consisted of lit candles.

    The reason I chose Bune, as I said in an earlier post, was because one of his powers is to bring riches unto a man. (From the Crowley-Mathers edition of the Goetia.) I am a Taurus, and while I have learned to be content in all things, whether poor or rich, I still prefer riches and oppulence to being consistently overdrawn in my bank accounts.

    One of the things I learned early in my magickal career is to always be very specific in what you want when doing magick, and even then, don’t expect the outcome to be exactly what you intended. At best it will be exactly what you asked for.

    With this in mind, I sat down one afternoon and figured out exactly how much money I would need to have the lifestyle I desire. I want a nice-sized house in a good area, to pay for the vehicles our family requires, and enough residual income to make around $100,000 a year. I also specifically want this money all at once, not just an opportunity to make the money over 16 years of labor. Knowing that I would be paying axes on a lump sum, I added that to the initial amount, and came up with a figure of $7,142,857.14.

    Last night I created a talisman that included the exact dollar amount, my intent, and the names of God used in evoking Goetic entities, crowned with ADNI MLK, because the intent is to have this manifest in the realm of Assiah. I placed this talisman in the spirit pot and lit three candles around the pot, and anointed the pot itself with the Oil of Abramelin. Anointing things with oil and waters seem to be a big deal in hoodoo, and the Oil of Abramelin is a very potent thinner of the veils.

    Rest assured, I will post the results. Any suggestions from more advanced users of the spirit pot are welcome. Comment below.

  • Chthonic vs. Celestial

    Jake Stratton-Kent wrote the following explanation of his views on the Goetia as a genre (not just a grimoire in a grimoire). I’ve found the information Jake presented really useful in discussions with Goetic and Celestial entities alike since first reading it, and he was kind enough to let me post it here.

    Chthonic versus Celestial
    by Jake Stratton-Kent

    All ancient religions differ from modern religions in several major respects. We’re used to seeing things from a cultural perspective at least partly defined by what is known as *Revealed Religion*, in which *Revelation* (ultimately in the form of a Book) is received from on high (what we might term the *Celestial* region). The centre of gravity of this type of religion is the Celestial region, even though other realms of experience are considered – such as Earth, Hell and the physical universe in general.

    Ancient religions, and ‘primitive’ religion generally, is significantly different. Collectively they are termed Natural Religion (not to be confused with Nature Religion) which in contrast with Revelation from the Celestial realm evolves from the ground up, via deductive reasoning and observation of the world, including perceived supernatural components. It’s centre of gravity is Chthonic – it is notable that the Greeks at every stage of religious development considered the Earth the source of oracular power (contrasting Oracles with Revelations). Note again that this centre of gravity does not exclude consideration of other regions of experience, and thus gods of
    thunder, Sun, Moon etc. are not excluded by this focus.

    In the subsequent development of Greek religion the Celestial gained in importance, while the Chthonic powers for a long time retained divine status (notwithstanding some unpleasant characters in the underworld and elsewhere). My comparison of goetia with African Traditional Religions is intended to reflect this earlier status, and the chthonic ‘centre of gravity’ from which it evolved. The comparison is part of an effort to provide a position from which the pre-devaluation form of goetia may be understood in something like its own terms. In the past – whether in traditional sources, later publications or in discussions on the internet – goetia and dealing with the underworld has almost invariably been seen and described in terms of the later ‘Revealed Religion’ and has assumed the Celestial centre of gravity. That this gives an entirely false idea of how goetia originally operated – prior to devaluation – is obvious once this is taken on board. Otherwise it is very difficult to get past the perspective of Revealed Religion etc. which has prevailed in our culture for upwards of 2000 years.

    Additional perspective may be useful: the ‘goetia’ implicit in my usage is what Cumont called the ‘coarse and ancient goetia’; rites which preceded the adoption of supposed Persian ‘magic’ by the Greeks. That one survived alongside the other does not detract from the fact they had different frames of reference. In later magic goetia is not understood in its own original terms, having become a survival within a host tradition with another perspective. My use of chthonic and
    celestial refers to this aspect of the discussion, and as should be obvious I’m interested in recovering the perspective of goetia rather than of the host tradition (with which we’re all familiar in various guises).

  • Tezcatlipoca and Dee’s Aztec Mirror


    Mr. Doctor Professor Patrick (OMG, total Spongebob moment… hang on… whew, ok…) Brought up a question on the previous blog that ought to be further expounded upon.

    Dee’s Aztec Obsidian Mirror came to Europe between 1527 and 1530, according to the British Museum’s notes on his magic mirror.

    I don’t know if he ever used it in scrying the Enochian stuff, but he did use it for scrying some things.

    So, Tezcatlipoca…

    He’s been popping up across my searches, weaving his smoke and mirrored way into my reality. I just sort of felt lead to put the mask on the skull, and it looks nice.

    Tezcatlipoca, among other things, is the God of the night. He appeared in the form of a jaguar in many tales (get it, jaguar tales… tails…), and did other cool stuff that I can’t remember. It’s a cop out, I know, but Wikipedia’s got a big article on him here, and I’m exhausted from putting together my garage today. Pulled all the accumulated crap out, and then neatly put it back in after sweeping. It doesn’t SOUND like an 8-hour job, but it was.

    The Garage, with all its cool space and alchemistical stuff is now officially “The Lab.” I may be running local workshops on making talismans out of copper and tin. Eventually.

    Anyway, I’m tarred (that’s “tired” for the yankees). So no more typey.

  • How to be an Uber-cool Magician and Never Pay Taxes Again

    In a previous post, I mentioned that I had asked Bune why he needed to be able to put the spirits under him on sepulchers. He answered me in a dream, and then I couldn’t remember the details. Last night and early this morning, he explained it to me again in a dream.

    That phrase, according to Bune, means that he will show you the ranks of his spirits. It refers to a process of “putting them in their place.” I got the sense that it was like a parade of soldiers, demonstrating the ranks and file of his legions. I also got the sense that it served him personally to keep the spirits in their place. They’re as unruly as people, and require discipline, to be shown “who’s boss” on occassion, and that what happens when he “puts them in their sepulcher.” It establishes a hierarchy of authority in their ranks, and teaches them where they belong. Like an exercise or drill in the armed forces. A spirit’s sepulcher is his place in the scheme of things.

    It seems like there’s a necromantic side to this as well that I don’t quite understand yet.

  • How to be an Uber-cool Magician and Never Pay Taxes Again

    Ha! Yeah right.

    Anyway, here are some random thoughts about why I haven’t experienced the same level of creeping chaos in my life as I’ve been working with Goetic spirits.

    Generally, I think, people who have the creeping chaos had the seeds for it already there in their lives before beginning their Goetic Work.

    Most magical traditions in the West have a methodology of identifying the parts of the self that are out of harmony with the rest of the universe and bringing them into harmony. In the Golden Dawn, for instance, this can take the form of initiations. In Alchemy, there is the Black stage where the impurities of the base ingredients are brought to the surface, the White stage where the impurities are burned to ash, and the Red stage, when the essence of the original ingredients is purified and transformed into the Philosopher’s Stone.

    This purification process is essential, in my opinion. It happens as you do the Work. When you begin the Work, you’re supposed to start where you’re at, and then ascend through the heavens to your Source, and then return to the earth in great power. That’s the methodology laid out in the Emerald Tablet of Hermes. The human being descends from the heavens through the elements into the flesh of the Earth. Through theurgical rituals, we ascend through the spheres of the heavens. As we do, the impurities get burned away, and when we return to the earth, we do so in power, and from this process the universe is continuously created.

    I didn’t jump ahead in the process. I started with making contact with my HGA. Based on the translation of the Sacred Magic of Abramelin by Mathers, I thought that after I had made contact with my HGA I was required to conjure the Four Kings of Hell, and all their servants, and get four familiars. Since that translation didn’t have all the seals of the demons you’re supposed to work with, I thought I would substitute the Goetia, as it’s more complete. Or so I thought at the time.

    Since my HGA was the only spirit I’d ever conjured, I figured I’d get my feet wet by Working with the Archangels of the Sephiroth. I looked for a quick and easy conjuration method, and found Trithemius’ Art of Drawing Spirits into Crystals. This technique is pretty straightforward and readily adaptable. It also only focuses on the seven Planetary Archangels. I was learning more about neoplatonism at the time, and this fit my personal understanding of the universal cosmology and spiritual hierarchies anyway, so I went with it.

    As I conjured each of the Archangels, I asked them to “purify the tincture of my sphere.” I went through various issues as a result (although honestly, it wasn’t that hard to deal with). I also built up my own sphere by interacting with these beings over a period of about a year. By the time I got back to the Goetic entities, I had already performed the ascension part. I knew where I belonged in the cosmic hierarchy, understood my race and value from an eternal perspective, and was ready to assume my role as the administrator of my physically manifest realm. There was no room for the Goetic spirit to cause chaos. There was no reason for it to, either.

  • How to be an Uber-cool Magician and Never Pay Taxes Again

    Ha! Yeah right.

    Anyway, here are some random thoughts about why I haven’t experienced the same level of creeping chaos in my life as I’ve been working with Goetic spirits.

    Generally, I think, people who have the creeping chaos had the seeds for it already there in their lives before beginning their Goetic Work.

    Most magical traditions in the West have a methodology of identifying the parts of the self that are out of harmony with the rest of the universe and bringing them into harmony. In the Golden Dawn, for instance, this can take the form of initiations. In Alchemy, there is the Black stage where the impurities of the base ingredients are brought to the surface, the White stage where the impurities are burned to ash, and the Red stage, when the essence of the original ingredients is purified and transformed into the Philosopher’s Stone.

    This purification process is essential, in my opinion. It happens as you do the Work. When you begin the Work, you’re supposed to start where you’re at, and then ascend through the heavens to your Source, and then return to the earth in great power. That’s the methodology laid out in the Emerald Tablet of Hermes. The human being descends from the heavens through the elements into the flesh of the Earth. Through theurgical rituals, we ascend through the spheres of the heavens. As we do, the impurities get burned away, and when we return to the earth, we do so in power, and from this process the universe is continuously created.

    I didn’t jump ahead in the process. I started with making contact with my HGA. Based on the translation of the Sacred Magic of Abramelin by Mathers, I thought that after I had made contact with my HGA I was required to conjure the Four Kings of Hell, and all their servants, and get four familiars. Since that translation didn’t have all the seals of the demons you’re supposed to work with, I thought I would substitute the Goetia, as it’s more complete. Or so I thought at the time.

    Since my HGA was the only spirit I’d ever conjured, I figured I’d get my feet wet by Working with the Archangels of the Sephiroth. I looked for a quick and easy conjuration method, and found Trithemius’ Art of Drawing Spirits into Crystals. This technique is pretty straightforward and readily adaptable. It also only focuses on the seven Planetary Archangels. I was learning more about neoplatonism at the time, and this fit my personal understanding of the universal cosmology and spiritual hierarchies anyway, so I went with it.

    As I conjured each of the Archangels, I asked them to “purify the tincture of my sphere.” I went through various issues as a result (although honestly, it wasn’t that hard to deal with). I also built up my own sphere by interacting with these beings over a period of about a year. By the time I got back to the Goetic entities, I had already performed the ascension part. I knew where I belonged in the cosmic hierarchy, understood my race and value from an eternal perspective, and was ready to assume my role as the administrator of my physically manifest realm. There was no room for the Goetic spirit to cause chaos. There was no reason for it to, either.

  • Crystal Skull 1 – Roughly Finished


    Behold the BLURRY CRYSTAL SKULL OF DOOOOOOOM!!!

    The best camera in the house is my daughter’s cell phone camera at 2.0 megapix. And she’s twelve. But hey, I gots pictures! I ain’t complaining!

    For size comparison, that is a twelve-year-old girl’s hand holding the crystal above a hardwood floor. The wood planks are about two inches wide, if that helps. It’s rather … smallish.

    My spouse said it was “cute.”

    Nevertheless!!! It’s awesome. I had worked after conjuring my Agatha Daimon and the Goetic spirit Bune. I was tingling from the whole experience, physically, and spiritually.

    Quartz has some pretty cool occult properties on its own. Carving quartz is delicate work, it cracks and shatters. That’s partially why it turned out so small. It’s my first effort, and I learned a lot.

    The heat from grinding it down was all focused at the tip of the crystal point, while it had one. I also dowsed it using a pendulum before carving it, and I’ll be dowsing it when it’s all the way finished too. It still needs more polishing, and the “mask” needs more work.

    The mask, by the way, is a reference to the Aztec God of Sorcerors, Tezcatlipoca. I remember it by repeating Tez-Cat-Lip-Polka. His name translates as “Smoking Mirror,” and he was the god they would work with to perform scrying acts in their obsidian mirrors. The god was often depicted either wearing the mirror, or having it for a foot. He had lost the foot luring the crocodile from the waters that he and Qetzelcoatl made the land out of in some of the Aztec creation myths.

    The mirror used by John Dee was one of these Aztec Mirrors made out of Obsidian and brought from the New World. Chances are pretty good that it was at one time used by someone of high importance under the auspices of Tezcatlipoca.

    So, we’ve got a nod to the god of scrying from the Aztec cosmology. Why? Because. The Google expedition on crystal skulls in general lead me to very specific skulls that were masks of Tezcatlipoca. I also got engrossed in Aztec creation myths, and I read most of the Popul Vu codex. Comparative theology never ceases to entertain me.

    Since beginning to carve the skull, it has appeared unasked for in a visit to my astral temple, sort of like Bune was just there one day after I put my spirit pot together for him. I’m not surprised, as Bune has worked on this skull with me, laying down a communications network for the spirits of the dead. My Agatha Daimon was also on hand to imbue it with pure Divine Light, so it’s more likely to draw whomever uses it towards God rather than away.

    I’m going to keep this for a while and play with it, see what comes out of my Work with it. I performed some basic psychometry on the crystals before choosing them, and found the ones that would be the best candidates based on their “vibe.” I’ll be testing them again, and maybe even writing up some of the Great Work lessons I learned from grinding the skull itself. Shaping a brittle crystalline matrix using a rotary tool and diamond bits requires a finesse and a strength combined that is hard to explain off the top of my head.

    Sorry if I’m all over the map on this post, I’m kind of excited.

  • Cool Stuff

    Someone on the lists is selling off a bunch of stuff to fund a move. It’s neat. Check here:

    http://search.ebay.com/W0QQsassZheatherc717

    One of the really cool items is this Phoenix Scepter:

    As you may know, I’ve got kids. That means an ever-handy excuse to watch Cartoons. One of our family favorites is Tutenstein. It’s from the Discovery Channel and integrates real archaeology with a fun supernatural plot line. Spoiled teenage brat zombie megalomaniacs. How can you go wrong?

    One of the things the boy-king has because he’s the Pharaoh is the “Scepter of Was.” I couldn’t help but notice the similarities. Heather, the person selling the Ceremonial Magic stuff, is a really detailed artistic person with a former passionate history for the whole Egyptian Thing. I’d be willing to bet there’s a real scepter of Was that she based her image on. If the Phoenix Wand could do half the things Tutenstein’s Scepter does, I say God Damn! Buy that bitch!